Of all the worlds of the Galaxy, only the Matriarchy of Isis/Cinderella has returned to an ancient social order. It is on Isis that women rule, their control total and unbending. On Isis men are regarded as dangerous animals or, at best, as sexual playthings. And on Isis the great enigma of the known universe, the Builder Ruins - last remnant of an unknown, ancient culture. Within those strange Ruins, something survives - something which speaks to the women of Isis and to no one else.

The Islamic State, known as ISIS, exploded into the public eye in 2014 with startling speed and shocking brutality. It has captured the imagination of the global jihadist movement, attracting recruits in unprecedented numbers and wreaking bloody destruction with a sadistic glee that has alienated even the hardcore terrorists of its parent organization, al Qaeda. Jessica Stern and J.M. Berger, two of America’s leading experts on terrorism, dissect the new model for violent extremism that ISIS has leveraged into an empire of death in Iraq and Syria, and an international network that is rapidly expanding in the Middle East, North Africa and around the world. ISIS: The State of Terror traces the ideological innovations that the group deploys to recruit unprecedented numbers of Westerners, the composition of its infamous snuff videos, and the technological tools it exploits on social media to broadcast its atrocities, and its recruiting pitch to the world, including its success at attracting thousands of Western adherents. The authors examine ISIS’s predatory abuse of women and children and its use of horror to manipulate world leaders and its own adherents as it builds its twisted society. The authors offer a much-needed perspective on how world leaders should prioritize and respond to ISIS’s deliberate and insidious provocations.

WINNER OF THE PULITZER PRIZE • In a thrilling dramatic narrative, the award-winning reporter traces how the strain of militant Islam behind ISIS first arose in a remote Jordanian prison and spread with the unwitting aid of two American presidents. With a new Afterword Drawing on unique high-level access to CIA and Jordanian sources, Warrick weaves gripping, moment-by-moment operational details with the perspectives of diplomats and spies, generals and heads of state, many of whom foresaw a menace worse than al Qaeda and tried desperately to stop it. Black Flags is a brilliant and definitive history that reveals the long arc of today’s most dangerous extremist threat.

For fans of My Sister, the Serial Killer; Where’​d You Go, Bernadette; and the award-winning TV show Killing Eve, a hilarious satire about a disillusioned American Muslim woman who becomes embroiled in a plot to infiltrate an international terrorist organization and, in the process, reconnects with her loved ones and her faith, from Zarqa Nawaz, the creator of the hit CBC series Little Mosque on the Prairie. Jameela Green has only one wish. To see her memoir on The New York Times bestseller list. When her dream doesn’t come true, she seeks spiritual guidance at her local mosque. New imam and recent immigrant Ibrahim Sultan is appalled by Jameela’s shallowness, but agrees to assist her on one condition: that she perform a good deed. Jameela reluctantly accepts his terms, kicking off a chain of absurd and unfortunate events. The homeless man they try to help gets recruited by a terrorist group, causing federal authorities to become suspicious of Ibrahim, and suddenly the imam mysteriously disappears. Certain that the CIA have captured Ibrahim for interrogation via torture, Jameela decides to set off on a one-woman operation to rescue him. Her quixotic quest soon finds her entangled in an international plan targeting the egomaniacal leader of the terrorist organization—a scheme that puts Jameela, and countless others, including her hapless husband and clever but disapproving daughter, at risk. A hilarious black comedy about the price of success, and a biting look at what has gone wrong with American foreign policy in the Middle East, Jameela Green Ruins Everything is a compulsively readable, yet unexpectedly touching story of one woman’s search for meaning and connection.

New York Times bestselling author Douglas Clegg brings us Isis, a beautifully illustrated, unforgettable novella that is sure to become a classic tale of the supernatural. If you lost someone you loved, what would you pay to bring them back from the dead? Old Marsh, the gardener at Belerion Hall, warned the Villiers girl about the old ruins along the sea-cliffs. "Never go in, miss. Never say a prayer at its door. If you are angry, do not seek revenge by the Laughing Maiden stone or at the threshold of the Tombs. There be those who listen for oaths and vows....What may be said in innocence becomes flesh and blood in such places." She was born Iris Catherine Villiers. She became Isis. From childhood until her sixteenth year, Iris Villiers wandered the stone-hedged gardens and the steep cliffs along the coast of Cornwall near her ancestral home. Surrounded by the stern judgments of her grandfather--the Gray Minister--and the taunts of her cruel governess, Iris finds solace in her beloved older brother who has always protected her. But when a tragic accident occurs from the ledge of an open window, Iris discovers that she possesses the ability to speak to the dead... Be careful what you wish for...it just may find you.

This book examines the appetite for Egyptian and Egyptian-looking artwork in Italy during the century following Rome's annexation of Aegyptus as a province. In the early imperial period, Roman interest in Egyptian culture was widespread, as evidenced by works ranging from the monumental obelisks, brought to the capital over the Mediterranean Sea by the emperors, to locally made emulations of Egyptian artifacts found in private homes and in temples to Egyptian gods. Although the foreign appearance of these artworks was central to their appeal, this book situates them within their social, political, and artistic contexts in Roman Italy. Swetnam-Burland focuses on what these works meant to their owners and their viewers in their new settings, by exploring evidence for the artists who produced them and by examining their relationship to the contemporary literature that informed Roman perceptions of Egyptian history, customs, and myths.

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When Muhammed swept victorious into the city of Mecca in 630 C.E., one of his first acts was to destroy all of the idols at the Kabbah, one of the holiest sites in the Islamic world. ISIS is taking the prophet's idea to the extreme, attempting to raze art and architecture they deem un-Islamic from their domain. Ancient cities have fallen beneath bulldozers and clouds of dust, while priceless artifacts have been looted from museums and destroyed. Students will be challenged to ask why ISIS is so bent on destroying artifacts of the past and what power the preservation of these objects gives those fighting against the Islamic State.