According to the Bible, Eve was the first to heed Satan's advice to eat the forbidden fruit and thus responsible for all of humanity's subsequent miseries. The notion of woman as the Devil's accomplice is prominent throughout Christian history and has been used to legitimize the subordination of wives and daughters. In the nineteenth century, rebellious females performed counter-readings of this misogynist tradition. Lucifer was reconceptualized as a feminist liberator of womankind, and Eve became a heroine. In these reimaginings, Satan is an ally in the struggle against a tyrannical patriarchy supported by God the Father and his male priests. Per Faxneld shows how this Satanic feminism was expressed in a wide variety of nineteenth-century literary texts, autobiographies, pamphlets, newspaper articles, paintings, sculptures, and even artifacts of consumer culture like jewelry. He details how colorful figures like the suffragette Elizabeth Cady Stanton, gender-bending Theosophist H. P. Blavatsky, author Aino Kallas, actress Sarah Bernhardt, anti-clerical witch enthusiast Matilda Joslyn Gage, decadent marchioness Luisa Casati, and the Luciferian lesbian poetess Renée Vivien embraced these reimaginings. By exploring the connections between esotericism, literature, art and the political realm, Satanic Feminism sheds new light on neglected aspects of the intellectual history of feminism, Satanism, and revisionary mythmaking.

This zine is all about viewing Satanism through a political lens. Both Satanism and Witchcraft are often misunderstood to be dark and evil forces. That or cults, cauldrons, and curses. But, in reality, it's about using the power within yourself to challenge what is wrong in the world through everyday acts of rebellion. To most Satanists, including myself, Satanism is atheistic and more of a political standpoint than a religious view. Rather than worshiping the guy that tried to swindle Eve out of knowledge and free will back in Genesis, this zine (and overall Satanism) focuses on worshiping thyself and taking note from the serpent that just ended up dealing with a whole lot of slander. This zine explores ways to actively hex racist, sexism, capitalism, transphobia and the binary. And, no, you don't need to sell your soul.

Written by a Catholic journalist who has investigated feminism on its own ground, this remarkable book fully exposes the hidden face of Catholic feminism for the first time, revealing its theoretical and psychological roots in loss of faith. A definitive account of a movement impelled by vengeful rage to revolt against all spiritual authority.

Exposing how "witch" and "slut" are used to police female sexuality, the author rehabilitates these sex positive archetypes.

According to the Bible, Eve was the first to heed Satan's advice to eat the forbidden fruit and thus responsible for all of humanity's subsequent miseries. The notion of woman as the Devil's accomplice is prominent throughout Christian history and has been used to legitimize the subordination of wives and daughters. In the nineteenth century, rebellious females performed counter-readings of this misogynist tradition. Lucifer was reconceptualized as a feminist liberator of womankind, and Eve became a heroine. In these reimaginings, Satan is an ally in the struggle against a tyrannical patriarchy supported by God the Father and his male priests. Per Faxneld shows how this Satanic feminism was expressed in a wide variety of nineteenth-century literary texts, autobiographies, pamphlets, newspaper articles, paintings, sculptures, and even artifacts of consumer culture like jewelry. He details how colorful figures like the suffragette Elizabeth Cady Stanton, gender-bending Theosophist H. P. Blavatsky, author Aino Kallas, actress Sarah Bernhardt, anti-clerical witch enthusiast Matilda Joslyn Gage, decadent marchioness Luisa Casati, and the Luciferian lesbian poetess Renée Vivien embraced these reimaginings. By exploring the connections between esotericism, literature, art and the political realm, Satanic Feminism sheds new light on neglected aspects of the intellectual history of feminism, Satanism, and revisionary mythmaking.

Satanism adopts Satan, the Judeo-Christian representative of evil, as an object of veneration. This work explores the historical origins of this extraordinary 'antireligion.'

A brilliant, disturbing portrait of the dawn of the culture wars, when America started to tear itself apart with doubts, wild allegations, and an unfounded fear for the safety of children. During the 1980s in California, New Jersey, New York, Michigan, Massachusetts, Florida, Tennessee, Texas, Ohio, and elsewhere, day care workers were arrested, charged, tried, and convicted of committing horrible sexual crimes against the children they cared for. These crimes, social workers and prosecutors said, had gone undetected for years, and they consisted of a brutality and sadism that defied all imagining. The dangers of babysitting services and day care centers became a national news media fixation. Of the many hundreds of people who were investigated in connection with day care and ritual abuse cases around the country, some 190 were formally charged with crimes, leading to more than 80 convictions. It would take years for people to realize what the defendants had said all along -- that these prosecutions were the product of a decade-long outbreak of collective hysteria on par with the Salem witch trials. Social workers and detectives employed coercive interviewing techniques that led children to tell them what they wanted to hear. Local and national journalists fanned the flames by promoting the stories' salacious aspects, while aggressive prosecutors sought to make their careers by unearthing an unspeakable evil where parents feared it most. Using extensive archival research and drawing on dozens of interviews conducted with the hysteria's major figures, n+1 editor Richard Beck shows how a group of legislators, doctors, lawyers, and parents -- most working with the best of intentions -- set the stage for a cultural disaster. The climate of fear that surrounded these cases influenced a whole series of arguments about women, children, and sex. It also drove a right-wing cultural resurgence that, in many respects, continues to this day.

Drawing on substantial new research, Red Feminism traces the development of a distinctive Communist strain of American feminism from its troubled beginnings in the 1930s, through its rapid growth in the Congress of American Women during the early years of the Cold War, to its culmination in Communist Party circles of the late 1940s and early 1950s. The author argues persuasively that, despite the devastating effects of anti-Communism and Stalinism on the progressive Left of the 1950s, Communist feminists such as Susan B. Anthony II, Betty Millard, and Eleanor Flexner managed to sustain many important elements of their work into the 1960s, when a new generation took up their cause and built an effective movement for women's liberation. Red Feminism provides a more complex view of the history of the modern women's movement, showing how key Communist activists came to understand gender, sexism, and race as central components of culture, economics, and politics in American society.

The Demonic Influence on Women Today In the late '60s, a small group of elite American women convinced an overwhelming majority of the country that destroying the most fundamental of relationships-that of mother and child-was necessary for women to have productive and happy lives. From the spoiling of this relationship followed the decay of the entire family, and almost overnight, our once pro-life culture became pro-lifestyle, embracing everything that felt good. Sixty million abortions later, women aren't showing signs of health, happiness, and fulfillment. Increased numbers of divorce, depression, anxiety, sexually transmitted disease, and drug abuse all point to the reality that women aren't happier, just more medicated. Huge cultural shifts led to a rethinking of womanhood, but could there be more behind it than just culture, politics, and rhetoric? Building off the scriptural foundations of the anti-Christ, Carrie Gress makes an in-depth investigation into the idea of an anti-Mary-as a spirit, not an individual-that has plagued the West since the '60s. Misleading generations of women, this anti-Marian spirit has led to the toxic femininity that has destroyed the lives of countless men, women, and children. Also in The Anti-Mary Exposed: How radical feminism is connected to the errors of Russia, spoken of by Our Lady of Fatima. The involvement and influence of the goddess movement and the occult. The influence of "female" demons, such as Lilith and Jezebel. The repulsive underbelly of radical feminism's chief architects. A look at the matriarchy, a cabal of elite women committed to abortion, who control the thinking of most women through media, politics, Hollywood, fashion, and universities.

Lolly Willowes: or, The Loving Huntsman by Sylvia Townsend Warner is a captivating and unconventional novel that blends elements of fantasy, feminism, and dark comedy. The story follows Laura Willowes, a spinster who defies societal expectations by embracing a life of independence and adventure in the English countryside. After the death of her overbearing father and the departure of her family, Laura, or “Lolly,” relocates to a remote village where she finds solace and freedom. However, her quiet life takes a fantastical turn when she becomes involved with witchcraft and a mysterious pact with the devil. Warner’s novel is celebrated for its unique exploration of themes such as autonomy, the role of women in society, and the conflict between personal desires and societal norms. With its rich prose, sharp wit, and imaginative narrative, Lolly Willowes offers a profound and entertaining commentary on the constraints placed on women and the transformative power of embracing one’s true self. It’s a must-read for those interested in literary fiction with a touch of the supernatural and a deep, feminist perspective.