These essays examine a millennium of humorous and satirical writing in the Islamic world. Humor in Arabic, Persian, and Turkish narrative emerges here as a culturally modulated phenomenon that demands examination with reference to its historical framework and that, in turn, communicates as much about its producers as it does about its audience.

Winner of a 2023 Independent Publisher Book Award (IPPY) for Autobiography/Memoir “Kerbeck’s juicy memoir tells riveting tales [with] the thrill of a spy novel. . . Kerbeck bares all of his wild business secrets within the world of corporate espionage” — Foreword Reviews "Robert Kerbeck has mastered the art of social engineering, or what he calls 'rusing', and taken it to a whole new level." — Frank Abagnale, author of Catch Me If You Can B-list actor, A-list corporate spy. . . In the world of high finance, multibillion-dollar Wall Street banks greedily guard their secrets. Enter Robert Kerbeck, a working actor who made his real money lying on the phone, charming people into revealing their employers’ most valuable information. In this exhilarating memoir that will appeal to fans of The Wolf of Wall Street and Catch Me If You Can, unsuspecting receptionists, assistants, and bigshot executives all fall victim to “the Ruse.” After college, Kerbeck rushed to New York to try to make it as an actor. But to support himself, he’d need a survival job, and before he knew it, while his pals were waiting tables, he began his apprenticeship as a corporate spy. As his acting career started to take off, he found himself hobnobbing with Hollywood luminaries: drinking with Paul Newman, taking J.Lo to a Dodgers game, touring E.R. sets with George Clooney. He even worked with O.J. Simpson the week before he became America’s most notorious double murderer. Before long, however, his once promising acting career slowed while the corporate espionage business took off. The ruse job was supposed to have been temporary, but Kerbeck became one of the world’s best practitioners of this deceptive—and illegal—trade. His income jumped from tens of thousands to hundreds of thousands to millions of dollars a year. Until the inevitable crash… Kerbeck shares the lies he told, the celebrities he screwed (and those who screwed him), the cons he ran, and the money he made—and lost—along the way.

In clear, non-technical language, Ruse offers a full and fair assessment of the status of the argument from design in light of both the advances of modern evolutionary biology and the thinking of today’s philosophers—with special attention given to the supporters and critics of “intelligent design.”

With the recent Sokal hoax--the publication of a prominent physicist's pseudo-article in a leading journal of cultural studies--the status of science moved sharply from debate to dispute. Is science objective, a disinterested reflection of reality, as Karl Popper and his followers believed? Or is it subjective, a social construction, as Thomas Kuhn and his students maintained? Into the fray comes "Mystery of Mysteries," an enlightening inquiry into the nature of science, using evolutionary theory as a case study. Michael Ruse begins with such colorful luminaries as Erasmus Darwin (grandfather of Charles) and Julian Huxley (brother of novelist Aldous and grandson of T. H. Huxley, "Darwin's bulldog" ) and ends with the work of the English game theorist Geoffrey Parker--a microevolutionist who made his mark studying the mating strategies of dung flies--and the American paleontologist Jack Sepkoski, whose computer-generated models reconstruct mass extinctions and other macro events in life's history. Along the way Ruse considers two great popularizers of evolution, Richard Dawkins and Stephen Jay Gould, as well as two leaders in the field of evolutionary studies, Richard Lewontin and Edward O. Wilson, paying close attention to these figures' cultural commitments: Gould's transplanted Germanic idealism, Dawkins's male-dominated Oxbridge circle, Lewontin's Jewish background, and Wilson's southern childhood. Ruse explicates the role of metaphor and metavalues in evolutionary thought and draws significant conclusions about the cultural impregnation of science. Identifying strengths and weaknesses on both sides of the "science wars," he demonstrates that a resolution of the objective and subjective debate is nonetheless possible.

Atheism: What Everyone Needs to Know provides a balanced look at the topic, considering atheism historically, philosophically, theologically, sociologically and psychologically.

"Mission Impossible, but with magic, dragons, and a series of heists that go from stealing a crown to saving the world" (David Dalglish). Master con artist Ardor Benn and his crew of intrepid thieves are hired to pull off a series of wildly complex heists, from stealing a crown to saving the world, in this daring fantasy adventure. Liar. Thief. Legend. Ardor Benn is no ordinary thief. Rakish, ambitious, and master of wildly complex heists, he styles himself a Ruse Artist Extraordinaire. When a priest hires him for the most daring ruse yet, Ardor knows he'll need more than quick wit and sleight of hand. Assembling a dream team of forgers, disguisers, schemers, and thieves, he sets out to steal from the most powerful king the realm has ever known. But it soon becomes clear there's more at stake than fame and glory -- Ard and his team might just be the last hope for human civilization. Discover the start of an epic fantasy trilogy that begins with a heist and quickly explodes into a full-tilt, last ditch plan to save humanity.

Publisher description

In near-future Shanghai, a group of teens have their world turned upside down when one of their own is kidnapped in this action-packed follow-up to the “positively chilling” (The New York Times) sci-fi thriller Want. Jason Zhou, his friends, and Daiyu are still recovering from the aftermath of bombing Jin Corp headquarters. But Jin, ruthless billionaire and Daiyu’s father, is out for blood. When Lingyi goes to Shanghai to help Jany Tsai, a childhood acquaintance in trouble, she doesn’t expect Jin to be involved. And when Jin has Jany murdered and steals the tech she had refused to sell him, Lingyi is the only one who has access to the encrypted info, putting her own life in jeopardy. Zhou doesn’t hesitate to fly to China to help Iris find Lingyi, even though he’s been estranged from his friends for months. But when Iris tells him he can’t tell Daiyu or trust her, he balks. The reunited group play a treacherous cat and mouse game in the labyrinthine streets of Shanghai, determined on taking back what Jin had stolen. When Daiyu appears in Shanghai, Zhou is uncertain if it’s to confront him or in support of her father. Jin has proudly announced Daiyu will be by his side for the opening ceremony of Jin Tower, his first “vertical city.” And as hard as Zhou and his friends fight, Jin always gains the upper hand. Is this a game they can survive, much less win?

Witnessness posits a universal ethics based neither on rational mental structures nor on moral principles, but on the extra-rational powers of the imagination. Harvey pursues this ethics by staging a speculative reading of Samuel Beckett's “untranslatable” text, Worstward Ho, alongside Dante's Purgatorio and Primo Levi's The Drowned and the Saved and If This Be a Man. Many of the thirty concise chapters that compose Witnessness are built upon notions whose names (e.g. dimness, lessness) take inspiration from Beckett's unique and precise vocabulary. Harvey explores the particular experience of the witness as recounted in Dante and Levi-for signs of a general, common, and innate witness-like attitude that protects the other and that we see expressed in Beckett's penultimate prose piece.

Humanism has mostly considered the question “What does it mean to be human?” from a Western perspective. Dabashi asks it anew from a non-European perspective, in a groundbreaking study of 1,400 years of Persian literary humanism. He presents the unfolding of this vast tradition as the creative and subversive subconscious of Islamic civilization.