Two tiny trilobites in a vast Cambrian ocean drift past sea cucumber parasols and a shaggy, tree-like sponge. Snail tracks loop enigmatically against brushed-gray Silurian slate, and ghostly white crinoids feather a Devonian seascape. A delicate pterosaur flies bravely into the Jurassic gloom, while a Tyrannosaurus rex so big that its teeth fill our field of vision stalks the deep orange sands that mark the end of the Cretaceous period. These are just a few scenes from the magnificent drama that unfolds in glorious full color and three-dimensional texture in Rock of Ages, Sands of Time. Each of Barbara Page's 544 contiguous painted panels represents a million years of the history of life on earth, with fossil plants and animals depicted at the same scale and in association with each other just as they might be found by a paleontologist in the field. A muted rainbow of background colors evoke the rocks in which the fossils were found—the Texas Red Beds, for instance, or the yellow Solnhofen limestone—and keystone events are shown metaphorically, with fat rolls of paint marking major extinctions or continental drift. To fully experience the awesome impact of an eon's worth of time spread across 500 feet of bas-relief panels, you'd have to visit the Museum of the Earth in Ithaca, New York, where Page's specially commissioned work will be installed when the museum opens in 2002. But this book is the next best thing. Not only does it contain crisp color reproductions of each painting, but it also includes an accessible essay from paleontologist Warren Allmon giving the scientific context behind the art. For fossil lovers of all ages, and anyone interested in the merging of art and science, Rock of Ages, Sands of Time will be the find of a lifetime.

Serious Daring is the story of the complementary journeys of two American women artists, celebrated fiction writer Eudora Welty and internationally acclaimed photographer Rosamond Purcell, each of whom initially practiced, but then turned from, the art form ultimately pursued by the other. For both Welty and Purcell, the art realized is full of the art seemingly abandoned. Welty’s short stories and novels use images of photographs, photographers, and photography. Purcell photographed books, texts, and writing. Both women make compelling art out of the seeming tension between literary and visual cultures. Purcell wrote a memoir in which photographs became endnotes. Welty re-emerged as a photographer through the publication of four volumes of what she called her “snapshots,” magnificent black-and-white photographs of small-town Mississippi and New York City life. Serious Daring is a fascinating look at how the road not taken can stubbornly accompany the chosen path, how what is seemingly left behind can become a haunting and vital presence in life and art.

BOOK MARKS is an imaginative journey through artist Barbara Page's reading history, interwoven with memories prompted by the hundreds of titles depicted. At the heart of the book are over 430 artworks on repurposed library checkout cards, part of an ongoing art project housed in an antique two-drawer library case. Each richly illustrated "book mark" represents a title that has left an imprint on Page's life. Arranged chronologically in the order the books were read, the sections of plates correspond to the stages of her life undertaken in the individual chapters-child, young housewife, pilot, artist, widow, and traveler. The added layer of the author's personal history-sometimes whimsical, often fragmented-illuminates how the "mark" left by a book is anchored not only to its contents, but also to the memories associated with it, whether a hike guided by Alfred Wainright through England's Nannycatch Valley or a drive to Boston listening to Tuesdays with Morrie. A bibliophile's delight that will touch and inspire readers of any genre! Includes a complete bibliographic list of 434 titles-fiction, science, art, gardening, travel, history, biography, aviation, ecology, children's literature, and more-plus trivia on their publishing history; author and title indices for easy cross reference; and bound with two ribbon bookmarks, so readers can simultaneously mark their place in the plate section and corresponding page in the chapter.

Big History is a new field on a grand scale: it tells the story of the universe over time through a diverse range of disciplines that spans cosmology, physics, chemistry, astronomy, geology, evolutionary biology, anthropology, and archaeology, thereby reconciling traditional human history with environmental geography and natural history. Weaving the myriad threads of evidence-based human knowledge into a master narrative that stretches from the beginning of the universe to the present, the Big History framework helps students make sense of their studies in all disciplines by illuminating the structures that underlie the universe and the connections among them. Teaching Big History is a powerful analytic and pedagogical resource, and serves as a comprehensive guide for teaching Big History, as well for sharing ideas about the subject and planning a curriculum around it. Readers are also given helpful advice about the administrative and organizational challenges of instituting a general education program constructed around Big History. The book includes teaching materials, examples, and detailed sample exercises. This book is also an engaging first-hand account of how a group of professors built an entire Big History general education curriculum for first-year students, demonstrating how this thoughtful integration of disciplines exemplifies liberal education at its best and illustrating how teaching and learning this incredible story can be transformative for professors and students alike.

Legend has it that a magical spring lies dormant in the heart of the Khuzar desert. Said to be a gift from the gods, the spring holds the cure to all mortal woes. As mercenaries from everywhere try in vain to find the mystical spring, 17-yearold Desert Rose is on the run after her chieftain father is overthrown and captured by rebel clans. Now out for revenge, she sets out alone to the Oasis Capital to assassinate the person instigating the rebellion: the corrupt Emperor Zhao, who will stop at nothing to possess the elixir of life from the spring. To infiltrate the Imperial Guard, Desert Rose must pass a series of trials to test her wit, mettle, and her loyalty. But the real test lies in navigating the cut throat court politics with no ally but a rogue prince and a latent magic stirring in her - magic that can bring a kingdom to its knees or destroy her from within.

"Oceanian ceramic cultures making earthenware pottery spread during the past 3500 years through a dozen major island groups spanning 6000 km of the tropical Pacific Ocean from western Micronesia to western Polynesia. Island potters mixed sand as temper into clay bodies during ceramic manufacture. The nature of island sands is governed by the geotectonics of hotspot chains, island arcs, subduction zones, backarc basins, and remnant arcs as well as by sedimentology. Because small islands with bedrock exposures of restricted character are virtual point sources of sand, many tempers are diagnostic of specific islands. Petrographic study of temper sands in thin section allows distinction between indigenous pottery and exotic pottery transported from elsewhere. Study of 2223 prehistoric Oceanian potsherds from 130 islands and island clusters indicates the nature of Oceanian temper types and documents 105 cases of interisland transport of ceramics over distances typically

Indexes the Times and its supplements.