Excerpt from Russian Folk-Songs, as Sung by the People: And Peasant Wedding Ceremonies Customary in Northern and Central Russia Russian Folk-Songs, As Sung By the People: And Peasant Wedding Ceremonies Customary in Northern and Central Russia was written by Eugenie Lineff in 1893. This is a 63 page book, containing 15562 words and 12 pictures. Search Inside is enabled for this title. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This Is A New Release Of The Original 1893 Edition.

Propp's essay in Russian Folk Lyrics extends beyond the formalistic analysis of folklore outlined in his classic The Morphology of the Folktale. In this study, newly translated by Roberta Reeder, Propp considers the Russian folk lyric in the social and historical context in which it was produced. Reeder supplements Propp's theoretical presentation with a comprehensive anthology of examples. Some songs were imitated by or appear in the works of Russia's major writers, such as Pushkin and Nekrasov. Here we find the customs of Russian peasant life expressed through the ritual of song. Whether the songs are about love, labor, or children's games; whether they are sad, humorous, or satiric in tone, Russian folk lyrics are rich in metaphor and symbolic meaning. In addition to the editor's notes to the text and songs, Reeder supplies a bibliography of Propp's sources as well as an extensive selected bibliography.

No detailed description available for "The Study of Russian Folklore".

Through author Gary Rosen's deeply researched account of Ira B. Arnstein, "the unrivaled king of copyright infringement plaintiffs," Unfair to Genius provides an unlikely history of the evolution of copyright law in the United States.

In The Life and Times of Charles R. Crane, Norman E. Saul analyzes the contributions of Charles R. Crane, world traveler, businessman, diplomat, and philanthropist in the setting of his times. Crane acquired his appreciation for Russian culture and life through travel in the country, making a total of twenty-four trips to Russia. He developed friendships and professional relationships with many prominent Russians in political, cultural, and artistic spheres in addition to his connections to important figures in American history such as Woodrow Wilson. As the son of a Chicago industrialist with little formal education, Charles R. Crane enjoyed remarkable success serving as a financial backer and advisor to the Woodrow Wilson administration, founding member of the 1917 Root Commission to Russia, minister to China, and establishing a factory in Russia to manufacture air brakes for the Russian railroad. He devoted a considerable amount of his own time and resources to educating Americans about the Russian people. He sponsored visiting lecturers, subsidized publications, and commissioned works by Russian artists. Charles Crane was arguably the first true American globalist. His activities involved Russia, China, and the Middle East, but Saul emphasizes his travels in Russia and his role in the development and promotion of Russian studies in America. Crane represented the United States becoming a world power in business and diplomacy, and fostered an American appreciation and knowledge of Russian, Asian, and Middle Eastern societies. By studying this unusual man, Saul explores the world in which he lived and traveled. The relationship between America and Russia has always been a complex and fascinating one, and Saul shines light on a pivotal period in that relationship.

The popular culture of urban and rural tsarist Russia revealed a dynamic and troubled world. Stephen Frank and Mark Steinberg have gathered here a diverse collection of essays by Western and Russian scholars who question conventional interpretations and recall neglected stories about popular behavior, politics, and culture. What emerges is a new picture of lower-class life, in which traditions and innovations intermingled and social boundaries and identities were battered and reconstructed. The authors vividly convey the vitality as well as the contradictions of social life in old regime Russia, while also confronting problems of interpretation, methodology, and cultural theory. They tell of peasant death rites and religious beliefs, family relationships and brutalities, defiant peasant women, folk songs, urban amusement parks, expressions of popular patriotism, the penny press, workers' notions of the self, street hooliganism, and attempts by educated Russians to transform popular festivities. Together, the authors portray popular culture not as a static, separate world, but as the dynamic means through which lower-class Russians engaged the world around them. In addition to the editors, the contributors to this volume are Daniel R. Brower, Barbara Alpern Engel, Hubertus F. Jahn, Al'bin M. Konechnyi, Boris N. Mironov, Joan Neuberger, Robert A. Rothstein, and Christine D. Worobec.