Confronted with the implications of a biblical understanding of the human condition, human society and the place and calling of scholarly reflection, Dooyeweerd contends that humanism has done more for the recognition of human freedom for religious convictions than did 17th-century Calvinism.

This is Dooyeweerd's most accessible work. It provides an understanding of Greek, medieval, and Modern Humanistic life-orientations in their historical development and inter-penetration - throughout confronted with the implications of an integral biblical understanding of the human condition, human society and the place and calling of scholarly reflection. It shows a healthy sense of solidarity and criticism with these various traditions. From a purely historical point of view, Dooyeweerd for example writes, Humanism has done more for the recognition of public freedom for religious convictions than did seventeenth-century Calvinism. Particularly instructive in this work is Dooyeweerd's unveiling of the origin of the modern ideology of community at the beginning of the previous century and its subsequent effects in National-Socialism.

Victor Hanson shows that the "Greek revolution" was not the rise of a free and democratic urban culture, but rather the historic innovation of the independent family farm."--BOOK JACKET.

After challenging the multicultural effort to “provincialize” the history of Western civilization, this book argues that the roots of the West’s exceptional creativity should be traced back to the uniquely aristocratic warlike culture of Indo-European speakers.

Well known for his important scholarly contributions to dogmatic theology and biblical commentary, Joseph Ratzinger has also written penetrating observations of our times. This book includes some of his keen insights about the social and political challenges confronting modern Western societies. Writing most of these chapters just before his election as pope, Ratzinger sought to remind Europeans, who at the time were crafting a new constitution, that the civilizational project we call “the West” is a cultural achievement with a history. Jerusalem, Athens, and Rome were the three foundation stones upon which Western civilization was built, he wrote. Their invaluable contributions form the basis for the Western understanding of human dignity and human rights, which spread from Europe to the United States and beyond. This book also includes, as an epilogue, a new essay by Pope Emeritus Benedict XVI on clerical sex abuse, which traces the moral disorder that preys upon the young to the collapse of faith both inside and outside the Church. “The witness of Christian lives nobly lived is the beginning of reconversion (or, in many cases, conversion) of the West—and that return to the truths taught by the God of the Bible is essential if the great Western civilizational project is not to crumble because of its current, postmodern incoherence. Joseph Ratzinger understood that danger long before many others. It would be well to attend to his prescription.” —George Weigel, Distinguished Senior Fellow, Ethics and Public Policy Center, from the Foreword

In Images of Savages, the distinguished psychologist Gustav Jahoda advances the provocative thesis that racism and the perpetual alienation of a racialized 'other' are a central leagacy of the Western tradition. Finding the roots of these demonizations deep in the myth and traditions of classical antiquity, he examines how the monstrous humanoid creatures of ancient myth and the fabulous "wild men" of the medieval European woods shaped early modern explorers' interpretations of the New World they encountered. Drawing on a global scale the schematic of the Western imagination of its "others," Jahoda locates the persistent identification of the racialized other with cannibalism, sexual abandon and animal drives. Turning to Europe's scientific tradition, Jahoda traces this imagery through the work of 18th century scientists on the relationship between humans and apes, the new racist biology of the 19th century studies of "savagery" as an arrested evolutionary state, and the assignment, especially of blacks, to a status intermediate between humans and animals, or that of children in need of paternal protection from Western masters. Finding in these traditional tropes a central influence upon the most current psychological theory, Jahoda presents a startling historical continuity of racial figuration that persists right up to the present day. Far from suggesting a program for the eradication of racial stereotypes, this remarkable effort nevertheless isolates the most significant barriers to equality buried deep within the Western tradition, and proposes a potentially redemptive self-awareness that will contribute to the gradual dismantling of racial injustice and alienation. Gustav Jahoda demonstrates how deeply rooted Western perceptions going back more than a thousand years are still feeding racial prejudice today. This highly original socio-historical contextualisation will be invaluable to scholars of psychology, sociology and anthropology, and to all those interested in the sources of racial prejudice.

This classic Pulitzer Prize-winning book depicts the various ways the Old and the New Worlds responded to the intrinsic contradictions of slavery from antiquity to the early 1770s, and considers the religious, literary, and philosophical justifications and condemnations current in the abolition controversy.

A history of the development of ballet from the origins of dance through the 20th century.