On an island haunted by the ghost of a murdered girl, a young wife must unravel an eerie mystery to save her marriage in New York Times–bestselling author Jennifer Wilde’s spine-tingling novel of romantic suspense With its crashing waves, secret coves, and rumors of being haunted, Greycliff Island is a thrilling and magical place to lonely eleven-year-old Carolyn Dawson. It is here that she meets Grey Brandon, whose family owns the island’s cannery and who becomes her only friend. Thirteen years pass before he walks into her London bookshop. After a whirlwind courtship, Carolyn returns to her beloved island off the Cornish coast—as Grey’s bride. Not everyone likes the new mistress of Greycliff manor—not hostile, intimidating Burke, the servant who practically raised Grey; not Grey’s aunt; and not her insolent son, Evan, who think Carolyn is a fortune hunter. One day, in the gardens beyond the estate, Carolyn finds a tiny gravestone. That night, she’s awakened by a child’s screams. Years ago, a girl was murdered in one of the island’s caves. Is her ghost haunting Greycliff manor? When the household is rocked by murder, Carolyn must confront a flesh-and-blood killer—and a long-buried secret someone will kill to keep.

In this spine-tingling, atmospheric “nail-biter of a novel” (Shelf Awareness), a woman returns to her hometown after her childhood friend attempts suicide at an alleged haunted house—the same place where a traumatic incident shattered their lives twenty years ago. Few in sleepy Sumner’s Mills have stumbled across the Octagon House hidden deep in the woods. Even fewer are brave enough to trespass. A man had killed his wife and two young daughters there, a shocking, gruesome crime that the sleepy upstate New York town tried to bury. One summer night, an emboldened fourteen-year-old Clare and her best friend, Abby, ventured into the Octagon House. Clare came out, but a piece of Abby never did. Twenty years later, Clare receives word that Abby has attempted suicide at the Octagon House and now lies in a coma. With little to lose, Clare returns to her roots to uncover the darkness responsible for ruining their lives. A “spellbinding horror story, where the terror comes not from ghosts, but from the haunted places we find within ourselves” (Elizabeth Brundage, author of The Vanishing Point), Beneath the Stairs is perfect for fans of Jennifer McMahon, Simone St. James, and Chris Bohjalian.

A compelling and colourful memoir that takes the reader inside the forgotten world of domestic service. Arriving at the great houses of 1920s London, fifteen-year-old Margaret's life in service was about to begin... As a kitchen maid - the lowest of the low - she entered an entirely new world; one of stoves to be blacked, vegetables to be scrubbed, mistresses to be appeased, and even bootlaces to be ironed. Work started at 5.30am and went on until after dark. Yet from the gentleman with a penchant for stroking the housemaids' curlers, to the heartbreaking story of Agnes the pregnant under-parlourmaid, fired for being seduced by her mistress' nephew, Margaret's tales of her time in service are told with wit, warmth, and a sharp eye for the prejudices of her situation.

This chilling, suspenseful indictment of mind control is a classic of science fiction and will haunt readers long after the last page is turned. One by one, five sixteen-year-old orphans are brought to a strange building. It is not a prison, not a hospital; it has no walls, no ceiling, no floor. Nothing but endless flights of stairs leading nowhere--except back to a strange red machine. The five must learn to love the machine and let it rule their lives. But will they let it kill their souls? "An intensely suspenseful page-turner." --School Library Journal "A riveting suspense novel with an anti-behaviorist message that works . . . because it emerges only slowly from the chilling events." --Kirkus Reviews

A hidden door. A magical staircase. Discover the world of Droon! Eric, Julie, and Neal have just found something magic in Eric's basement. They have discovered a staircase to another world! The world of Droon is amazing - full of magic, flying lizards, and fun, furry creatures. But how will Eric, Julie, and Neal find their way home? Maybe their new friend, Princess Keeah, can help?

The Librarian of Doom keeps the world most dangerous books. After a long journey, he returns home to discover his collection of deadly books have been stolen. If he fails to find them, the world will face endless evil. Dive deeper into the story with this special 10th Anniversary edition, marked by never-before-published content, including a prologue and epilogue, and glossary and reader questions.

"First published in Great Britain by MIRA/Harlequin, HarperCollins UK"--Title page verso.

ALICE FEENEYS NEW YORK TIMES AND INTERNATIONAL BESTSELLER “Boldly plotted, tightly knotted—a provocative true-or-false thriller that deepens and darkens to its ink-black finale. Marvelous.” —AJ Finn, author of The Woman in the Window My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?

Secret, strange, dark, impure and dissonant...Enter the haunted landscapes of folk horror, a world of ­pagan ­village conspiracies, witch finders, and teenagers awakening to evil; of dark fairy tales, backwoods cults and obsolete technologies. Beginning with the classics Night of the Demon, Witchfinder General, The Wicker Man and Blood on Satan's Claw, We Don't Go Back surveys the genre of screen folk horror from across the world. Travelling from Watership Down to The Texas Chain Saw Massacre, with every stop inbetween, We Don't Go Back is a thoughtful, funny and essential overview of folk horror in TV and cinema."A beautiful rumination on the dark films and television that shaped me and a generation of odd children, for good or ill, worth a year of your time, because you won't just read the book, you'll feel a burning desire to watch everything mentioned within." - Robin Ince"A comprehensive, accessible and often riotously funny tome weaving together folk horror in all its forms, from British television to the American backwoods, from Eastern European fairytales to the vengeful ghosts of East Asia. Ingham explores uncanny landscapes haunted by things buried, old cultures converging with the reluctance of contemporary reason, that very tension that gives his book its name. He attempts to both define folk horror and free it from definition, creating the ultimate guide to the genre's manifestations on film and offering a convincing argument as to why the genre resonates so compellingly with people today." - Kier-La Janisse, author of House of Psychotic Women