This pictorial history of Jewish life in Germany in the 1930s before the Holocaust, shows the stories of individuals, their increasing poverty, sad wisdom and enduring love in the years leading up to World War II.

Poems and songs in Yiddish and English accompany a collection of photographs depicting Eastern European Jewish village life during the 1930s.

This book presents the fascinating untold story of art-world tastemaker Edith Halpert, who sold, promoted, and effectively defined American art in the 20th century.

Two pioneering photojournalists present stunning photographs that document key moments in the experiences of the Jewish people from 1933 to the present Like most Jews living in Berlin, Herbert Sonnenfeld lost his job in 1933. He decided to visit Palestine, where he photographed the poor refugees in that undeveloped country. When he returned to Berlin, his pictures appeared in a Zionist newspaper, and his career in photojournalism was launched. His wife, Leni, soon became his assistant and then a photographer in her own right. After the couple came to America in 1939, they were able to travel farther afield, and they spent the rest of their lives taking pictures of Jewish communities around the world. This mesmerizing book is a selection of their best photographs. The images tell the story of Jewish life in prewar Berlin; of Youth Aliyah, a Palestine emigration program; and of Jewish communities from Iran to Morocco to Spain. Recording the arrival in Israel of Jews from all over the Diaspora, the Sonnenfelds document the creation and evolution of the Israeli nation. These haunting photographs, along with Leni Sonnenfeld's moving reminiscences, are a testament to the Jewish experience in the twentieth century.

The Dictionary of Geophysics, Astrophysics, and Astronomy provides a lexicon of terminology covering fields such as astronomy, astrophysics, cosmology, relativity, geophysics, meteorology, Newtonian physics, and oceanography. Authors and editors often assume - incorrectly - that readers are familiar with all the terms in professional literature. With over 4,000 definitions and 50 contributing authors, this unique comprehensive dictionary helps scientists to use terminology correctly and to understand papers, articles, and books in which physics-related terms appear.

"This volume, presenting Calle's installation of Rachel Monique at the Palais de Tokyo, was designed in close collaboration with the artist." -- from www.artbook.com/9782365111171.html (viewed 20 October 2017).

Photography does more than simply represent the world. It acts in the world, connecting people to form relationships and shaping relationships to create communities. In this beautiful book, Margaret Olin explores photography’s ability to “touch” us through a series of essays that shed new light on photography’s role in the world. Olin investigates the publication of photographs in mass media and literature, the hanging of exhibitions, the posting of photocopied photographs of lost loved ones in public spaces, and the intense photographic activity of tourists at their destinations. She moves from intimate relationships between viewers and photographs to interactions around larger communities, analyzing how photography affects the way people handle cataclysmic events like 9/11. Along the way, she shows us James VanDerZee’s Harlem funeral portraits, dusts off Roland Barthes’s family album, takes us into Walker Evans and James Agee’s photo-text Let Us Now Praise Famous Men, and logs onto online photo albums. With over one hundred illustrations, Touching Photographs is an insightful contribution to the theory of photography, visual studies, and art history.

"Photography is often believed to witness history or reflect society, but such perspectives fail to account for the complex ways in which photographs get made and seen, and the variety of motivations and social and political factors that shape the vision of the world that photographs provide. This book develops a critical historical method for engaging with photographers to try and understand how they viewed the work they were doing, and examines the place of photography in a post-apartheid era. Based on interviews with photographers, editors and curators, and through the analysis of photographs held in collections and displayed in museums, this research addresses the significance of photography in South Africa during the second half of the twentieth century"--Cover