A collection of essays on music and life by the famed classical pianist and composer Stephen Hough is one of the world’s leading pianists, winning global acclaim and numerous awards, both for his concerts and his recordings. He is also a writer, composer, and painter, and has been described by The Economist as one of “Twenty Living Polymaths.” Hough writes informally and engagingly about music and the life of a musician, from the broader aspects of what it is to walk out onto a stage or to make a recording, to specialist tips from deep inside the practice room: how to trill, how to pedal, how to practice. He also writes vividly about people he’s known, places he’s traveled to, books he’s read, paintings he’s seen; and he touches on more controversial subjects, such as assisted suicide and abortion. Even religion is there—the possibility of the existence of God, problems with some biblical texts, and the challenges involved in being a gay Catholic. Rough Ideas is an illuminating, constantly surprising introduction to the life and mind of one of our great cultural figures.

Beautifully written and deeply compassionate, Rough Music is a novel of one family at two defining points in time. Seamlessly alternating between the present day and a summer thirty years past, its twin stories unfold at a cottage along the eastern coast of England. Will Pagett receives an unexpected gift on his fortieth birthday, two weeks at a perfect beach house in Cornwall. Seeking some distance from the married man with whom he's having an affair, he invites his aging mother and father to share his holiday, knowing the sun and sea will be a welcome change for. But the cottage and the stretch of sand before it seem somehow familiar and memories of a summer long ago begin to surface. Thirty-two years earlier. A young married couple and their eight year-old son begin two idyllic weeks at a beach house in Cornwall. But the sudden arrival of unknown American relatives has devastating consequences, turning what was to be a moment of reconciliation into an act of betrayal that will cast a lengthy shadow. As Patrick Gale masterfully unspools these parallel stories, we see their subtle and surprising reflections in each other and discover how the forgotten dramas of childhood are reenacted throughout our lives. Deftly navigating the terrain between humor and tragedy, Patrick Gale has written an unforgettable novel about the lies that adults tell and the small acts of treason that children can commit. Rough Music gracefully illuminates the merciful tricks of memory and the courage with which we continue to assert our belief in love and happiness.

The Rough Guide to World Music is the unchallenged work on sounds from around the globe. This third edition is even more comprehensive than ever- updated and expanded including playlists for all countries and new chapters on Bangladesh, Burma, Corsica, French chanson, Malta, Slovenia and New zealand. Volume 2: Europe, Asia and the Pacific has full coverage of genres from Balkan brass to Bollywood song and from fado and flamenco to Filipino fusion. The guide includes articles on more than 60 countries from Albania to Wales and Afghanistan to Vietnam written by expert contributors, focusing on popular and roots music. You'll find discographies for each article, with biographical notes on thousands of musicians and reviews of their best CDs. The Rough Guide to World Music is packed with playlists of the greatest tracks from each country for your iPod and MP3 player.

The poems in this collection from Fiona Sampson offer a woman's perspective on the problems of identity, grief, loneliness and ill-health. "Rough music" is an old English custom of public scapegoating. In this book of disturbing musical echoes, brilliant renewals of carol, charm, folksong and ballad explore violence, loss and belonging.

This second edition of the Rough Guide Book of Playlistscontains more than 500 lists of which 50 are new to this edition. The lists are recommendations of ten songs (sometimes a couple more, sometimes a couple less), covering artists (Rufus Wainwright to Thelonius Monk, Al Green to Manu Chao, Glenn Gould to Julie Andrews), genres (Bebop Classics to Reggae Toasters to Punk Originals to Hot Club jazz), songs (10 best Dylan covers; 8 classic versions of Summertime; 10 love songs that don't cloy), quirks and silliness (Songs about Chickens and Insects; Who let the frogs out?; Big Pizza Pie crooners; Take this Job and Shove it!). There's even a literary edge with playlists like '10 songs raved about in Murakami novels'. Each of the Playlists has a nugget about the song (why you want it on your iPod), and a listings of where it's from (remember CDs?).

Riot and revelry have been mainstays of English and European history writing for more than a generation, but they have had a more checkered influence on American scholarship. Despite considerable attention from "new left" historians during the 1970s and early 1980s, and more recently from cultural and "public sphere" historians in the mid-1990s, the idea of America as a colony and nation deeply infused with a culture of public performance has not been widely demonstrated the way it has been in Britain, France, and Italy. In this important volume, leading American historians demonstrate that early America was in fact an integral part of a broader transatlantic tradition of popular disturbance and celebration. The first half of the collection focuses on "rough music" and "skimmington"--forms of protest whereby communities publicly regulated the moral order. The second half considers the use of parades and public celebrations to create national unity and overcome divisions in the young republic. Contributors include Roger D. Abrahams, Susan Branson, Thomas J. Humphrey, Susan E. Klepp, Brendan McConville, William D. Piersen, Steven J. Stewart, and Len Travers. Together the essays in this volume offer the best introduction to the full range of protest and celebration in America from the Revolution to the Civil War.

The three volumes weave together the histories of England, Ireland, Scotland, and Wales and their peoples. Volume II includes the formation of the nation-state, the industrialization of the British economy and the emergence of Victorian society.

In the 1870s, a Kentish woman who had been repeatedly beaten by her lover retaliated by blinding him with sulphuric acid. The judge sentenced her to five years in prison. In contrast, a man who put out the eyes of a woman who left him was sentenced to only four months after telling the judge that he `was regularly drove to do it from her aggravation'. Making innovative use of court and police records, Carolyn Conley has written a lively account of criminal justice in Victorian England. She examines the gap between the formal laws and the unwritten law of the community, as well as the ways in which judges, juries, and police officers acted as mediators between the two. The book analyses the treatment of lawbreakers according to class, gender, and community status, and in so doing presents a vivid portrait of standards of propriety and justice at the time.

Publisher description

This book explores how the English rural has been represented in contemporary theatre and performance. Exploring a range of plays, forms, and contexts of theatre production, Representing the Rural celebrates the lively engagement with rurality on English stages since 2000, constituting the first full study of theatrical representations of rural life. Interdisciplinary in its approach, this book draws on political philosophy and cultural geography in its definitions of rurality and Englishness, and works with key theoretical concepts such as nostalgia and ethnonationalism. Covering a range of perspectives from the country garden in Mike Bartlett’s Albion to agricultural labour in Nell Leyshon’s The Farm, the enclosure acts in D.C. Moore’s Common to Black rural history in Testament’s Black Men Walking, the book shows how theatre and performance can open up different ways of reading rural geographies, histories, and lives. While Representing the Rural is aimed at students and researchers of theatre and performance, its interdisciplinary scope means that it has wider appeal to other disciplines in the arts and humanities, including geography, politics, and history.