Learn to create altars and sacred spaces to bring magic into your daily life with The Book of Altars and Sacred Spaces.

Making a foundational contribution to Mesoamerican studies, this book explores Aztec painted manuscripts and sculptures, as well as indigenous and colonial Spanish texts, to offer the first integrated study of food and ritual in Aztec art. Aztec painted manuscripts and sculptural works, as well as indigenous and Spanish sixteenth-century texts, were filled with images of foodstuffs and food processing and consumption. Both gods and humans were depicted feasting, and food and eating clearly played a pervasive, integral role in Aztec rituals. Basic foods were transformed into sacred elements within particular rituals, while food in turn gave meaning to the ritual performance. This pioneering book offers the first integrated study of food and ritual in Aztec art. Elizabeth Morán asserts that while feasting and consumption are often seen as a secondary aspect of ritual performance, a close examination of images of food rites in Aztec ceremonies demonstrates that the presence—or, in some cases, the absence—of food in the rituals gave them significance. She traces the ritual use of food from the beginning of Aztec mythic history through contact with Europeans, demonstrating how food and ritual activity, the everyday and the sacred, blended in ceremonies that ranged from observances of births, marriages, and deaths to sacrificial offerings of human hearts and blood to feed the gods and maintain the cosmic order. Morán also briefly considers continuities in the use of pre-Hispanic foods in the daily life and ritual practices of contemporary Mexico. Bringing together two domains that have previously been studied in isolation, Sacred Consumption promises to be a foundational work in Mesoamerican studies.

Honor life’s milestones and bring sacredness into everyday life. The Book of Blessings and Rituals shows you how to create ceremony and meaning around the most important events in you life. Drawing from different world traditions, leading metaphysical teacher Athena Perrakis presents blessings to cover a wide array of occasions and intentions, including holidays and sacred days, love, healing, protection, prosperity and success, lunar blessings and rituals, and manifestation. Organized by month, you'll be able to celebrate the sacred all year long. DIY projects and rituals will help you perform each blessing. You’ll learn how to construct medicine bundles and altars, which crystals to use to amplify the rituals or clear energy, and how to smudge for clearing and protection. In addition, you’ll learn how to use the power of invocations and blessings to set the energy of your home or event and to assist in amplifying goals and intentions. Deepen your experience of the sacred, find inspiration, and heal with this non-denominational guide to blessings and rituals.

Ritual and the Sacred discusses some of the most important issues of modern socio-political life through the lens of a neo-Durkheimian perspective. Building on the main lesson of Durkheim's Elementary Forms of Religious Life, this book articulates values and practices common to non-Western and religious traditions that have the capacity to shape our modern way of living. Central to this volume is the question of modernity and scepticism with regard to mainstream Western wisdom; Rosati focuses on the notion of societal self-reassessment and self-revision, illustrating a willingness to learn from ’primitive’ societies. This reassessment necessitates us to rethink the central roles played by ritual and the sacred as building blocks of social and individual life, both of which remain salient features within the modern world. This title will be of key interest to sociologists of religion, philosophy politics and social theorists.

The Incas carried out some of the most dramatic ceremonies known to us from ancient times. Groups of people walked hundreds of miles across arid and mountainous terrain to perform them on mountains over 6,096 m (20,000 feet) high. The most important offerings made during these pilgrimages involved human sacrifices (capacochas). Although Spanish chroniclers wrote about these offerings and the state sponsored processions of which they were a part, their accounts were based on second-hand sources, and the only direct evidence we have of the capacocha sacrifices comes to us from archaeological excavations. Some of the most thoroughly documented of these were undertaken on high mountain summits, where the material evidence has been exceptionally well preserved. In this study we describe the results of research undertaken on Mount Llullaillaco (6,739 m/22,109 feet), which has the world's highest archaeological site. The types of ruins and artifact assemblages recovered are described and analyzed. By comparing the archaeological evidence with the chroniclers' accounts and with findings from other mountaintop sites, common patterns are demonstrated; while at the same time previously little known elements contribute to our understanding of key aspects of Inca religion. This study illustrates the importance of archaeological sites being placed within the broader context of physical and sacred features of the natural landscape.

Zen rituals—such as chanting, bowing, lighting incense before the Buddha statue—are ways of recognizing the sacredness in all of life. A ritual is simply a deliberate and focused moment that symbolizes the care with which we should be approaching all of life, and practicing the Zen liturgy is a way of cultivating this quality of attention in order to bring it to everything we do. Here, John Daido Loori demystifies the details of the Zen rituals and highlights their deeper meaning and purpose. We humans are all creatures of ritual, he teaches, whether we recognize it or not. Even if we don’t make ritual part of some religious observance, we still fall into ritual behavior, whether it be our daily grooming sequence or the way we have our morning coffee and paper. We run through our personal rituals unconsciously most of the time, but there is great value to introducing meaningful symbolic rituals into our lives and to performing them deliberately and mindfully—because the way we do ritual affects the way we live the rest of our lives. The book includes instructions for a simple Zen home liturgy, as it is practiced by students of the Mountains and Rivers Order of Zen.

Israelite festival calendar texts (Exod 23; 34; Lev 23; Num 28–29; Deut 16; and Ezek 45) share many features; however, there are also differences. Some of the most-often-cited differences are the following: festival dates, festival locations, date of the New Year, festival timing, and festival names. Scholars have explored these distinctions, and many have concluded that different sources (authors/redactors) wrote the various calendars at different times in Israelite history. Scholars use these dissimilarities to argue that Lev 23 was written in the exilic or postexilic era. Babcock offers a new translation and analysis of a second-millennium B.C. multimonth ritual calendar text from Emar (Emar 446) to challenge the late dating of Lev 23. Babcock argues that Lev 23 preserves an early (2nd-millennium) West Semitic ritual tradition. Building on the recent work of Klingbeil and Sparks, this book presents a new comparative methodology for exploring potential textual relationships. Babcock investigates the attributes of sacred ritual through the lens of sacred time, sacred space and movement, sacred objects, ritual participants, and ritual sound. The author begins with a study of ancient Near Eastern festival texts from the 3rd millennium through the 1st millennium. This analysis focuses on festival cycles, common festival attributes, and the role of time and space in ritual. Babcock then moves on to an intertextual study of biblical festival texts before completing a thorough investigation of both Lev 23 and Emar 446. The result is a compelling argument that Lev 23 preserves an early West Semitic festival tradition and does not date to the exilic era—refuting the scholarly consensus. This illuminating reading stands as a model for future research in the field of ritual and comparative textual studies.

In this book, a distinguished team of authors explores the way space, place, architecture, and ritual interact to construct sacred experience in the historical cultures of the eastern Mediterranean. Essays address fundamental issues and features that enable buildings to perform as spiritually transformative spaces in ancient Greek, Roman, Jewish, early Christian, and Byzantine civilizations. Collectively they demonstrate the multiple ways in which works of architecture and their settings were active agents in the ritual process. Architecture did not merely host events; rather, it magnified and elevated them, interacting with rituals facilitating the construction of ceremony. This book examines comparatively the ways in which ideas and situations generated by the interaction of place, built environment, ritual action, and memory contributed to the cultural formulation of the sacred experience in different religious faiths.

The author instructs readers in the art of dying, providing useful advice on how to create rituals around death that encourage sacredness and spirituality, while exploring difficult questions surrounding the act of dying and attendant care and offering thoughtful rituals and prayers to support the needs of the dying while comforting the living. Reprint.

Living and working among the Tz'utujil Maya people of Santiago Atitlán in highland Guatemala for some fifteen years, Vincent Stanzione has observed, photographed, and participated in their ritual and ceremonial life, which he describes with unique authority in this account of the continuities in Mayan culture from pre-Columbian times to the present. "This book represents both a confirmation and an innovation in the scholarship and field work about the religious imagination and rites of passage of Maya peoples. I know of no book that is as able to a) link the pre-Hispanic, colonial and contemporary religious practices of these peoples into a coherent narrative, b) combine anthropological/religious studies theory with linguistics and ongoing field work as creatively and c) illuminate the debate between models of 'syncretism' and 'transculturation' about a contemporary ritual cycle as Stanzione's beautifully illustrated work."--David Carrasco, Harvard University