Dominating the Windy City for decades, the Chicago Democratic Machine has become a fixture in American political history. Under Mayor Richard J. Daley, it acquired almost mythical (perhaps notorious) status. Yet its origins have remained murky--some say is began as a shady enterprise during the ethnic upheaval of the late 1920s. Based upon new research, this book offers a fresh perspective. Formed through factional warfare and consolidated with methods borrowed from the business world, the Machine grew out of the unfettered capitalism of the late 19th century. Its principal founder and first "boss," Roger C. Sullivan, represented a generation of businessmen-politicians who emerged in the 1880s. Sullivan and his allies created an informal public power structure that, while serving their own interests, also made government more functional. The Machine is a product of America's Gilded Age and the Progressive Era and offers a lesson in the advantages and limitations of representative government.

Dominating the Windy City for decades, the Chicago Democratic Machine has become a fixture in American political history. Under Mayor Richard J. Daley, it acquired almost mythical (perhaps notorious) status. Yet its origins have remained murky--some say is began as a shady enterprise during the ethnic upheaval of the late 1920s. Based upon new research, this book offers a fresh perspective. Formed through factional warfare and consolidated with methods borrowed from the business world, the Machine grew out of the unfettered capitalism of the late 19th century. Its principal founder and first "boss," Roger C. Sullivan, represented a generation of businessmen-politicians who emerged in the 1880s. Sullivan and his allies created an informal public power structure that, while serving their own interests, also made government more functional. The Machine is a product of America's Gilded Age and the Progressive Era and offers a lesson in the advantages and limitations of representative government.

Between 1908 and 1920, Roger C. Sullivan and his political allies consolidated their control of the Chicago and Illinois Democratic parties, creating the enduring structure known as the "Chicago Democratic machine." Not a personal faction nor tied to any cause, it was a coalition of professional political operatives employing business principles to achieve legal profit and advantage. Sullivan was its chief organizer and first "boss," rising to primacy after many political battles--with William Jennings Bryan, among others--and went on to become a kingmaker who helped Woodrow Wilson win the presidency. By the time of his death, Sullivan was widely respected, his achievements recognized even by those who deplored his politics. Based upon new research, this first comprehensive study of Sullivan and the early days of the Chicago "machine" focuses on the daily realities of the city's politics and the personalities who shaped them.

Chicago may seem a surprising choice for studying thoroughbred racing, especially since it was originally a famous harness racing town and did not get heavily into thoroughbred racing until the 1880s. However, Chicago in the late nineteenth and early twentieth centuries was second only to New York as a center of both thoroughbred racing and off-track gambling. Horse Racing the Chicago Way shines a light on this fascinating, complicated history, exploring the role of political influence and class in the rise and fall of thoroughbred racing; the business of racing; the cultural and social significance of racing; and the impact widespread opposition to gambling in Illinois had on the sport. Riess also draws attention to the nexus that existed between horse racing, politics, and syndicate crime, as well as the emergence of neighborhood bookmaking, and the role of the national racing wire in Chicago. Taking readers from the grandstands of Chicago’s finest tracks to the underworld of crime syndicates and downtown poolrooms, Riess brings to life this understudied era of sports history.

Between 1908 and 1920, Roger C. Sullivan and his political allies consolidated their control of the Chicago and Illinois Democratic parties, creating the enduring structure known as the "Chicago Democratic machine." Not a personal faction nor tied to any cause, it was a coalition of professional political operatives employing business principles to achieve legal profit and advantage. Sullivan was its chief organizer and first "boss," rising to primacy after many political battles--with William Jennings Bryan, among others--and went on to become a kingmaker who helped Woodrow Wilson win the presidency. By the time of his death, Sullivan was widely respected, his achievements recognized even by those who deplored his politics. Based upon new research, this first comprehensive study of Sullivan and the early days of the Chicago "machine" focuses on the daily realities of the city's politics and the personalities who shaped them.

"Francis O'Neill was Chicago's larger-than-life police chief, starting in 1901- and he was an Irish immigrant with an intense interest in his home country's music. In documenting and publishing his understanding of Irish musical folkways, O'Neill became the foremost shaper of what "Irish music" meant. He favored specific rural forms and styles, and as Michael O'Malley shows, he was the "beat cop" -actively using his police powers and skills to acquire knowledge about Irish music and to enforce a nostalgic vision of it"--

This thoroughly illustrated classic study traces the history of the world-famous Chicago school of architecture from its beginnings with the functional innovations of William Le Baron Jenney and others to their imaginative development by Louis Sullivan and Frank Lloyd Wright. The Chicago School of Architecture places the Chicago school in its historical setting, showing it at once to be the culmination of an iron and concrete construction and the chief pioneer in the evolution of modern architecture. It also assesses the achievements of the school in terms of the economic, social, and cultural growth of Chicago at the turn of the century, and it shows the ultimate meaning of the Chicago work for contemporary architecture. "A major contribution [by] one of the world's master-historians of building technique."—Reyner Banham, Arts Magazine "A rich, organized record of the distinguished architecture with which Chicago lives and influences the world."—Ruth Moore, Chicago Sun-Times