"Reading Spiegel's book is like seeing the scattered pieces of a jigsaw puzzle of history and literature suddenly assembled in a dazzling new image, a picture that could not have been made without the master piece, the manuscript that Professor Spiegel was the first person in almost 800 years to read and interpret. Her effort is a tour de force of no mean proportion."--Stephen G. Nichols Jr., author of Romanesque Signs

In a poststructuralist study of thirteenth-century French historical texts, Gabrielle Spiegel investigates the reasons for the rise of French vernacular prose historiography at this particular time. She argues that the vernacular prose histories that have until now been regarded as royalist were actually products of the aristocracy, reflecting its anxiety as it faced social and economic change and political threats from the monarchy. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994. In a poststructuralist study of thirteenth-century French historical texts, Gabrielle Spiegel investigates the reasons for the rise of French vernacular prose historiography at this particular time. She argues that the vernacular prose histories that have

Although not a professional historian, the author raises several issues pertinent to the state of history today. Qualifying the 'non-historian' as an 'able' interventionist in historical studies, the author explores the relationship between history and theory within the current epistemological configurations and refigurations. He asks how history transcends the obsessive 'linguistic' turn, which has been hegemonizing literary/discourse analysis, and focuses greater attention on historical experience and where history stands in relation to our understanding of ethics, religion and the current state of global politics that underlines the manipulation and abuse of history.

Published by Crawford Art Gallery and Gandon Editions to coincide with the exhibition of the same name, 23rd October 2008 - 15th February 2009.

In American music, the notion of "roots" has been a powerful refrain, but just what constitutes our true musical traditions has often been a matter of debate. As Benjamin Filene reveals, a number of competing visions of America's musical past have vied fo

Beauty and glamour meet deception and revenge in this electrifying novel by New York Times bestselling author Amanda Quick. Investigative apprentice Lyra Brazier, the newest resident of Burning Cove, is unsettled when her boss suddenly disappears. Lyra knows something has happened to Raina Kirk, and tracks down her last known appearance at an exclusive hotel and health spa. The health spa is known for its luxurious offerings and prestigious clientele, and the wealthy, socialite background Lyra desperately wanted to leave behind is perfect for this undercover job. What Lyra lacks in investigative experience she makes up for in gut instinct, and her gut isn’t happy that she’s saddled with a partner by Luther Pell, Raina’s dangerous lover, who wants to bring in someone with more experience to help. Instead of the suave, pistol-packing private eye she expected, though, Simon Cage is a mild-mannered antiquarian book dealer with a quiet, academic air, and a cool, remote gaze. Lyra suspects that Simon is much more than what he seems, and her instincts are confirmed when they arrive at the spa and pose as a couple: Simon has a unique gift that allows him to detect secrets, a skill that is crucial in finding Raina. The unlikely duo falls down a rabbit hole of twisted rumors and missing socialites, discovering that the health spa is a façade for something far darker than they imagined. With a murderer in their midst, Raina isn't the only one in grave danger—Lyra is next.

When Michael Kenyon, the Marquess of Stokeford, finds his grandmother having her palm read by a gypsy beauty, he's convinced that Vivien Thorne is a fortune hunter. The Marquess is determined to expose her as a fraud-and Vivien is equally determined to claim her rightful heritage. Yet neither the spirited gypsy nor the notorious rogue foresee the white-hot desire that turns their battle into a daring game where to surrender is unthinkable...impossible...and altogether irresistible.

This study of familiar medieval histories and chronicles argues that the historian should be aware of the discursive nature, literary modes, and ideological investments of such texts as well as the social circumstances to which they were applied and by which they were generated. Postmodernism has challenged historians to look at historical texts in a new way and to be skeptical of the claim that one can confidently retrieve "fact" from historical writings. In The Past as Text historian Gabrielle M. Spiegel sets out to read medieval histories and chronicles in light of the critical-theoretical problems raised by postmodernism. At the same time she urges a method of analysis that enables the reader to recognize these texts simultaneously as artifice and as works deeply embedded in a historically determinate, knowable social world. Beginning with a theoretical basis for the study of medieval historiography, Spiegel demonstrates her theory in practice, offering readings of medieval histories and chronicles as literary, social, and political constructions. The study insightfully concludes that historians should be equally aware of the discursive nature, literary modes, and ideological investments of such texts and the social circumstances to which they were applied and by which they were generated. Arguing for the "social logic of the text," Spiegel provides historians with a way to retrieve the social significance and conceptual claims produced by these medieval or any historical writings.

As the daughter of a famed author, Isolde Ophelia Goodnight grew up on tales of brave knights and fair maidens. She never doubted romance would be in her future, too. The storybooks offered endless possibilities. And as she grew older, Izzy crossed them off. One by one by one. Ugly duckling turned swan? Abducted by handsome highwayman? Rescued from drudgery by charming prince? No, no, and . . . Heh. Now Izzy’s given up yearning for romance. She’ll settle for a roof over her head. What fairy tales are left over for an impoverished twenty-six year-old woman who’s never even been kissed? This one.

Introducing a series like no other--the Seekers of the Past series will take you on a journey where the past meets the present and love lives forever.Seeking the Past...Emma Wells has uncovered clues that might prove an old family tale as being true. Strange things lead her to question whether her grandfather's death may not have been an accident and goes in search of something worth killing him for buried on her property. When she asks an old friend to assist, the man who comes in his place is the last person she ever wanted to respond to her call for help.Seeking a Second Chance... Sam Martinelli has been hoping for a reason to get close to the woman he still loves since he destroyed their relationship five years ago. His foolish actions drove her away then, but now he's hoping his expertise as well as time working with her allows him another chance.Uncovering Secrets...When Emma's suspicions prove to have substance, she convinces Sam to help her even if he still carries doubts. Being with him again, she begins to question her heart and past as well as her foolish pride. When things take a dangerous turn, Emma realizes she must trust the man she trusts least, especially when the past collides with the present and the truth of it all is uncovered.***includes preview of next book in series