Design, geometry, and the metamorphosis of monuments / David Field -- " --a place where they tried their criminals" : Neolithic round mounds in Perth and Kinross / Kenneth Brophy -- Scotland's Neolithic non-megalithic round mounds : new dates, problems, and potential / Alison Sheridan -- Tynwald Hill and the round mounds of the Isle of Man / Timothy Darvill -- Recent work on the Neolithic round barrows of the upper Great Wold Valley, Yorkshire / Alex Gibson and Alex Bayliss -- "One of the most interesting barrows ever examined" : Liffs Low revisited / Roy Loveday and Alistair Barclay -- Neolithic round barrows on the Cotswolds / Timothy Darvill -- Silbury Hill : a monument in motion / Jim Leary -- The brood of Silbury? : a remote look at some other sizeable Wessex mounds / Martyn Barber [and others] -- The mystery of the hill / Jonathan Last -- The formative henge : speculations drawn from the circular traditions of Wales and adjacent counties / Steve Burrow -- Monumentality and inclusion in the Boyne Valley, County Meath, Ireland / Geraldine Stout -- Round mounds containing portal tombs / Tatjana Kytmannow -- Native American mound building traditions / Peter Topping -- The round mound is not a monument / Tim Ingold.

Proceedings from the session held at the XVII World UISPP Congress, Burgos, 2014. The session considered the various manifestations of the relationship between Neolithic enclosures and tombs in different contexts of Europe, notably through spatial analysis.

Reassesses major axial alignment at many megalithic ritual and funerary monuments (Neolithic to Bronze Age) in Britain and Ireland, not in terms of abstract astronomical concerns, but as an expression of repeated seasonal propitiation involving community, agrarian economy and ancestry in an attempt to mitigate variable environmental conditions.

Deer have been central to human cultures throughout time and space: whether as staples to hunter-gatherers, icons of Empire, or the focus of sport. Their social and economic importance has seen some species transported across continents, transforming landscape as they went with the establishment of menageries and park. The fortunes of other species have been less auspicious, some becoming extirpated, or being in threat of extinction, due to pressures of over-hunting and/or human-instigated environmental change. In spite of their diverse, deep-rooted and long standing relations with human societies, no multi-disciplinary volume of research on cervids has until now been produced. This volume draws together research on deer from wide-ranging disciplines and in so doing substantially advances our broader understanding of human-deer relationships in the past and the present. Themes include species dispersal, exploitation patterns, symbolic significance, material culture and art, effects on the landscape and management. The temporal span of research ranges from the Pleistocene to the modern day and covers Europe, North America and Asia. Papers derived from international conferences held at the University of Lincoln and in Paris.

First comprehensive account of the sequence, development and use of early prehistoric pottery in over 20 years. Pottery was at the heart of the ‘Neolithic package’ appearing in Britain with the first farmers around 4000 BC. It arrived as a mature technology and was essential to the new, largely sedentary, lifestyle and economy. It transformed storage and cooking practices, and the earliest ceramics seem to have been essential equipment in the new practice of dairying. The pottery changed over time and, as a result, ceramics have been fundamental to the construction of relative chronologies since the early days of modern archaeology. Even with the development of absolute dating techniques, the role of pottery as a dating tool has not diminished but instead has become refined and more accurate. But pottery is not just a tool to dating the past – it also represents a facet of prehistoric art and expression. Starting simply, ceramics became arguably the main medium for display with designs often of great complexity. Simple techniques, motifs and panels are combined to create highly decorated vessels often of great individuality. The use of inlays, pastes and slips added contrasting colors to these vibrant designs. By the end of the Neolithic, ceramics became one of the major grave goods of British Prehistory, acting as accompaniments to those that warranted formal burial whether by inhumation or cremation. This practice continued throughout the Early Bronze Age to the extents that, lacking contemporary domestic sites, most of the corpora of Early Bronze Age ceramics are largely sepulchral in context. As we increasingly realize that burial rituals may have been varied and complex, so the roles of these ceramics are becoming increasingly questioned. This book traces the 3000 years of ceramic use and development in Britain, charting the changing forms and decorative techniques and the differing and changing roles that pottery played within its contemporary society.

Anthropomorphism could be described as a production of analogies generated by human cognition. It is present in the imaginary, mythologies, religions, and material culture of all ages. This book approaches anthropomorphism from the moment of anthropogenesis, tracing its presence in nature and material culture in prehistory and Antiquity.

Excavation of a Scheduled burial mound on Whitehorse Hill, Dartmoor revealed an unexpected, intact burial deposit of Early Bronze Age date associated with an unparalleled range of artefacts. The cremated remains of a young person had been placed within a bearskin pelt and provided with a basketry container, from which a braided band with tin studs had spilled out. Within the container were beads of shale, amber, clay and tin; two pairs of turned wooden studs and a worked flint flake. A unique item, possibly a sash or band, made from textile and animal skin was found beneath the container. Beneath this, the basal stone of the cist had been covered by a layer purple moor grass which had been collected in summer. Analysis of environmental material from the site has revealed important insights into the pyre material used to burn the body, as well as providing important information about the environment in which the cist was constructed. The unparalleled assemblage of organic objects has yielded insights into a range of materials which have not survived from the earlier Bronze Age elsewhere in southern Britain.

Between 2018 and 2019, Cornwall Archaeological Unit undertook two projects at Mount’s Bay, Penwith. The first involved the excavation of a Bronze Age barrow and the second, environmental augur core sampling in Marazion Marsh. Both sites lie within an area of coastal hinterland, which has been subject to incursions by rising sea levels. Since the Mesolithic, an area of approximately 1 kilometer in extent between the current shoreline and St Michael’s Mount has been lost to gradually rising sea levels. With current climate change, this process is likely to occur at an increasing rate. Given their proximity, the opportunity was taken to draw the results from the two projects together along with all available existing environmental data from the area. For the first time, the results from all previous palaeoenvironmental projects in the Mount’s Bay area have been brought together. Evidence for coastal change and sea level rise is discussed and a model for the drowning landscape presented. In addition to modeling the loss of land and describing the environment over time, social responses including the wider context of the Bronze Age barrow and later Bronze Age metalwork deposition in the Mount’s Bay environs are considered. The effects of the gradual loss of land are discussed in terms of how change is perceived, its effects on community resilience, and the construction of social memory and narratives of place. The volume presents the potential for nationally significant environmental data to survive, which demonstrates the long-term effects of climate change and rising sea levels, and peoples’ responses to these over time.

Light has a fundamental role to play in our perception of the world. Natural or artificial lightscapes orchestrate uses and experiences of space and, in turn, influence how people construct and negotiate their identities, form social relationships, and attribute meaning to (im)material practices. Archaeological practice seeks to analyse the material culture of past societies by examining the interaction between people, things, and spaces. As light is a crucial factor that mediates these relationships, understanding its principles and addressing illumination's impact on sensory experience and perception should be a fundamental pursuit in archaeology. However, in archaeological reasoning, studies of lightscapes have remained largely neglected and understudied. This volume provides a comprehensive and accessible consideration of light in archaeology and beyond by including dedicated and fully illustrated chapters covering diverse aspects of illumination in different spatial and temporal contexts, from prehistory to the present. Written by leading international scholars, it interrogates the qualities and affordances of light in different contexts and (im)material environments, explores its manipulation, and problematises its elusive properties. The result is a synthesis of invaluable insights into sensory experience and perception, demonstrating illumination's vital impact on social, cultural, and artistic contexts.

Highlights the achievements of prehistoric people in Britain and Ireland over a 5,000 year period.