Reprint of the original, first published in 1875.

Reprint of the original, first published in 1876.

Reprint of the original, first published in 1881.

Reprint of the original, first published in 1877.

Reprint of the original, first published in 1875.

She barely escaped with her life. He’s hellbent on helping lost souls. When a marriage of convenience leads to love, can their hearts keep them safe? Brynn Smith hides her battle scars well. On the run and in hiding from a dangerous cult, she’s terrified she’ll fail to protect her child. And when the teen comes out as transgender, she’s taken aback by their gentle counselor’s offer to wed in the hope of creating a safer home. Aaron Ridley channeled his own tragedy into supporting LGBTQ+ youth. Still grieving the loss of his trans brother, he doesn’t hesitate to share his medical insurance with a woman and her teenager even if it means committing to a legal union. And with violent cultists invading their small town in search of his new wife, Aaron vows to care for them all… no matter the cost. Struggling to fend off painful memories, Brynn’s surprised by the growing feelings for her generous husband. And as their pragmatic arrangement transforms into a genuine connection, Aaron fears Brynn’s inner wounds could tear them apart forever. Will a couple’s unexpected bond survive the destructive reach of her past? Hope Between Us is the steamy eighth tale in the Shattered Cove romance series. If you like the beauty of diversity, pulse-pounding climaxes, and undeniable attraction, then you’ll adore A. M. Kusi’s riveting story. Buy Hope Between Us to transform pain into joy today! ***Complete series. No cheating. HEA guaranteed. ***

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

By tracing the rise of the New Man alongside novelistic changes in the representations of marriage, MacDonald shows how this figure encouraged Victorian writers to reassess masculine behaviour and to re-imagine the marriage plot in light of wider social changes. She finds examples in novels by Dickens, Anne Brontë, George Eliot and George Gissing.

'Heroic Disobedience: The Forced Marriage Plot and the British Novel, 1747-1880' shows the ways in which eighteenth- and nineteenth-century novels used what the author terms the forced marriage plot - a plot arc in which a greedy father tries to force his daughter into a marriage she does not want but that would be financially expedient to himself - to explore capitalism’s detrimental impacts on women’s right to autonomy. As capitalist economic practices replaced mercantilism, a woman’s value was seen primarily in the economic sense. That is, men came to recognize that women – especially young, marriageable women – could be used as objects of exchange between men. Recognizing this phenomenon, the novelists considered in 'Heroic Disobedience' – Samuel Richardson, Charlotte Lennox, Mary Robinson, Charlotte Smith, Jane Austen, Charles Dickens, Elizabeth Stone, and Anthony Trollope – depict the very specific ways in which women were raised to become willing pawns in this system. Religious discourse, conduct guides, marriage and property laws, wages, lack of meaningful education, and inheritance practices combined to leave women with no other options besides dependence on their patriarchs. Importantly, authors who use the forced marriage plot go beyond exposing women’s subjugation by creating – and celebrating – heroically disobedient heroines who believe, above all else, that they have the right to determine their own futures: futures in which they are autonomous agents, not subjected objects.