In this study, historian Michael Allen examines the image of the rodeo cowboy and the role this image has played in popular culture over in the 20th century. He sees rodeo as a significant American folk festival and the rodeo cowboy as the surviving avatar of a nearly vanished authentic figure - the real cowboy, who embodies the skills and values of traditional western rural culture.

The lure of cowgirls and cowboys has hooked the American imagination with the lure of freedom and adventure since the turn of the twentieth century. The cowboy and cowgirl played in the imagination and made rodeo into a symbolic representation of the Western United States. As a sport that is emblematic of all things “Western,” rodeo is a phenomenon that has since transcended into popular culture. Rodeo’s attraction has even spanned oceans and lives in the imaginations of many around the world. From the modest start of this fantastic sport in open fields to celebrate the end of a long cattle drive or to settle a friendly “who’s the best” bet between neighboring ranches, rodeo truly has grown into an edge-of-the-seat, money-drawing, and crowd-cheering favorite pastime. However, rodeo has diverse history that largely remains unaccounted for, unexamined, and silenced. In Gender, Whiteness and Power in Rodeo Tracey Owens Patton and Sally M. Schedlock visually explore how race, gender, and other issues of identity complicate the mythic historical narrative of the West. The authors examine the experiences of ethnic minorities, specifically Latinos, American Indians, and African Americans, and women who have continued to be marginalized in rodeo. Throughout the book, Patton and Schedlock questioned the binary divisions in rodeo that exists between women and men, and between ethnic minorities and Whites—divisions that have become naturalized in rodeo and in the mind of the general public. Using iconic visual images, along with the voices of the marginalized, Patton and Schedlock enter into the sometimes acrimonious debate of cowgirls and ethnic minorities in rodeo.

"This book examines how (and why) rodeo has provided diverse communities ways in which they can prove themselves as real Americans, real men, and real heroes, often through the enactment of ever-shifting concepts like authenticity, tradition, and heritage. The author analyzes how the space of the rodeo arena has exposed fractures in the narrative of the cowboy over the twentieth century, focusing particularly on the experiences of non-normative cowboys and cowgirls to demonstrate how people stripped of their place in a collectively imagined Western past have both challenged and reinforced the cowboy as an icon of American authenticity. The case studies include female bronc-riders in the 1910s and 1920s, convict cowboys in the mid-twentieth century, all-black rodeos in the 1960s and 1970s, and gay rodeoers in the late century. Cast out of popular Western mythology and pushed to the fringes in everyday life, these people found belonging and meaning at the rodeo, staking a claim to national inclusion through regional performance. Yet, alongside their challenges to the restrictive definition of the cowboy, they also contributed to the persistent idea of an authentic Western identity"--]cProvided by publisher.

During the post-World War II period, the Western, like America's other great film genres, appeared to collapse as a result of revisionism and the emergence of new forms. Perhaps, however, as theorists like Gilles Deleuze suggest, it remains, simply "maintaining its empty frame." Yet this frame is far from empty, as Post-Westerns shows us: rather than collapse, the Western instead found a new form through which to scrutinize and question the very assumptions on which the genre was based. Employing the ideas of critics such as Deleuze, Jacques Derrida, and Jacques Rancière, Neil Campbell examines the haunted inheritance of the Western in contemporary U.S. culture. His book reveals how close examination of certain postwar films--including Bad Day at Black Rock, The Misfits, Lone Star, Easy Rider, Gas Food Lodging, Down in the Valley, and No Country for Old Men--reconfigures our notions of region and nation, the Western, and indeed the West itself. Campbell suggests that post-Westerns are in fact "ghost-Westerns," haunted by the earlier form's devices and styles in ways that at once acknowledge and call into question the West, both as such and in its persistent ideological framing of the national identity and values.

When asked in an interview what he most liked about rodeo, three-time world champion saddle-bronc rider “Cody” Bill Smith said simply, “Horses that buck.” Smith redefined the image of America’s iconic cowboy. Determined as a boy to escape a miner’s life in Montana, he fantasized a life in rodeo and went on to earn thirteen trips to the national finals, becoming one of the greatest of all riders. This biography puts readers in the saddle to experience the life of a champion rider in his quest for the gold buckle. Drawing on interviews with Smith and his family and friends, Margot Kahn recreates the days in the late 1960s and early 1970s when rodeo first became a major sports enterprise. She captures the realities of that world: winning enough money to get to the next competition, and competing even when in pain. She also tells how, in his career’s second phase, Smith married cowgirl Carole O’Rourke and went into business raising horses, gaining notoriety for his gentle hand with animals and winning acclaim for his and Carole’s Circle 7 brand. Inducted into the Pro Rodeo Hall of Fame in 1979 and the National Cowboy & Western Heritage Museum’s Rodeo Hall of Fame in 2000, Smith was a legend in his own time. His story is a genuine slice of rodeo life—a life of magic for those good enough to win. This book will delight rodeo and cowboy enthusiasts alike.

This groundbreaking volume helps readers understand the history, evolution, and significance of this wide-ranging, often misunderstood, and increasingly important field of study.

Sports fans nationwide know Soldier Field as the home of the Chicago Bears. For decades its signature columns provided an iconic backdrop for gridiron matches. But few realize that the stadium has been much more than that. Soldier Field: A Stadium and Its City explores how this amphitheater evolved from a public war memorial into a majestic arena that helped define Chicago. Chicago Tribune staff writer Liam Ford led the reporting on the stadium’s controversial 2003 renovation—and simultaneously found himself unearthing a dramatic history. As he tells it, the tale of Soldier Field truly is the story of Chicago, filled with political intrigue and civic pride. Designed by Holabird and Roche, Soldier Field arose through a serendipitous combination of local tax dollars, City Beautiful boosterism, and the machinations of Mayor “Big Bill” Thompson. The result was a stadium that stood at the center of Chicago’s political, cultural, and sporting life for nearly sixty years before the arrival of Walter Payton and William “The Refrigerator” Perry. Ford describes it all in the voice of a seasoned reporter: the high school football games, track and field contests, rodeos, and even NASCAR races. Photographs, including many from the Chicago Park District’s own collections, capture these remarkable scenes: the swelling crowds at ethnic festivals, Catholic masses, and political rallies. Few remember that Soldier Field hosted Billy Graham and Martin Luther King Jr., Judy Garland and Johnny Cash—as well as Grateful Dead’s final show. Soldier Field captures the dramatic history of Chicago’s stadium on the lake and will captivate sports fans and historians alike.

Guts and glory, bulls and barrel racing, spurs and scars are all part of rodeo, a sport of epic legends. Cowboys and cowgirls use brain and brawn to contend for prizes and placement, but more often than not, it is the prestige of honorable competition that spurs them on. College Rodeo covers the history of the sport on college campuses from the first organized contest in 1920 to the national championship of 2003. In the early years of the twentieth century, a growing number of kids from farms and ranches attended college, many choosing the land grant institutions that allowed them to prepare for agricultural careers back home. They brought with them a love for the skills, challenges, and competition they had known—a taste for rodeo. The first-ever college rodeo was held at the Agricultural and Mechanical College of Texas. It offered bronco busting, goat roping, saddle racing, polo, a greased pig contest, and country ballads from a quartet. The rodeo was a fund-raising effort that grew enormously popular; by its third year, the rodeo at Texas A&M drew some fifteen hundred people. The idea spread to other campuses, and nineteen years later, the first intercollegiate rodeo with eleven colleges and universities competing was held in 1939 at the ranch arena of an entrepreneur near Victorville, California. Seldom does a college sport exist for eighty years without having a book written about it, but college rodeo has. Sylvia Gann Mahoney has written the first history of the sport, tracing its growth parallel to the development of professional rodeo and the growth of the organizational structure that governs college rodeo. Mahoney draws on personal interviews as well as the archives of the National Intercollegiate Rodeo Association and newspaper accounts from participating schools and their hometowns. Mahoney chronicles the events, profiles winners, and analyzes the organizational efforts that have contributed to the colorful history of college rodeo. She traces the changing role of women, noting their victories that were ignored by much of the contemporary press in the early days of the sport. College Rodeo highlights outstanding individuals through extensive interviews, giving credit to the pioneers of college rodeo. This book includes rare photographs of rodeo teams, champions, and rodeo queens, blended with the true life details of sweat and tears that make intercollegiate rodeo such a popular sport.

This book advances current literature on the role and place of animals in sport and society. It explores different forms of sporting spaces, examines how figures of animals have been used to racialize the human athlete, and encourages the reader to think critically about animal ethics, animals in space, time and place, and the human-animal relationship. The chapters highlight persistent dichotomies in the use of and collaboration with animals for sport, and present strategies for moving forward in the study of interspecies relations.

When Elvis crooned "Bright light city . . . gonna set my soul on fire," he voiced and embraced the siren call of a glittering urban utopia that continues to mesmerize millions. Call it Sin City or Lost Wages, Las Vegas definitely deserves its rapturous "Viva!" Larry Gragg, however, invites readers to view Las Vegas in an entirely new way. While countless other authors have focused on its history or gaming industry or entertainment ties, Gragg considers how popular culture has depicted the city and its powerful allure over its first century. Drawing on hundreds of films, television programs, novels, and articles, Gragg identifies changing trends in the city's portraits. Until the 1940s, boosters promoted it as the "last frontier town," a place where prospectors and cowboys enjoyed liquor, women, and wide-open gambling. Then in the early 1950s commentators increasingly characterized Las Vegas as a sophisticated resort city in the desert, and ever since then journalists, filmmakers, and novelists have depicted a city largely built by organized crime and featuring non-stop entertainment, gambling, luxury, and, of course, beautiful-and available-women. In Gragg's narrative, these images form a kaleidoscope of lights, sounds, characters, and ultimately amazement about this neon oasis. In these pages, readers will meet gangsters like Bugsy Siegel, Tony Spilotro, and Lefty Rosenthal, as well as Las Vegas's most popular entertainers: Elvis Presley, Sinatra's Rat Pack, Liberace, and Wayne Newton, not to mention the Folies Bergere showgirls. And Gragg's skillful interweaving of fictional and journalistic accounts of organized crime shows just how mutually reinforcing they have become over the years. Vegas will always make people's eyes light up as bright as the Strip, witness the new TV show Vegas or the recent film The Hangover. For everyone entranced by its glitter and glamour, Bright Light City is a must read boasting color photos and bursting with insider details: an eclectic blend of stories, people, sights, and sounds that together make up this desert city's extraordinary appeal.