For thousands of years, Plains Indians and their ancestors have occupied the vast region that stretches from the Mississippi river to the Rocky Mountains and from the Canadian plains to the Gulf of Mexico. Today, peoples such as the Blackfoot and Sioux still live in groups bound by language and shared rituals. From about 1800, one of the most important units beyond the extended family was the 'warrior society' - a social, political and ritual group that engaged in warfare and organised ceremonial life. The societies played a prominent role in battles, offering members the opportunity to gain honours through individual acts of bravery such stealing horses, capturing women, and taking scalps during war raids. These societies, however, have a rich ritual life that was marked by a strong sense of spirituality. In their ceremonies society members made use of objects such as pipes, rattles, and headdresses, as these were significant to their shared ideas of ritual and honour. Through a selection of unique objects from the British Museum's collection, this beautifully illustrated little book explores the world of the warriors of the North American Plains. Here are exceptional examples of feather headdresses, shields, moccasins, painted hides, scalps, pipes, tomahawks, and traditional and contemporary costumes. Many of these items may seem initially familiar from popular culture, but their deeper ritual significance is revealed by the author. A perennially popular subject, this book will appeal to young and old alike.

This book explores the various contexts in which men commit honor killing in Pakistan, and analyzes the discourses that deal with it. It undertakes the task of understanding the possible cultural, religious, historical and, increasingly, political reasons that create the dilemma, the exigency for men to kill a female member of their own family.

Written by distinguished scholars, the latest methods of research are applied to selected sites and monuments to suggest new ways of approaching this evocative, archaeological subject. Prehistoric astronomy, the Celtic ritual calendar and orientaion of stone age monuments in relation to lunar or solar observations are also considered.

This volume consists of a number of carefully-selected readings that represent a wide range of discussions and theorizing about ritual. The selection encompasses definitional questions, issues of interpretation, meaning, and function, and a roster of ethnographic and analytical topics, covering classic themes such as ancestor worship and sacrifice, initiation, gender, healing, social change, and shamanic practices, as well as recent critical and reconstructive theorizing on embodiment, performance, and performativity. In their Introduction to the volume, the Editors provide an overall survey and critical consideration of topics, incorporating insights from their own long-term field research and reflections on the readings included. The Introduction and readings together provide a unique research tool for those interested in pursuing the study of ritual processes in depth, with the benefit of both historical and contemporary approaches.

This volume provides a collection of some of Maurice Bloch's most important work, including influential essays on power, hierarchy, death and fertility.

An acclaimed theatre historian here presents a radical re-definition of ritual theatre in a study of 20th century performative culture. Offering both perfomative and semiotic analyses of performances, this is a revolutionary approach to the study.

Scholars of religion have long assumed that ritual and belief constitute the fundamental building blocks of religious traditions and that these two components of religion are interrelated and interdependent in significant ways. Generations of New Testament and Early Christian scholars have produced detailed analyses of the belief systems of nascent Christian communities, including their ideological and political dimensions, but have by and large ignored ritual as an important element of early Christian religion and as a factor contributing to the rise and the organization of the movement. In recent years, however, scholars of early Christianity have begun to use ritual as an analytical tool for describing and explaining Christian origins and the early history of the movement. Such a development has created a momentum toward producing a more comprehensive volume on the ritual world of Early Christianity employing advances made in the field of ritual studies. The Oxford Handbook of Early Christian Ritual gives a manifold account of the ritual world of early Christianity from the beginning of the movement up to the end of the fifth century. The volume introduces relevant theories and approaches; central topics of ritual life in the cultural world of early Christianity; and important Christian ritual themes and practices in emerging Christian groups and factions.

The rise of early Christianity has been examined from a myriad of perspectives, but until recently ritual has been a neglected topic. Ritual and Christian Beginnings: A Socio-Cognitive Analysis argues that ritual theory is indispensable for the study of Christian beginnings. It also makes a strong case for the application of theories and insights from the Cognitive Science of Religion, a field that has established itself as a vigorous movement in Religious Studies over the past two decades. Risto Uro develops a 'socio-cognitive' approach to the study of early Christian rituals, seeking to integrate a social-level analysis with findings from the cognitive and evolutionary sciences. Ritual and Christian Beginnings provides an overview of how ritual has been approached in previous scholarship, including reasons for its neglect, and introduces the reader to the emerging fields of Ritual Studies and the Cognitive Science of Religion. In particular, it explores the ways in which cognitive theories of ritual can shed new light on issues discussed by early Christian scholars, and opens up new questions and avenues for further research. The socio-cognitive approach to ritual is applied to a number of test cases, including John the Baptist, the ritual healing practiced by Jesus and the early Christians, the social life of Pauline Christianity, and the development of early Christian baptismal practices. The analysis creates building blocks for a new account of Christian beginnings, highlighting the role of ritual innovation, cooperative signalling, and the importance of bodily actions for the generation and transmission of religious knowledge.

The Art of Ritual takes you through every step of ritual format from the basics to the more unusual. What ritual is, how to create it, work with it and all the different aspects and stages of putting a ritual together and how to get the best out of it whether you are a solitary or within a group. From set up through the entire process including the cake...this book covers just about all you should need to know to give you the best ritual experience. Drawn from the author's own teachings and experiences this book also shares a variety or different ritual scripts and suggestions along with those from members of her coven.

This book explores the importance of ritual and ritual theory to discourses of authenticity and originality, thereby deepening our insight into concepts of cultural heritage, identity and nation in a globalised world. The volume is the first interdisciplinary attempt to understand the significance of rituals and related performative traditions in the creation of grounded cultural identities, ‘home’ and heritage as geographically experienceable locations. It assembles perspectives from social and cultural anthropology, performance studies, education and arts that can deal with the politics of revitalisation and preservation of ritualised traditions. While some chapters in this book emphasise on the ritualisation of cultural heritage by concentrating on power relations and politics, as well as actual processes of identification, especially for marginalised ethnic groups or migrant communities, others explore how rituals as intangible heritage are strategically employed by different groups all over the world to make their claims public and to improve and negotiate their position on a local, national or global platform. This book recognises ritualised performances as transnational and cross-cultural phenomena, which are not only tied to and defined via national territories and identities but which also demand new theoretical and methodological approaches towards the discussion of rituals and heritage.