"In 'The Ruins Lesson,' the National Book Critics Circle Award-winning poet-critic Susan Stewart explores the West's fascination with ruins in literature, visual art, and architecture, covering a vast chronological and geographical range from the ancient Egyptians to T. S. Eliot. In the multiplication of images of ruins, artists, and writers she surveys, Stewart shows how these thinkers struggled to recover lessons out of the fragility or our cultural remains. She tries to understand the appeal in the West of ruins and ruination, particularly Roman ruins, in the work and thought of Goethe, Piranesi, Blake, and Wordsworth, whom she returns to throughout the book. Her sweeping, deeply felt study encompasses the founding legends of broken covenants and original sin; Christian transformations of the classical past; the myths and rituals of human fertility; images of ruins in Renaissance allegory, eighteenth-century melancholy, and nineteenth-century cataloguing; and new gardens that eventually emerged from ancient sites of disaster"--

Based off the popular podcast, this book collects one man’s conversations with an outspoken social critic on the negative effects of the suburbs. James Howard Kunstler has been described as “one of the most outrageous commentators on the American built environment.” An outspoken critic of suburban sprawl, Kunstler is often controversial and always provocative. The KunstlerCast is based on the popular weekly podcast of the same name, which features Kunstler in dialogue with author Duncan Crary, offering a personal window into Kunstler’s worldview. Presented as a long-form conversational interview, The KunstlerCast revisits and updates all the major ideas contained in Kunstler’s body of work, including: The need to rethink current sources of transportation and energy The failure of urban planning, architecture and industrial society America’s plastic, dysfunctional culture The reality of peak oil Whether sitting in the studio, strolling city streets, visiting a suburban mall or even “Happy Motoring,” the grim predictions Kunstler makes about America’s prospects are leavened by his signature sharp wit and humor. This book is rounded out by commentary, footnotes and supplemental vignettes told from the perspective of an “embedded” reporter on the Kunstler beat. Readers may or may not agree with the more dystopian of Kunstler’s visions. Regardless, The KunstlerCast is bound to inspire a great deal of thought, laughter, and hopefully, action. Praise for The KunstlerCast “A bracing dose of reality for an unreal world.” —Stephen J. Dubner, co-author of Freakonomics and SuperFreakonomics “Erudite, eloquent . . . with good humor about the hilariously grotesque North American nightmare of car-addicted suburban sprawl.” —Dmitry Orlov, author of Reinventing Collapse “Prepare to be enlightened, infuriated and amused.” —Gregory Greene, Director, The End of Suburbia “So enlightening yet casual that the reader feels like they’re eavesdropping into the den of Kunstler’s prodigious mind.” —Andrew D. Blechman, author of Leisureville

This book constructs a theory of ruins that celebrates their vitality and unity in aesthetic experience. Its argument draws upon over 100 illustrations prepared in 40 countries. Ruins flourish as matter, form, function, incongruity, site, and symbol. Ruin underlies cultural values in cinema, literature and philosophy. Finally, ruin guides meditations upon our mortality and endangered world.

What is it about ruins that are so alluring, so puzzling, that they can hold some of us in endless wonder over the half-erased story they tell? In this elegant book, Robert Harbison explores the captivating hold these remains and broken pieces—from architecture, art, and literature—have on us. Why are we, he asks, so suspicious of things that are too smooth, too continuous? What makes us feel, when we look upon a fragment, that its very incompletion has a kind of meaning in itself? Is it that our experience on earth is inherently discontinuous, or that we are simply unable to believe in anything whole? Harbison guides us through ruins and fragments, both ancient and modern, visual and textual, showing us how they are crucial to understanding our current mindset and how we arrived here. First looking at ancient fragments, he examines the ways we have recovered, restored, and exhibited them as artworks. Then he moves on to modernist architecture and the ways that it seeks a fragmentary form, examining modern projects that have been designed into existing ruins, such as the Castelvecchio in Verona, Italy and the reconstruction of the Neues Museum in Berlin. From there he explores literature and the works of T. S. Eliot, Montaigne, Coleridge, Joyce, and Sterne, and how they have used fragments as the foundation for creating new work. Likewise he examines the visual arts, from Schwitters’ collages to Ruskin’s drawings, as well as cinematic works from Sergei Eisenstein to Julien Temple, never shying from more deliberate creators of ruin, from Gordon Matta-Clark to countless graffiti artists. From ancient to modern times and across every imaginable form of art, Harbison takes a poetic look at how ruins have offered us a way of understanding history and how they have enabled us to create the new.

In this user-friendly, beautifully illustrated, and occasionally eccentric guidebook, David A. Steinberg blazes the trail to more than twenty unusual landmarks and hard-to-find destinations-all within a two-hour drive of New York City. Geared for the experienced hiker or camping adventurer, the book includes hikes to a variety of urban ruins, including a World War II-era air force base, a vacant dairy farm, pine plantations, abandoned quarries, tunnels, cemeteries, and iron mines. Each chapter contains detailed directions, a hand-drawn map, suggestions for the optimal time and season to visit, and GPS coordinates to specific sites. Bringing fifteen years of experience as a leader of hikes, Steinberg leaves no part of the trip unplanned. He even suggests ideal conditions for the outing. An overcast day, for instance, sets up the haunted atmosphere appropriate for visiting a water tower in Mountainside, New Jersey, that has links to a murder-suicide in the 1970s. For less experienced hikers, the guide also includes a chapter on equipment and safety, detailed instructions on how to program a hand-held Global Positioning System receiver, and a glossary of terms. Both a practical guide and a creative chronicle, this book is bound to please hikers and history buffs alike.

The Roman Empire has been a source of inspiration and a model for imitation for Western empires practically since the moment Rome fell. Yet, as Julia Hell shows in The Conquest of Ruins, what has had the strongest grip on aspiring imperial imaginations isn’t that empire’s glory but its fall—and the haunting monuments left in its wake. Hell examines centuries of European empire-building—from Charles V in the sixteenth century and Napoleon’s campaigns of the late seventeenth and early eighteenth centuries to the atrocities of Mussolini and the Third Reich in the 1930s and ’40s—and sees a similar fascination with recreating the Roman past in the contemporary image. In every case—particularly that of the Nazi regime—the ruins of Rome seem to represent a mystery to be solved: how could an empire so powerful be brought so low? Hell argues that this fascination with the ruins of greatness expresses a need on the part of would-be conquerors to find something to ward off a similar demise for their particular empire.

How do urban ruins provoke their cultural revaluation? This book offers a unique sociological analysis about the social agencies of material culture and atmospheric knowledge of buildings in the making. It draws on ethnographic research in Berlin along the former Palace of the Republic, the E-Werk and the Café Moskau in order to make visible an interdisciplinary regime of design experts who have developed a professional sensorium turning the built memory of the city into an object of aesthetic inquiry.