Founding father of the famous monastery on the island of Iona, a site of pilgrimage ever since his death in 597, St Columba was born into one of the ruling families in Ireland at a time of immense expansion for the Irish Church. This account of his life, written by Adomnán - the ninth abbot of Iona, and a distant relative of St Columba - describes his travels from Ireland to Scotland and his mission in the cause of Celtic Christianity there. Written 100 years after St Columba's death, it draws on written and oral traditions to depict a wise abbot among his monks, who like Christ was capable of turning water into wine, controlling sea-storms and raising the dead. An engaging account of one of the central figures in the 'Age of Saints', this is a major work of early Irish and Scottish history.

Written by the author of The Bruce Trilogy, The Captive Crown, and Margaret the Queen, this is the story of a very human, fallible but courageous and indomitable man, born an Irish prince in the troubled and pagan sixth century, who rejected the high kingship of all Ireland to be an abbot.

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Examines the life, character and achievements of St Columba, and the distinctive nature and current relevance of Columban Christianity and its key strands - pilgrimage, penitence and politics. This saint's message has never been more timely than now, 1400 years after his death.

In-depth biography of Columba of Iona Irish monk who is credited with taking Christianity to Scotland Examines many different facets of his life

In 1970 a concrete replica of the St John’s Cross arrived in Iona sitting incongruously on the deck of a puffer delivering the island’s annual supply of coal. What is the story behind this intriguing replica? How does it relate to the world’s first ringed ‘Celtic cross’, an artistic and technical masterpiece, which has been at the heart of the Iona experience since the eighth century? What does it tell us about the authenticity and value of replicas? In this fascinating book, Foster and Jones draw on extensive interdisciplinary research to reveal the composite biography of the St John’s Cross, its concrete replica, and its many other scale copies. They show that replicas can acquire rich forms of authenticity and value, informed by social relations, craft practices, creativity, place and materiality. Thus, the book challenges traditional precepts that seek authenticity in qualities intrinsic to original historic objects. Replicas are shown to be important objects in their own right, with their own creative, human histories — biographies that people can connect with. The story of the St John’s Cross celebrates how replicas can ‘work’ for us if we let them, particularly if clues are available about their makers’ passion, creativity and craft.