Whether in the public realm as political activists, artists, teachers, biographers, editors, and writers or in the more traditional role of domestic, nurturing women, Elizabeth Peabody, Mary Peabody Mann, and Sophia Peabody Hawthorne subverted rigid nineteenth-century definitions of women’s limited realm of influence. Reinventing the Peabody Sisters seeks to redefine this dynamic trio’s relationship to the literary and political movements of the mid nineteenth century. Previous scholarship has romanticized, vilified, or altogether erased their influences and literary productions or viewed these individuals solely in light of their relationships to other nineteenth-century luminaries, particularly men---Ralph Waldo Emerson, Nathaniel Hawthorne, Horace Mann. This collection underscores that each woman was a creative force in her own right. Despite their differences and sibling conflicts, all three sisters thrived in the rarefied---if economically modest---atmosphere of a childhood household that glorified intellectual and artistic pursuits. This background allowed each woman to negotiate the nineteenth-century literary marketplace and in the process redefine its scope. Elizabeth, Mary, and Sophia remained linked throughout their lives, encouraging, complementing, and sometimes challenging each other’s endeavors while also contributing to each other’s literary work. The essays in this collection examine the sisters’ confrontations with and involvement in the intellectual movements and social conflicts of the nineteenth century, including Transcendentalism, the Civil War, the role of women, international issues, slavery, Native American rights, and parenting. Among the most revealing writings that the sisters left behind, however, are those which explore the interlaced relationship that continued throughout their remarkable lives.

Sweet, Clean Romance Series (complete series) The Hawthorne sisters’ world is turned upside down when their father dies unexpectedly. Forced to face their new situation with their widowed mother, the family struggles financially. Hannah, a stubborn and fiercely independent woman, pushes to save their family home. Over the course of four stories, each sister gets the spotlight, highlighting their personal failures and triumphs. Hannah: After losing her father, Hannah steps up to keep her family together, but her stubborn, independent streak may cost her the family farm. Allie: A broken woman. A second chance. Breaking free from a bad relationship, can Allie learn to love again? Sheriff Chapman is a county sheriff, determined to love and protect Allie. He’s known her as long as he can remember, and needs her in his life. Can he win her trust and help her feel whole again? Maggie: Maggie Hawthorne is a woman haunted by shadows and broken dreams. She desperately wants to enjoy life, but fear stands in her way. Keeping people out used to make her feel safe, but now it is just holding her back, especially from love. Sarah: Sarah's entire world crumbled when her father died. Nothing was the same. She didn't mean to keep making bad choices. When she got shocking news that she couldn't undo, she'd never felt more alone. Is there a happy ending in store for Hannah, Allie, Maggie, and Sarah? Be sure to pick up a copy today and follow the Hawthorne sisters as they journey through life’s changes and finally find their happy ending. Realistic contemporary western romance stories told with heart. complete series, Clean romance, sweet romance, western romance, sisters, small town romance, romance series, clean and wholesome

Our Sister Editors is the first book-length study of Sarah J. Hale's editorial career. From 1828 to 1836 Hale edited the Boston-based Ladies' Magazine and then from 1837 to 1877 Philadelphia's Godey's Lady's Book, which on the eve of the Civil War was the most widely read magazine in the United States, boasting more than 150,000 subscribers. Hale reviewed thousands of books, regularly contributed her own fiction and poetry to her magazines, wrote monthly editorials, and published the works of such writers as Nathaniel Hawthorne, Edgar Allan Poe, Harriet Beecher Stowe, and Lydia Sigourney. Okker successfully relates Hale's contributions both to debates about the status of women and to the development of American literature. Unlike many of her contemporaries, Hale insisted on the power of women within both the public and private spheres. Throughout her long career, Hale helped popularize new ideas about reading and genre, and she made significant contributions to the development of professional authorship.Our Sister Editors also provides the first overview of the large and diverse group of nineteenth-century women editors. In her examination of the role of women as editors, owners, and publishers of periodicals and her use of Hale's career to exemplify and discuss a series of major issues related to women's writing and reading in Victorian America, Patricia Okker offers a provocative revisionist study.

Sweet, clean romance. First book in a complete series. After losing her father, Hannah steps up to keep her family together, but her stubborn, independent streak may cost her the family farm. When her home goes up for auction, her father's friend, Bryce Callahan, saves the day. Why can’t she say thank you? She didn’t want to be attracted to him, and she certainly didn’t want to stare into his steely gray eyes. She didn’t want to kiss his lips, and yet the chemistry was undeniable. There was just one problem. Would Bryce be able to see her as the woman she'd become instead of the girl he once knew? And what would he want in exchange for saving the farm? Book 1 in "The Hawthorne Sisters" series. (Western, western romance, western romance books, romance, romantic, romance books, love stories, contemporary romance, sweet romance, clean romance, contemporary western, contemporary romance free, romance books free, romantic books free, love story, love story free, love stories, love stories free, love story books for free, western free, western books free, western romance free)

After Hurricane Katrina, the Hawthorne family moves up north to Lees, New Hampshire. Their next-door neighbor, Mrs. Bessie Quitman, suggests using Steve Hardwick for their lawn service. Unbeknownst to the family, he is a serial killer of Ted Bundy. After the Hawthornes murders, Sarah Langcaster moved to Lees, New Hampshire, to set up Simplicity Gift and Flower Shop with her older sister, Aerial Langcaster. Does she have enough time to stop serial killer Steve Hardwick from murdering her?

Call Me Home has an epic scope in the tradition of Louise Erdrich’s The Plague of Doves or Marilynne Robinson’s Housekeeping and braids the stories of a family in three distinct voices: Amy, who leaves her Texas home at 19 to start a new life with a man she barely knows, and her two children, Jackson and Lydia, who are rocked by their parents’ abusive relationship. When Amy is forced to bargain for the safety of one child over the other, she must retrace the steps in the life she has chosen. Jackson, 18 and made visible by his sexuality, leaves home and eventually finds work on a construction crew in the Idaho mountains, where he begins a potentially ruinous affair with Don, the married foreman of his crew. Lydia, his 12-year-old sister, returns with her mother to Texas, struggling to understand what she perceives to be her mother’s selfishness. At its heart, this is a novel about family, our choices and how we come to live with them, what it means to be queer in the rural West, and the changing idea of home.

A haunting and emotionally satisfying novel from a much-loved and critically acclaimed author, which weaves fairy tale and gritty realism together to dazzlingly effect.

Pulitzer Prize Finalist: “A stunning work of biography” about three little-known New England women who made intellectual history (The New York Times). Elizabeth, Mary, and Sophia Peabody were in many ways the American Brontës. The story of these remarkable sisters—and their central role in shaping the thinking of their day—has never before been fully told. Twenty years in the making, Megan Marshall’s monumental biography brings the era of creative ferment known as American Romanticism to new life. Elizabeth Peabody, the oldest sister, was a mind-on-fire influence on the great writers of the era—Emerson, Hawthorne, and Thoreau among them—who also published some of their earliest works; it was she who prodded these newly minted Transcendentalists away from Emerson’s individualism and toward a greater connection to others. Middle sister Mary Peabody was a passionate reformer who finally found her soul mate in the great educator Horace Mann. And the frail Sophia, an admired painter among the preeminent society artists of the day, married Nathaniel Hawthorne—but not before Hawthorne threw the delicate dynamics among the sisters into disarray. Casting new light on a legendary American era, and on three sisters who made an indelible mark on history, Marshall’s unprecedented research uncovers thousands of never-before-seen letters as well as other previously unmined original sources. “A massive enterprise,” The Peabody Sisters is an event in American biography (The New York Times Book Review). “Marshall’s book is a grand story . . . where male and female minds and sensibilities were in free, fruitful communion, even if men could exploit this cultural richness far more easily than women.” —The Washington Post “Marshall has greatly increased our understanding of these women and their times in one of the best literary biographies to come along in years.” —New England Quarterly

Author Nathaniel Hawthorne's sister Louisa drowns in an 1852 steamship accident. Cousin John Stephens Dike suspects foul play. Reading family documents bequeathed to him by cousin Elizabeth will prove his theory of a tragic love triangle, but first he must conquer his own demons. Will he and Pittsburgh lawyer Tom Blair assure justice is served?

'The Lake District's answer to The Handmaid's Tale.' Guardian England is in a state of environmental and economic crisis. Under the repressive regime of The Authority, citizens have been herded into urban centres, and all women of child-bearing age fitted with contraceptive devices. A woman known as 'Sister' leaves her oppressive marriage to join an isolated group of women in a remote northern farm at Carhullan, where she intends to become a rebel fighter. But can she follow their notion of freedom and what it means to fight for it? 'At the vanguard of the new wave of futuristic dystopian literature . . . an accomplished, provocative novel.' Literary Review 'Hall's fierce and shocking writing captures the cruel beauty of Cumbria.' Telegraph 'A dystopian vision of a disturbingly near future in which the floods have risen and the oil has run out . . . entirely modern and brutally fresh.' Independent