Stories of the fantastic, stories of the science fictional: A young man lives alone on the far side of the moon, an artificial intelligence his only friend and companion. A hex-slinger encounters his dead wife, sword in hand, standing at a twilight crossroads. A young woman in prison for having superpowers is tested. A former Martian marine and her brilliant husband, investigate troubles on a colossal space station orbiting Saturn. A traveling medicine show where real magic happens faces evil in a frontier boomtown in 1901. Plus five more. This story collection is a tribute to a friendship, and the influences writers can have on one another. Dale Ivan Smith met K.C. Ball in 2009, when she was an editor guest at an online writing school. That led to Dale’s first sales to K.C.’s online magazine 10Flash Quarterly, a lasting friendship, and a writing partnership. They co-wrote three stories, all of which are included in this collection, including the novella “Silver City,” published here for the first time. Four of the other stories, written by Dale, were published by K.C. in 10Flash, while K.C. read and influenced “Persisting” and “Nullified.” Rules Concerning Earthlight and Other Stories of Fantasy and Science Fiction includes introductions to each story, and additional bonus material.

This “marvelous lunar espionage thriller” by the science fiction grandmaster and author of 2001: A Space Odyssey “packs plenty of punch” (SFReviews.net). Two hundred years after landing on the Moon, mankind has moved further out into the solar system. With permanent settlements now established on the Moon, Venus, and Mars, the inhabitants of these colonies have formed a political alliance called the Federation. On the Moon, a government agent from Earth is tracking a suspected spy at a prominent observatory. His mission is complicated by the rise in tensions between Earth’s government and the Federation over access to rare heavy metals. As the agent finds himself locked in a battle for life and death on the eerie, lunar landscape, the larger conflict explodes across space, leaving mankind’s future in doubt. First published in 1955, this suspense-filled space opera by the Science Fiction and Fantasy Hall of Fame inductee was a significant forerunner of television hits like Star Trek and The Expanse.

Six decades of fascinating stories from the legendary “colossus of science fiction” and creator of 2001: A Space Odyssey gathered in one compendium (The New Yorker). Arthur C. Clarke, along with H. G. Wells, Isaac Asimov, and Robert A. Heinlein, was a definitive voice in twentieth century science fiction. A prophetic thinker, undersea explorer, and “one of the true geniuses of our time,” Clarke not only won the highest science fiction honors, the Nebula and Hugo Awards, but also received nominations for an Academy Award and the Nobel Peace Prize, and was knighted for his services to literature (Ray Bradbury). Now, more than one hundred works of the sci-fi master’s short fiction are available in the “single-author collection of the decade” (Booklist, starred review). This definitive edition includes early work such as “Rescue Party” and “The Lion of Comarre,” classics like “The Nine Billion Names of God” and “The Sentinel” (which was the kernel of the later novel and movie, 2001: A Space Odyssey), and later works including “A Meeting with Medusa” and “The Hammer of God.” Encapsulating one of the great science fiction careers of all time, this immense volume “displays the author’s fertile imagination and irrepressible enthusiasm for both good storytelling and impeccable science” (Library Journal). “One of the most astounding imaginations ever encountered in print.” —The New York Times “As his Collected Stories helps to demonstrate, there has been no popular writer since the days of C S Lewis and Charles Williams whose disposition is more nakedly apocalyptic, who takes greater pleasure in cradling eternity in the palm of his hand.” —The Guardian

A Companion to Science Fiction assembles essays by an international range of scholars which discuss the contexts, themes and methods used by science fiction writers. This Companion conveys the scale and variety of science fiction. Shows how science fiction has been used as a means of debating cultural issues. Essays by an international range of scholars discuss the contexts, themes and methods used by science fiction writers. Addresses general topics, such as the history and origins of the genre, its engagement with science and gender, and national variations of science fiction around the English-speaking world. Maps out connections between science fiction, television, the cinema, virtual reality technology, and other aspects of the culture. Includes a section focusing on major figures, such as H.G. Wells, Arthur C. Clarke, and Ursula Le Guin. Offers close readings of particular novels, from Mary Shelley's Frankenstein to Margaret Atwood's The Handmaid's Tale.

This was Arthur C. Clarke's first published collection of short stories. It includes The Sentinel, which was the starting point for the film 2001: A Space Odyssey.

A former bestselling author sits at the typewriter day after day, fearing his talent spent, unable to produce a sentence. The typewriter taunts him, and he abandons it for days until the night he hears the sound. It is faint, at first, but grows louder. It reminds him of something he can't quite place. He begins to type, describing the sound - the first words he's written in months. On the page, a train appears far in the distance, speeding across the plains. As he continues to write, the train's destination appears on the horizon: a small town from the 1950s - Escardy Gap. Escardy Gap is a re-creation of the writer's hometown in the Midwest. The characters that begin to appear - Mayor Raymond, Station Master Walt - are all memories from his childhood. A pack of boys abandons their baseball game, running toward the unexpected train, and with a start the writer recognizes himself as one of them. Who or what is on the train and why it has come to Escardy Gap does not seem important. The words are flowing faster than they ever have. But the writer has a terrible sense of foreboding, and though something doesn't seem quite right about this train and its passengers, he can't stop writing. This may be the blockbuster novel that saves his career. Or it may be the beginning of his descent into madness as the disturbingly real creatures of his imagination threaten to take over both the story and his life.

The empire of the Shaa had lasted 10 millennia. 10,000 years of terror, infinite violence and oppressive, brutal order, legitimised by The Praxis, the harsh code of ethics that they imposed on the races they conquered. But the Shaa began to commit ritual suicide when it became clear that their near immortality came at a price. For each Shaa there would come a time when their vast minds were no longer capable of absorbing new information: their memories were full. Now the Shaa are no more, but the terror and violence are only beginning. The death of the last of the Shaa leaves the galaxy-wide empire leaderless, and into this power vacuum flow the pretenders to the throne: the Naxids, oldest client race of the Shaa, who believe themselves inheritors of the empire; and a frail alliance of the remaining races, including humanity. And so, the story of a dread empire's fall begins...

BLUE REMEMBERED EARTH is the first volume in a monumental trilogy tracing the Akinya family across more than ten thousand years of future history ... out beyond the solar system, into interstellar space and the dawn of galactic society. One hundred and fifty years from now, in a world where Africa is the dominant technological and economic power, and where crime, war, disease and poverty have been banished to history, Geoffrey Akinya wants only one thing: to be left in peace, so that he can continue his studies into the elephants of the Amboseli basin. But Geoffrey's family, the vast Akinya business empire, has other plans. After the death of Eunice, Geoffrey's grandmother, erstwhile space explorer and entrepreneur, something awkward has come to light on the Moon, and Geoffrey is tasked - well, blackmailed, really - to go up there and make sure the family's name stays suitably unblemished. But little does Geoffrey realise - or anyone else in the family, for that matter - what he's about to unravel. Eunice's ashes have already have been scattered in sight of Kilimanjaro. But the secrets she died with are about to come back out into the open, and they could change everything. Or shatter this near-utopia into shards ...