Rodinsky's world was that of the East European Jewry, cabbalistic speculation, an obsession with language as code and terrible loss. He touched the imagination of artist Rachel Lichtenstein, whose grandparents had left Poland in the 1930s. This text weaves together Lichtenstein's quest for Rodinsky - which took her to Poland, to Israel and around Jewish London - with Iain Sinclair's meditations on her journey into her own past and on the Whitechapel he has reinvented in his own writing. Rodinsky's Room is a testament to a world that has all but vanished, a homage to a unique culture and way of life.

A New Statesman Book of the Year London. A city apart. Inimitable. Or so it once seemed. Spiralling from the outer limits of the Overground to the pinnacle of the Shard, Iain Sinclair encounters a metropolis stretched beyond recognition. The vestiges of secret tunnels, the ghosts of saints and lost poets lie buried by developments, the cycling revolution and Brexit. An electrifying final odyssey, The Last London is an unforgettable vision of the Big Smoke before it disappears into the air of memory.

Rodinsky's world was that of the East European Jewry, cabbalistic speculation, an obsession with language as code and terrible loss. He touched the imagination of artist Rachel Lichtenstein, whose grandparents had left Poland in the thirties. This text weaves together Lichtenstein's quest for Rodinsky -which took her to Poland, to Israel and around Jewish London -with Iain Sinclair's meditations on her journey into her own past, and on the Whitechapel he has reinvented.

LONGLISTED FOR THE GORDON BURN PRIZE 2017 A hauntingly beautiful social history of the Thames Estuary, from the author of On Brick Lane Out at the eastern edge of England, between land and ocean, you will find beautiful, haunted salt marshes, coastal shallows and wide-open skies: the Thames Estuary. The estuary is an ancient gateway to England, a passage for numberless travellers in and out of London. And for generations, the people of Kent and Essex have lived and worked on the Estuary, learning its waters, losing loved ones to its deeps. Their heritage is a proud but never an easy one. In the face of a world changing around them, they endure. Rachel Lichtenstein spent five years exploring this unique community and recording its extraordinary chorus of voices, present and past. From mud larkers and fishermen to radio pirates and champion racers, from buried princesses to unexploded bombs, Estuary is a celebration of a haunting & profoundly British place.

On Brick Lane is an unforgettable journey through the vanished past, the disappearing present and the emerging future of Britain 's most mythologized and misunderstood street. Home to successive waves of immigrants, Brick Lane is at once multicultural melting pot and sacred site, bounded by Hawksmoor churches, abandoned synagogues and newly developed mosques, with the old Truman Brewery at its heart. gt;Bringing to life the memories and realities of Brick Lane's many communities, Rachel Lichtenstein harnesses the voices of the famous, the infamous and the obscure, merging memoir, reportage, poetry, photography and local history. The result is as vibrant and fascinating as the neighbourhood it so movingly celebrates.

Hatton Garden is one of the most secret streets in England, home for two centuries to a deeply private working community of diamond and jewellery dealers. Intimately connected to the area both personally (her family run a jewellery business there) and professionally (as an artist archivist of London's streets), Rachel Lichtenstein is uniquely placed to explore the extraordinary history of this mysterious quarter, with its ancient burial sites, diamond workshops, underground vaults, subterranean rivers, monastic dynasties and forgotten palaces. Moving beyond the street itself into parts of Clerkenwell, Holborn and Farringdon, Rachel follows the ancient perimeter of the original Hatton Garden estate, which once bordered the lost River Fleet. Guided on her walks by archaeologists, sewer flushers, artists, goldsmiths, geologists and visionaries of the city such as Iain Sinclair, she crosses the same territory repeatedly, gathering new layers of the story with each journey. The result is a brilliantly immersive and multi-layered portrait; both a documentary and a secret history of a vanishing world.

For centuries before the arrival in Australia of Captain Cook and the so-called First Fleet in 1788, intrepid seafaring explorers had been searching, with varied results, for the fabled “Great Southland.” In this enthralling history of early discovery, Graham Seal offers breathtaking tales of shipwrecks, perilous landings, and Aboriginal encounters with the more than three hundred Europeans who washed up on these distant shores long before the land was claimed by Cook for England. The author relates dramatic, previously untold legends of survival gleaned from the centuries of Dutch, Spanish, Portuguese, French, and Indonesian voyages to Australia, and debunks commonly held misconceptions about the earliest European settlements: ships of the Dutch East Indies Company were already active in the region by the early seventeenth century, and the Dutch, rather than the English, were probably the first European settlers on the continent.

A novel about London -- its past, its people, its underbelly and its madness. "In this extraordinary work Sinclair combines a spiritual inquest into the Whitechapel Ripper murders and the dark side of the late Victorian imagination with a posse of seedy book dealers hot on the trail of obscure rarities of that period. These ruined and ruthless dandies appear and disappear through a phantasmagoria interspersed with occult conjurings and reflections on the nature of fiction and history" GUARDIAN

This book documents Janet Cardiff's 1999 audio project, The Missing voice (Case Study B), and includes the full audio CD as well as images from this exploration of London's inner city. Part urban guide, part fiction, part film noir, her audio walk entwines the listener in a narrative that shifts through time and space. Intimate, even conspirational, Cardiff has created a psychologically absorbing experience for an audience of one at a time. You find yourself transported back in time. What was that sound? Who is speaking to you? Where does reality end, and what's imagined begin? Also included is an extended essay analyzing the artist's career to date. Born in 1957, in Brussels, Canada, Cardiff works and lives in Alberta and has shown internationally in, among others, London, New York, Berlin, and Vienna. Her work has been included in significant group exhibitions, notably Skulptur Projekte Munster, 1997; Present Tense: Nine Artists in the Nineties, at San Francisco Museum of Modern Art; the 1999 Carnegie International; and the Museum as Muse at New York's Museum of Modern Art.