Beautifully illustrated, here is the most comprehensive collection of classic Russian tales available in English. This comprehensive collection introduces readers to universal fairy-tale figures and to such uniquely Russian characters such as Koshchey the Deathless, Baba Yaga, the Swan Maiden, and the glorious Firebird. The more than 175 tales culled from a landmark multi-volume collection by the outstanding Russian ethnographer Aleksandr Afanas'ev reveal a rich, robust world of the imagination. Translated by Norbert Guterman Illustrated by Alexander Alexeieff With black-and-white illustrations throughout Part of the Pantheon Fairy Tale and Folklore Library

Six tales of witches, and wizardry, perilous journeys, wise animals, frightful giants and beautiful princesses, among them the legendary Fire-Bird, and more. Newly reset in large, easy-to-read type, with six new illustrations.

"Legends, folk tales and fairy tales all had a profound impact on Russian painting of the nineteenth and early twentieth century. The Russian artists who dealt with these subjects chose sometimes to paint large canvases in which the greatness and grandeur of the Russian countryside fuses with the magical world of the imagination. The paintings of Viktor Vasnetsov, Nikolai Roerikh, and Mikhail Vrubel, the illustrations of Ivan Bilibin and Elena Polenova, and the works of Vasily Kandinsky register most impressively the worlds of fantasy and the imagination." "This book presents more than 90 illustrations of these fascinating works, while the essays shed interesting light on how these stories contributed to and influenced the visual arts. The book also contains summaries of the fairy tales depicted in these paintings, whereby the reader is given an overview of the major Russian folk tales."--BOOK JACKET.

Ivan Yakovlevich Bilibin (1876 -1942) was a 20th-century illustrator and stage designer who took part in the Mir iskusstva and contributed to the Ballets Russes. Throughout his career, he was inspired by Slavic folklore.Ivan Bilibin was born in a suburb of St. Petersburg. He studied in 1898 at Anton Azbe Art School in Munich, then under Ilya Repin in St. Petersburg. In 1902-1904 Bilibin travelled in the Russian North, where he became fascinated with old wooden architecture and Russian folklore. He published his findings in the monograph Folk Arts of the Russian North in 1904. Another influence on his art was traditional Japanese prints.Bilibin gained renown in 1899, when he released his illustrations of Russian fairy tales. During the Russian Revolution of 1905, he drew revolutionary cartoons. He was the designer for the 1909 première production of Nikolai Rimsky-Korsakov's The Golden Cockerel. The October Revolution, however, proved alien to him. After brief stints in Cairo and Alexandria, he settled in Paris in 1925. There he took to decorating private mansions and Orthodox churches. He still longed for his homeland and, after decorating the Soviet Embassy in 1936, he returned to Soviet Russia. He delivered lectures in the Soviet Academy of Arts until 1941. Bilibin died during the Siege of Leningrad and was buried in a collective grave.

A famous Russian fairy tale about the evil wizard Koschei, beautiful Maria Morevna, and brave tsarevich Alexis. The illustrations included in this edition were created in the early 20th century by the renowned Russian illustrator and stage designer Ivan Yakovlevich Bilibin.

A beautiful illustrated collection of fairy tales about the most iconic and active of Russian magical characters

A richly illustrated collection of Russian folk tales: Tsar Saltan; Vasilisa the Beautiful; Maria Morevna; The Feather of Finist the Falcon; Shmat-Razum; The Frog-Tsarevna; Tsarevich Ivan, the Firebird and the Grey Wolf. The illustrations included in this edition were created in the early 20th century by Ivan Yakovlevich Bilibin, a famous Russian illustrator and stage designer, who was inspired by Slavic folklore throughout his career. He was a prominent figure in the artistic movement Mir Iskusstva and contributed to the Ballets Russes. The tales were recorded by the renowned folklorist Alexander Nikolayevich Afanasyev (1826-1871), who collected and published more than 600 Russian folk tales in the middle 19th century.

Russian Folk Fairy Tales is a wonderful collection of the most famous Russian fairy tales. The “Russian skazki” (“skazatz” means to tell) are the mass of folk-tales distributed widely throughout all the Russias. Handed down, by constant repetition, from generation to generation, a possession common to peasant’s hut and Prince’s palace from a time when history did not exist, they are to-day, from Archangel to the Black Sea, and from Siberia to the Baltic, almost as much a part of the life of the people as the language itself. Famous Russian fairy tales are Vasilisa the Beautiful, Sister Alenushka, brother Ivanushka, The Tale of Ivan Tsarevich and the Gray Wolf, Marya Morevna, Princess Frog or Frog-tsarevna, Finist Clear Falcon’s feather or Finist the Falcon. Contents: Marya Morevna Sister Alenushka, Brother Ivanushka Morozko (Faher Frost) Finist the Falcon Frog-Tsarevna Vasilisa The Beautiful

Baba Yaga is an ambiguous and fascinating figure. She appears in traditional Russian folktales as a monstrous and hungry cannibal, or as a canny inquisitor of the adolescent hero or heroine of the tale. In new translations and with an introduction by Sibelan Forrester, Baba Yaga: The Wild Witch of the East in Russian Fairy Tales is a selection of tales that draws from the famous collection of Aleksandr Afanas'ev, but also includes some tales from the lesser-known nineteenth-century collection of Ivan Khudiakov. This new collection includes beloved classics such as "Vasilisa the Beautiful" and "The Frog Princess," as well as a version of the tale that is the basis for the ballet "The Firebird." The preface and introduction place these tales in their traditional context with reference to Baba Yaga's continuing presence in today's culture--the witch appears iconically on tennis shoes, tee shirts, even tattoos. The stories are enriched with many wonderful illustrations of Baba Yaga, some old (traditional "lubok" woodcuts), some classical (the marvelous images from Victor Vasnetsov or Ivan Bilibin), and some quite recent or solicited specifically for this collection