Although Samuel Johnson's famed ramblings never took him more than five hundred miles from his London home, he was an indefatigable planner of distant voyages. Sharing with his fellow Englishmen that passion for investigating the unknown which had ushered in a momentous geographical revolution, Johnson became the original armchair traveler. His writings proclaim a boundless curiosity about the globe and demonstrate a pervasive preoccupation with travel in every conceivable form. Travel represented more for him than geographical movement; it was a symbol of intellectual growth in his life, his morality, and his society. While Johnson's biographers have all emphasized his fascination with exploration and discovery, no comprehensive study of his complex relationship to the epoch-making geographical advances of his century has heretofore appeared. Thomas Curley's Samuel Johnson and the Age of Travel offers new perspectives on this crucial and surprisingly little-known concern of the man and his age, when English literature brilliantly mirrored the widening frontiers of the British Empire. Drawing extensively on Johnson's entire canon, the works of his contemporaries, and a vast store of much neglected travel books, Curley places Johnson's love of travel and travel literature firmly in its literary and historical contexts. Johnson's career began with the translation of a travel book, yielded numerous articles and essays on the subject in his middle years, and culminated in the publication of his own splendid description of the Highlands in A Journey to the Western Islands of Scotland. Keenly interested in geography, Johnson studied well over two centuries of travel literature to validate his own philosophy of human nature and to promote improved literary standards in what was then the second most popular genre in England. His masterpiece, Rasselas, not only enshrined his recurring vision of man as perpetual explorer but also exemplified that fruitful interaction between travel books and belles-lettres so prevalent throughout Johnson's age. Samuel Johnson and the Age of Travel sheds new light on Johnson's career ambitions, his talents in moral observation and literary creation, and his inquisitive age. Johnson emerges in Curley's study as a truly representative writer completely captivated by the romance of Georgian travel and illustrative of the cultural impact of an expanding world picture upon the minds and letter of eighteenth-century Englishmen.

He was a servant to the public, a writer for hire. He was a hero, an author adding to the glory of his nation. But can a writer be both hack and hero? The career of Samuel Johnson, recounted here by Lawrence Lipking, proves that the two can be one. And it further proves, in its enduring interest for readers, that academic fashions today may be a bit hasty in pronouncing the "death of the author." A book about the life of an author, about how an author is made, not born, Lipking's Samuel Johnson is the story of the man as he lived--and lives--in his work. Tracing Johnson's rocky climb from anonymity to fame, in the course of which he came to stand for both the greatness of English literature and the good sense of the common reader, the book shows how this life transformed the very nature of authorship. Beginning with the defiant letter to Chesterfield that made Johnson a celebrity, Samuel Johnson offers fresh readings of all the writer's major works, viewed through the lens of two ongoing preoccupations: the urge to do great deeds--and the sense that bold expectations are doomed to disappointment. Johnson steers between the twin perils of ambition and despondency. Mounting a challenge to the emerging industry that glorified and capitalized on Shakespeare, he stresses instead the playwright's power to cure the illusions of everyday life. All Johnson's works reveal his extraordinary sympathy with ordinary people. In his groundbreaking Dictionary, in his poems and essays, and in The Lives of the English Poets, we see Johnson becoming the key figure in the culture of literacy that reaches from his day to our own.

The first new biography for a generation of one of the great figures of English literature Poet, essayist, biographer, lexicographer, critic, conversationalist and wit, Dr Johnson is one of the great figures of English literature, perhaps the most quoted English writer after Shakespeare. Our view of Johnson has been overwhelmingly shaped by James Boswell's Life of Samuel Johnson, published in 1791, the most famous biography in the English language. But invaluable as Boswell is as a source, he should not be the last word. This new biography illuminates the Johnson that Boswell never knew: the awkward youth, the unsuccessful schoolmaster, the eccentric marriage, his early years in London in the 1740s scratching a living, the epic struggle to produce the Dictionary. Very much the outsider, rather than the supremely confident dispenser of robust common sense. Using material unknown to previous biographers, Peter Martin describes the psychological knife-edge on which Johnson felt he lived, caused by his severe melancholia and his physical diseases. He explores Johnson's role in the publishing and printing world of the time and he reveals how important women were to Johnson throughout his life. The Samuel Johnson that emerges from this enthralling biography is still the foremost figure of his age but a more rebellious, unpredictable and sympathetic figure than the one that Boswell so memorably portrayed.

A work of reference on 'the age of Johnson', putting literature in the context of the society that produced it.

No major author worked in more genres than Samuel Johnson—essays, poetry, fiction, criticism, biography, scholarly editing, lexicography, translation, sermons, journalism. His works are more extensive than those of any other canonical English writer, and no earlier writer's life was documented as thoroughly by contemporaries. Because it's so difficult to know him thoroughly, people have made do with surrogates and simplifications. But Johnson was much more complicated than the popular image of 'Dr. Johnson' suggests: socially conservative but also one of the most radical abolitionists of his age, a firm believer in social hierarchy but an outspoken supporter of women intellectuals, an uncompromising Christian moralist but also a penetrating critic of family structures. Labels fit him poorly. In The Oxford Handbook of Samuel Johnson, an international team of thirty-six scholars offers the most comprehensive examination ever attempted of one of the most complex figures in English literature. The book's first section examines Johnson's life and the texts of his works; the second, organized by genre, explores all his major works and many of his minor ones; the third, organized by topic, covers the subjects that were most important to him as a writer, as a thinker, and as a moralist.

Prize-winning biographer Leo Damrosch tells the story of “the Club,” a group of extraordinary writers, artists, and thinkers who gathered weekly at a London tavern In 1763, the painter Joshua Reynolds proposed to his friend Samuel Johnson that they invite a few friends to join them every Friday at the Turk’s Head Tavern in London to dine, drink, and talk until midnight. Eventually the group came to include among its members Edmund Burke, Adam Smith, Edward Gibbon, and James Boswell. It was known simply as “the Club.” In this captivating book, Leo Damrosch brings alive a brilliant, competitive, and eccentric cast of characters. With the friendship of the “odd couple” Samuel Johnson and James Boswell at the heart of his narrative, Damrosch conjures up the precarious, exciting, and often brutal world of late eighteenth-century Britain. This is the story of an extraordinary group of people whose ideas helped to shape their age, and our own.

Uncovers African influences on the Western imagination during the eighteenth century, paying particular attention to the ways Ethiopia inspired and shaped the work of Samuel Johnson.