A collection of Vietnamese stories and true life accounts that explore the devastation of the use of Agent Orange during the Vietnam War.

In this brief but highly engaging book Joseph Epstein argues for the primacy of fiction, and specifically of the novel, among all intellectual endeavors that seek to describe the behavior of human beings. Reading superior fiction, he holds, arouses the mind in a way that nothing else quite does. He shows how the novel at its best operates above the level of ideas in favor of taking up the truths of the heart. No other form probes so deeply into that eternal mystery of mysteries, human nature, than does the novel. Along the way, Epstein recounts how we read fiction differently than much else we read. He sets out how memory works differently in the reading of fiction than in that of other works. He notes that certain novels are best read at certain ages, and suggests that novels, like movies, might do well to carry ratings, with some novels best read no later than one’s early twenties, others not to be read before the age of forty. The knowledge one acquires from reading novels differs from all other kinds of knowledge, for the subject of all superior fiction is human existence itself, in all its variousness and often humbling confusion. The spirit of the novel entails questioning much that others consider home truths. This is demonstrated by the fact that so many important philosophers, social scientists, jurists, and other intellectuals have been devoted readers of fiction, among them Oliver Wendell Holmes, Jr., Michael Oakeshott, Edward Shils, and Clifford Geertz. The Novel, Who Needs It? takes up those current elements in the culture that militate against the production of first-rate fiction. Prominent among them are the rise of online reading, the expansion of creative writing programs, the artistically discouraging effects of political correctness, and the pervasiveness of therapeutic thinking throughout contemporary culture. As for the title, The Novel, Who Needs It?, Joseph Epstein’s answer is that we all do.

Whose truth is the lie? Stay up all night reading the sensational psychological thriller that has readers obsessed, from the #1 New York Times bestselling author of Too Late and It Ends With Us. #1 New York Times Bestseller · USA Today Bestseller · Globe and Mail Bestseller · Publishers Weekly Bestseller Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night her family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her.

In this latest, completely revised Women Travel anthology, Rough Guides present a whole new crew of writers, journalists, travellers, dreamers and escapists, each with a journey to share and a tale to inspire. Featuring more than 80 adventures around the world, Women Travel tells you what it's like to: backpack around India with your mother in tow; hitch up with a shepherd in Spain; set up the ultimate writers' retreat on the icefields of Antarctica; hang out with hippies in the Australian rainforest; be crowned Queen Mother of an African village; have a girls' night out in the Kalahari Desert; and sweat behind the scenes at a Caribbean carnival.

Packed with practical advice, guidance and inspiration about all aspects of the writing process, this Yearbook is the essential resource on how to get published. It will guide authors and illustrators across all genres and markets: those looking for a traditional, hybrid or self-publishing route to publication; writers of fiction and non-fiction, poets and playwrights, writers for TV and radio, newspapers and magazines. New articles for the 2020 edition include: - Raffaella Barker Writing romantic fiction - Chris Bateman Writing for video games: a guide for the curious - Dean Crawford Going solo: self-publishing in the digital age - Jill Dawson On mentoring - Melissa Harrison So you want to write about nature ... - Kerry Hudson Writing character-led novels - Mark Illis Changing lanes: writing across genres and forms - Maxim Jakubowski Defining genre fiction - Antony Johnston Breaking into comics - Suzanne O'Sullivan Writing about science for the general reader - Tim Pears Writing historical fiction: lessons learned - Di Redmond Ever wanted to write a saga? - Anna Symon Successful screenwriting - Nell Stevens Blurring facts with fiction: memoir and biography - Ed Wilson Are you ready to submit?

In A Hero of Our Time, the first great Russian novel, a young officer, passionate and world-weary, is posted to the Caucasus and becomes involved in a series of adventures. A dazzlingly original work of fiction, the novel is newly translated together with Pushkin's travel narrative, A Journey to Arzrum, with introduction and notes.

Sometimes it takes losing everything to find out what matters most. Josh has a fondness for hot pink, penguins...and one wicked man he knows he shouldn't trust. Nick is a confused, angry man, one who has been denied the opportunity to know his half-siblings, who was ignored and treated less than second best—until the fair-haired children fell out of favor with a resounding thud. Now Nick has something he isn't sure he wants—a ranch left to him by a father who never cared for him, and a fascination with a certain hot-pink, penguin printed, scrub wearing nurse who makes his blood boil in a way no woman ever had. But Josh left him hurting on the floor the last time he dared touch the man. Nick had never thought the attractive dark-haired man with the jewel-bright eyes would be anything other than a tool to spy on his half-siblings, but somehow, Josh has gotten under Nick's skin, and Nick isn't sure he ever wants it any other way. But the choice isn't just his, and it's more than just their futures that are at risk... And Nick doesn't know if he can get past Josh turning away from him once again, or if he can be strong enough to reach for what matters most...

"Nothing short of amazing." —Entertainment Weekly A million-dollar Chagall is stolen from a museum during a singles' cocktail hour. The unlikely thief, former child prodigy Benjamin Ziskind, is convinced that the painting once hung in his parents' living room. This work of art opens a door through which we discover his family's startling history—from an orphanage in Soviet Russia where Chagall taught to suburban New Jersey and the jungles of Vietnam.