Roy before he was Lichtenstein: the path to becoming a Pop Art titan began with Lichtenstein's cycling through a provocative range of visual culture, from fairy tales and children's and folk art to mythic forms of Americana, such as cowboys and Disney. Roy Lichtenstein: History in the Making, 1948-1960 is the first major museum exhibition to investigate the early work of one of the best-known American artists of the twentieth century. Co-organized by Colby College Museum of Art and Nasher Museum of Art at Duke University, the exhibition will include approximately ninety works from the artist's fruitful and formative early career, many never before seen by the public. The show and accompanying catalog will include paintings, drawings, sculptures, and prints which reveal an artist, even in the earliest stages of his career, with a keen interest in visual culture, culling--with a critical eye--from a wide range of sources. These inspirations were the essential but little-known precursors to the artist's later sourcing of comic books and advertisements. Likewise, his exploration of abstraction, just before the artist's abrupt turn to Pop Art in 1961, straddles the line between unabashed lyricism and wry critique of second-generation Abstract Expressionism. The catalog, with new scholarship by leading experts in the field, provides a new understanding of Lichtenstein's influential techniques of appropriation and offers the opportunity to more fully assess the artistic and cultural dynamism of postwar America.

What elements are present for a body of writing to be considered Latina/o? Through the analysis of nine recent Latina/o novels, Karen Christian melds the theory of "performativity" with the latest scholarship on ethnicity and ethnic literature to create a framework for viewing identity as a continuous process that cannot be reduced to static categories.

Roy Lichtenstein and the emergence of pop art.

Welcome to Roy's house! Come on in and take a look around. There is a big sofa with room for lots of friends, three red fish swimming in a bowl, a yellow chair for reading, and, of course, Roy's studio, filled with paintbrushes. Susan Goldman Rubin pairs her simple narrative style with the energetic works of Roy Lichtenstein to create an early concept book that is also a fun and accessible introduction to one of the twentieth century's most iconic artists.

The arts: general issues.

Showcasing "settings in which daily life and private acts can only be imagined," Roy Lichtenstein: Interiors presents (mostly previously unpublished) work from an exhibit at Chicago's Museum of Contemporary Art curated by museum director Robert Fitzpatrick and Dorothy Lichtenstein. The book features works from the artist's nudes series of the '90s and other work from the last decade. Continuing to borrow images and ideas from pop culture, Lichtenstein recast them in his inimitable, humorous, comic-strip style characterized by oversize pixels, flat light and primary colours. Also included are sketches, drawings, clippings from his scrapbook and photos of his sculptures. Essays by the two curators, the late Leo Castelli and others cover biography, reception and reminiscence. ILLUSTRATIONS: 112 colour & 12 b/w

"In the late 50s and 60s, American painter Roy Lichtenstein (1923-1997) became one of the most important exponents of Pop Art. Almost alone among artists, he pursued the question of how an image becomes a work of art." -- Provided by publisher.

Examines all periods in Lichtenstein's career, going well beyond his brushstrokes and the classic Pop romance and war cartoon paintings that made him famous. Gives special consideration to Lichtenstein's historical influences, from Picasso and Cubism through Surrealism, Futurism, and British Pop. Examines the various styles and subjects featured in paintings created throughout his lifetime and includes a complete chronology of his life and work.

One of America's leading Pop artists, Roy Lichtenstein was a master of stereotype. He had a little-known but deep appreciation for the objects and images of American Indian culture. This book explores in detail and illustrates a collection of his paintings and works on paper that were influenced by his encounters with Native American subjects.