"A major contribution to the study of Roman imperialism and ancient international relations."—John Rich, University of Nottingham

This text gives meaning not just to Christmas, but to the whole winter season. Folklore expert John Matthews traces the history behind many of the sacred traditions of the holiday season and provides refreshing and practical suggestions for celebrating the winter solstice as a joyous, life-affirming, spritual festival.

The Carthaginians reveals the complex culture, society and achievements of a famous, yet misunderstood, ancient people. Beginning as Phoenician settlers in North Africa, the Carthaginians then broadened their civilization with influences from neighbouring North African peoples, Egypt, and the Greek world. Their own cultural influence in turn spread across the Western Mediterranean as they imposed dominance over Sardinia, western Sicily, and finally southern Spain. As a stable republic Carthage earned respectful praise from Greek observers, notably Aristotle, and from many Romans – even Cato, otherwise notorious for insisting that ‘Carthage must be destroyed’. Carthage matched the great city-state of Syracuse in power and ambition, then clashed with Rome for mastery of the Mediterranean West. For a time, led by her greatest general Hannibal, she did become the leading power between the Atlantic and the Adriatic. It was chiefly after her destruction in 146 BC that Carthage came to be depicted by Greeks and Romans as an alien civilization, harsh, gloomy and bloodstained. Demonising the victim eased the embarrassment of Rome’s aggression; Virgil in his Aeneid was one of the few to offer a more sensitive vision. Exploring both written and archaeological evidence, The Carthaginians reveals a complex, multicultural and innovative people whose achievements left an indelible impact on their Roman conquerors and on history.

Battle: A History of Combat and Culture spans the globe and the centuries to explore the way ideas shape the conduct of warfare. Drawing its examples from Europe, the Middle East, South Asia, East Asia, and America, John A. Lynn challenges the belief that technology has been the dominant influence on combat from ancient times to the present day. In battle, ideas can be more far more important than bullets or bombs. Clausewitz proclaimed that war is politics, but even more basically, war is culture. The hard reality of armed conflict is formed by -- and, in turn, forms -- a culture's values, assumptions, and expectations about fighting. The author examines the relationship between the real and the ideal, arguing that feedback between the two follows certain discernable paths. Battle rejects the currently fashionable notion of a "Western way of warfare" and replaces it with more nuanced concepts of varied and evolving cultural patterns of combat. After considering history, Lynn finally asks how the knowledge gained might illuminate our understanding of the war on terrorism.

Preliminary material /Gaston H. Halsberghe -- THE LITERARY TEXTS /Gaston H. Halsberghe -- THE SUN CULT UP TO THE FIRST CENTURY OF THE EMPIRE /Gaston H. Halsberghe -- THE EASTERN RELIGIONS: THEIR DISTRIBUTION AND ADHERENTS /Gaston H. Halsberghe -- SOL INVICTUS ELAGABAL /Gaston H. Halsberghe -- THE CONTINUATION OF THE CULT OF SOL INVICTUS /Gaston H. Halsberghe -- THE REIGN OF AURELIAN /Gaston H. Halsberghe -- CONCLUSION /Gaston H. Halsberghe.

This book explores how festivals of Rome were celebrated in the Greek East and their transformations in the Christian world.

When a Roman widow shows unusual interest in Flavia's father, Flavia decides to discover Cartila's true motives by performing twelve tasks, just like the Greek hero Hercules.

Titus Maccius Plautus' career is on the decline. Once renound for bringing Greek comedies to the Roman world, now he struggles to stage a single play. Unlucky with money and unlucky in love, Plautus faces the world with wry dignity. This could be the performance that brings back fame and fortune, or the one that ends it all. Engaging, thoughtful, and funny, The Comedian dives into the rough and tumble world of arts in its infancy. Clem Martini draws on his talent and experience to bring to life the signs and sounds of a world where playwrights suffered and succeeded--but mostly suffered.