Fated to my second chance mate Twelve years after the death of her best friend who is the future alpha of the Eclipse pack, Tiana Aldridge finds herself mated to his twin brother, Jordan Walker. However, she was rejected by him. Her pack hates her and everyone blames her for the death that happened twelve years ago. She grows up an outcast and Jordan wastes no time rejecting her. All her hopes of ever finding happiness come crashing. Tiana only has one wish; an opportunity to leave the Eclipse pack for good. ** As the first Alpha Prince and also next in line to be king, Ryder Cadwalder is used to getting what he wants. He is surly, overly possessive, and outrightly arrogant. Experience with his ex-mate taught him to have little trust for the opposite sex and when he finds out he has a second chance mate, he takes no chances with her. His past still haunts him, but he must find a way to move on from it. Fate takes him to the Eclipse pack, and as the Alpha prince tries to solve the riddle that has hunted the werewolf kingdom for years, secrets are being unraveled and truths unfolded. What happens when the Eclipse pack is at the mercy of the alpha prince’s mate? Would Tiana forgive? Or would she have her revenge on those that caused her pain all her life?

Sir John Fortescue CJKB (c.1395–c.1477) was undoubtedly the foremost English political scientist of the fifteenth century. This convenient volume brings together for the first time new editions of his two major works - In Praise of the Laws of England and The Governance of England - with references and suggestions for further reading for the student. In her introduction, Shelley Lockwood presents a clear reassessment of the work of John Fortescue and places these key texts in their historical and intellectual contexts. These works, arguably the earliest in English political thought, were written from the perspective of a self-consciously analytical and highly experienced lawyer and government official during a time of war and political upheaval. They form a coherent argument for justice against tyranny and afford unique insights into the law and governance of fifteenth-century England.

A girl disguises herself as a boy to train as a knight in this first book in Tamora Pierce’s Margaret A. Edwards Award–winning young adult series—now with a new look! From now on, I’m Alan of Trebond, the younger twin. I’ll be a knight. In a time when girls are forbidden to be warriors, Alanna of Trebond wants nothing more than to be a knight of the realm of Tortall. So she finds a way to switch places with her twin brother, Thom, and, disguised as a boy, begins her training as a page at the palace of King Roald. But the road to knighthood, as she discovers, is not an easy one. Alanna must master weapons, combat, and magic, as well as polite behavior, her temper, and even her own heart. So begin Alanna’s adventures—filled with swords and sorcery, adventure and intrigue, good and evil—that will lead to the fulfillment of her dreams and make her a legend in the land.

In the Renaissance period the body emerges as the repository of social and cultural forces and a privileged metaphor for political practices and legal codification. Due to its ambivalent expressive force, it represents the seat and the means for the performance of normative identity and at the same time of alterity. The essays of the collection address the manifold articulations of this topic, demonstrating how the inscription of the body within the discursive spheres of gender identity, sexuality, law, and politics align its materiality with discourses whose effects are themselves material. The aesthetic and performative dimension of law inform the debates on the juridical constitution of authority, as well as its reflection on the formation and the moulding of individual subjectivity. Moreover, the inherently theatrical elements of the law find an analogy in the popular theatre, where juridical practices are represented, challenged, occasionally subverted or created. The works analyzed in the volume, in their ample spectre of topics and contexts aim at demonstrating how in the Renaissance period the body was the privileged focus of the social, legal and cultural imagination.

Through an examination of six plays by Shakespeare, the author presents an innovative analysis of political developments in the last decade of Elizabethan rule and their representation in poetic drama of the period. The playhouses of London in the 1590s provided a distinctive forum for discourse and dissemination of nascent political ideas. Shakespeare exploited the unique capacity of theatre to humanise contemporary debate concerning the powers of the crown and the extent to which these were limited by law. The autonomous subject of law is represented in the plays considered here as a sentient political being whose natural rights and liberties found an analogue in the narratives of common law, as recorded in juristic texts and law reports of the early modern era. Each chapter reflects a particular aspect of constitutional development in the late-Elizabethan state. These include abuse of the royal prerogative by the crown and its agents; the emergence of a politicised middle class citizenry, empowered by the ascendancy of contract law; the limitations imposed by the courts on the lawful extent of divinely ordained kingship; the natural and rational authority of unwritten lex terrae; the poetic imagination of the judiciary and its role in shaping the constitution; and the fusion of temporal and spiritual jurisdiction in the person of the monarch. The book advances original insights into the complex and agonistic relationship between theatre, politics, and law. The plays discussed offer persuasive images both of the crown's absolutist tendencies and of alternative polities predicated upon classical and humanist principles of justice, equity, and community. 'It is now canon in progressive U.S. legal scholarship that to focus solely on the text of our Constitution is myopic. We look as well for "constitutional moments", moments when the zeitgeist is so transformed that our fundamental legal charter changes with it. In this breathtakingly erudite book, Paul Raffield argues that the late-Elizabethan period was such a "constitutional moment" in England, a moment literally "played out" for the polity by the greatest dramatist of all time. A lawyer and a thespian, Raffield handles both legal and literary sources with exquisite care. As with the works of the Old Masters, one dwells pleasurably on each detail until their cumulative force presses one backward to see the canvas in its sudden, glorious entirety. A major achievement.' Kenji Yoshino Chief Justice Earl Warren Professor of Constitutional Law, NYU School of Law

Where you go starts with your recognition of who you are in Christ. This book will inspire you to know who you am in Christ. It will motivate you to reach higher levels of success and satisfaction in life, family, and business. Our salvation in Christ ensures that every one of our needs or godly desires has been provided for by God. Yet many in the body of Christ are suffering and going without. Revelation is the key to developing the faith to receive the inheritance Jesus died to provide for us. One man said, “You are not suffering because there is a great devil, but because of your great ignorance.” Ignorance of our identity in Christ is one reason many Christians are not possessing their divine inheritance. As someone once said, “Your vast inheritance [in Christ] comes only in proportion to your new identity.” Our identity will influence what we become, how rich or poor we will be, how high we will climb, even how long we will live. The more revelation a person has of his new identity in Christ, the more of God’s vast promises he will be able to receive and manifest in his life and circumstances. In Revelation of Royalty, you will discover: You cannot rise any higher than your confession and revelation of royalty You are a speaking spirit and have authority over the devil and all his works

A daredevil prince wants to pay me mega-bucks to train him to hold his breath underwater for ten minutes? Sign me up. Except I’m a magician, not a stunt consultant. My record-beating dive without air was a trick. Of course, I can’t tell that to my client, the royally hot Anatolio Cezaroff, a.k.a. Tigger. Not if I want to be able to pay my rent. Also, I’m not exactly comfortable around germs. All germs, including those lurking on uber-attractive men. So falling for my gorgeous client is out of the question, and I fully intend to keep my distance. That is, until he offers to train me in bed. NOTE: This is a standalone, raunchy, slow-burn romantic comedy featuring a movie-obsessed, germaphobic heroine who's dying to be a famous magician, a scorching hot Ruskovian prince who loves to live on the edge, and two oversized dogs who may or may not have caused said prince's wardrobe malfunction. If any of the above is not your cup of tea, run far, far away. Otherwise, buckle in for a laugh-out-loud, feel-good ride.

Like many ambitious New York City teenagers, Craig Gilner sees entry into Manhattan's Executive Pre-Professional High School as the ticket to his future. Determined to succeed at life—which means getting into the right high school to get into the right college to get the right job—Craig studies night and day to ace the entrance exam, and does. That's when things start to get crazy. At his new school, Craig realizes that he isn't brilliant compared to the other kids; he's just average, and maybe not even that. He soon sees his once-perfect future crumbling away.