Las drogas están por todos lados. Cada vez hay más variedad y presentaciones; también los vendedores son más creativos para enganchar a los jóvenes. Este libro es una fuente de información indispensable. El lector se “beberá” sus páginas con avidez. De principio a fin quedará atrapado con la historia de los personajes e impactado por los efectos que causan drogas actuales como GHB, rohipnol, éxtasis, PCP, efedrina, ketamina, crack, LSD, cannabis y muchas otras, incluyendo el alcohol. LA DROGA es el principal enemigo social, pero lo es más la ignorancia y la creencia de que lo sabemos todo al respecto. Ha llegado el momento de informarnos, de entender que estamos en guerra y no podemos darnos el lujo de descuidarnos. Seguramente nunca antes has tenido en las manos un libro sobre las drogas tan interesante y útil como éste. Aprovéchalo y compártelo.

Itzel es una joven latina que viaja a Estados Unidos para aprender inglés y conocer otra cultura. Pero sus compañeros la discriminan; sufre un accidente y comete errores que la ponen en problemas legales. Entonces, se ve obligada a enfrentarse con sus propias limitaciones y a buscar principios que puedan ayudarla a levantarse. Invencible es una novela emocionante de principio a fin; expone leyes integrales para conquistar cualquier reto y triunfar en la vida. El lector quedará atrapado en su emocionante trama y descubrirá, con la protagonista, el poder de pensar y actuar de manera efectiva. Los libros de Sangre de Campeón, conforman la literatura juvenil más importante de la década. ¡Colecciónalos!

The author explores the relationship between contemplative and apostolic aspects of religious life in accounts by and about religious women in the Spanish Indies during the seventeenth and eighteenth centuries.

A beautifully packaged edition of one of García Márquez's most beloved novels, with never-before-seen color illustrations by the Chilean artist Luisa Rivera and an interior design created by the author's son, Gonzalo García Barcha. In their youth, Florentino Ariza and Fermina Daza fall passionately in love. When Fermina eventually chooses to marry a wealthy, well-born doctor, Florentino is devastated, but he is a romantic. As he rises in his business career he whiles away the years in 622 affairs—yet he reserves his heart for Fermina. Her husband dies at last, and Florentino purposefully attends the funeral. Fifty years, nine months, and four days after he first declared his love for Fermina, he will do so again.

Andre Breton wrote that MALDOROR is the expression of a revelation so complete it seems to exceed human potential.' First published in 1869, MALDOROR is the work of a mysterious genius about whom little is known aside from his birth in Uruguay, 1846, and his early death in Paris, 1870. His writings, published under the pseudonym Comte de Lautreamont, bewildered his contemporaries but have since taken their place alongside other French classics of transgression such as Sade, Baudelaire, Rimbaud. A unique translation.'

Cecilia Valdés is arguably the most important novel of 19th century Cuba. Originally published in New York City in 1882, Cirilo Villaverde's novel has fascinated readers inside and outside Cuba since the late 19th century. In this new English translation, a vast landscape emerges of the moral, political, and sexual depravity caused by slavery and colonialism. Set in the Havana of the 1830s, the novel introduces us to Cecilia, a beautiful light-skinned mulatta, who is being pursued by the son of a Spanish slave trader, named Leonardo. Unbeknownst to the two, they are the children of the same father. Eventually Cecilia gives in to Leonardo's advances; she becomes pregnant and gives birth to a baby girl. When Leonardo, who gets bored with Cecilia after a while, agrees to marry a white upper class woman, Cecilia vows revenge. A mulatto friend and suitor of hers kills Leonardo, and Cecilia is thrown into prison as an accessory to the crime. For the contemporary reader Helen Lane's masterful translation of Cecilia Valdés opens a new window into the intricate problems of race relations in Cuba and the Caribbean. There are the elite social circles of European and New World Whites, the rich culture of the free people of color, the class to which Cecilia herself belonged, and then the slaves, divided among themselves between those who were born in Africa and those who were born in the New World, and those who worked on the sugar plantation and those who worked in the households of the rich people in Havana. Cecilia Valdés thus presents a vast portrait of sexual, social, and racial oppression, and the lived experience of Spanish colonialism in Cuba.

“This collection, because of its exceptional theoretical coherence and sophistication, is qualitatively superior to the most frequently consulted anthologies on Latin American women’s history and literature . . . [and] represents a new, more theoretically rigorous stage in the feminist debate on Latin American women.”—Elizabeth Garrels, Massachusetts Institute of Technology