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*This title was previous released in the Dog Tags anthology, which is no longer available. U.S. Marine Gunnar Lovett thinks attending the wedding of an old friend who’s marrying royalty will be nothing but a crazy weekend. He never expects her tattooed younger sister to come strutting up to him at the champagne fountain and practically seducing him on the dance floor. Wild child Vivian promised her mother she wouldn’t get into any trouble at her older sister’s royal wedding but she can’t resist just a little bit of mischief with a handsome Marine. When Gunnar’s PTSD comes back in a brutal way, can the weekend be saved or is this relationship already doomed?

Satire is clearly one of today’s most controversial socio-cultural topics. In this edited volume, The Power of Satire, it is studied for the first time as a dynamic, discursive mode of performance with the power of crossing and contesting cultural boundaries. The collected essays reflect the fundamental shift from literary satire or straightforward literary rhetoric with a relatively limited societal impact, to satire’s multi-mediality in the transnational public space where it can cause intercultural clashes and negotiations on a large scale. An appropriate set of heuristic themes – space, target, rhetoric, media, time – serves as the analytical framework for the investigations and determines the organization of the book as a whole. The contributions, written by an international group of experts with diverse disciplinary backgrounds, manifest academic standards with a balance between theoretical analyses and evaluations on the one hand, and in-depth case studies on the other.

"More political than cultural in its emphasis, this enormously detailed, scholarly yet thoroughly readable book about modern Spain under Franco should fascinate any reader curious to know what changes have been wrought in that country in the past 30 years. Professor Herr (UCLA and Berkeley) has researched painstakingly and drawn a clear, authentic and meaningful portrait of Spain today as it is rapidly being transformed from an agrarian society to one now predominantly industrial."--Publishers Weekly "Professor Herr is also seeking the origins of modern Spain; his history is Aristotelian in that the end dominates the process. He seeks these origins in the later eighteenth century when the traditional order was perceived to be a bar to progress. A group of civil servants influenced by the European Enlightenment sought to bring Spain into Europe believing that industrial progress, education and agrarian reform would do the trick; but all their reforms were opposed by Catholic traditionalists. Hence the division into the 'two Spains.' Yet it is not the old crude version of two Spains, so often served up to explain everything from the failure of university reform to the Civil War, that Professor Herr plumps for. He sees the course of Spanish history explained by the rise and modification of the Moderado oligarchy. . . . he does throw out a lifeline in a sea of complexities and gives us the best short account of Franco Spain."--Spectator "This is a work of substantial interest and value which must be recommended as a well-balanced, readable, and scholarly introduction to a subject which has never ceased to be controversial and is still in the process of reinterpretation. . . .commands a high place among the general histories of Spain."--Journal of Modern History

From blind date to blindsided… I've been living my dream life for so long, it never occurred to me it could turn into a nightmare overnight. But that’s exactly what happens when my estranged sister dies, leaving me with temporary custody of her moody eleven-year-old daughter. At twenty-six, I’m a professional hockey player and bachelor with zero interest in settling down, let alone raising a kid—especially one that hates me. That’s where the other skate drops… The stunning new woman in my life is the sunshine to my grumpy, but I can’t stay away, even though I know I shouldn’t start something I can’t finish. Now I’m outnumbered, and to make things extra fun, the only person my niece hates more than me is my new girlfriend. I’m learning the hard way there’s no play book for parenting… or dating.

In Municipal Officials, Their Public, and the Negotiation of Justice in Medieval Languedoc, Turning examines the public’s role in shaping municipal policies through demonstrations in the city streets or through their contact with local administrators in fourteenth-century Toulouse. The text explores police brutality, town and gown rows, explosive neighborhood disputes, and communal demands for public punishments, all of which were a way residents could engage and participate in their local judicial system. The book contextualizes this interaction to the era after the French king conquered the city, and began his efforts to integrate the region into the royal domain. Turning argues that this process of assimilation was only complete after officials and the urban public tested and negotiated the transition in everyday life.

Over the last decade, the theatre and opera of the French Revolution have been the subject of intense scholarly reassessment, both in terms of the relationship between theatrical works and politics or ideology in this period and on the question of longer-scale structures of continuity or rupture in aesthetics. Staging the French Revolution: Cultural Politics and the Paris Opera, 1789-1794 moves these discussions boldly forward, focusing on the Paris Opéra (Académie Royale de Musique) in the cultural and political context of the early French Revolution. Both institutional history and cultural study, this is the first ever full-scale study of the Revolution and lyric theatre. The book concentrates on three aspects of how a royally-protected theatre negotiates the transition to national theatre: the external dimension, such as questions of ownership and governance and the institution's relationship with State institutions and popular assemblies; the internal management, finances, selection and preparation of works; and the cultural and aesthetic study of the works themselves and of their reception. In Staging the French Revolution, author Mark Darlow offers an unprecedented view of the material context of opera production, combining in-depth archival research with a study of the works themselves. He argues that a mixture of popular and State interventions created a repressive system in which cultural institutions retained agency, compelling individuals to follow and contribute to a shifting culture. Theatre thereby emerged as a locus for competing discourses on patriotism, society, the role of the arts in the Republic, and the articulation of the Revolution's relation with the 'Old Regime', and is thus an essential key to the understanding of public opinion and publicity at this crucial historical moment. Combining recent approaches to institutions, sociability, and authors' rights with cultural studies of opera, Staging the French Revolution takes a historically grounded and methodologically innovative cross-disciplinary approach to opera and persuasively re-evaluates the long-standing, but rather sterile, concept of propaganda.

This text explores the historical relationship of ideas, power and culture. Looking at several case studies, it analyses how the regnant ideology intertwines with power around the pivotal relationships that govern social labour.