Many young people aren't aware that determined individuals created the rights we now take for granted. The idea of human rights is relatively recent, coming out of a post–World War II effort to draw nations together and prevent or lessen suffering. Righting Wrongs introduces children to the true stories of 20 real people who invented and fought for these ideas. Without them, many of the rights we take for granted would not exist. These heroes have promoted women's, disabled, and civil rights; action on climate change; and the rights of refugees. These advocates are American, Sierra Leonean, Norwegian, and Argentinian. Eleven are women. Two identified as queer. Twelve are people of color. One campaigned for rights as a disabled person. Two identify as Indigenous. Two are Muslim and two are Hindu, and others range from atheist to devout Christian. There are two journalists, one general, three lawyers, one Episcopal priest, one torture victim, and one Holocaust survivor. Their stories of hope and hard work show how people working together can change the world for the better.

NEW YORK TIMES BESTSELLER • An “extraordinary, unforgettable” (Michelle Alexander, author of The New Jim Crow) memoir of redemption and second chances amidst America’s mass incarceration epidemic, from a member of Oprah’s SuperSoul 100 Shaka Senghor was raised in a middle-class neighborhood on Detroit’s east side during the height of the 1980s crack epidemic. An honor roll student and a natural leader, he dreamed of becoming a doctor—but at age eleven, his parents’ marriage began to unravel, and beatings from his mother worsened, which sent him on a downward spiral. He ran away from home, turned to drug dealing to survive, and ended up in prison for murder at the age of nineteen, full of anger and despair. Writing My Wrongs is the story of what came next. During his nineteen-year incarceration, seven of which were spent in solitary confinement, Senghor discovered literature, meditation, self-examination, and the kindness of others—tools he used to confront the demons of his past, forgive the people who hurt him, and begin atoning for the wrongs he had committed. Upon his release at age thirty-eight, Senghor became an activist and mentor to young men and women facing circumstances like his. His work in the community and the courage to share his story led him to fellowships at the MIT Media Lab and the Kellogg Foundation and invitations to speak at events like TED and the Aspen Ideas Festival. In equal turns, Writing My Wrongs is a page-turning portrait of life in the shadow of poverty, violence, and fear; an unforgettable story of redemption; and a compelling witness to our country’s need for rethinking its approach to crime, prison, and the men and women sent there.

6. Ombudsman in Australia: Dennis Pearce

For Mexican workers on the American home front during World War II, unprecedented new employment opportunities contrasted sharply with continuing discrimination, inequality, and hardship.

This book gives both aspiring and seasoned songwriters a powerful new approach to writing songs, focusing on common obstacles in the songwriting process and techniques to help songwriters overcome them. Each chapter goes to the root of a specific songwriting problem and provides exercises to help readers over the hurdles and put their new skills to work. Topics include writing approach, purpose, structure, melodic significance and construction, basic music theory, word meaning, word design and arrangement, chords, and how they are all pieced together. Along the way, a song is created to act as a case study and a demonstration of what each exercise can result in. The lessons are fun, informal, and include fresh suggestions and exercises born out of the author's experience in teaching songwriting at the college level. The book's companion website provides audio clips to accompany the relevant exercises and examples presented in the book. This book is able to cover all of the major aspects of songwriting while keeping everything entertaining and enlightening. It really doesn't matter what level of a song writer that you are . . . I very highly recommend it. - Seattle Post-Intelligencer

Righting Educational Wrongs brings together the work of scholars from the fields of disability studies in education and law to examine contemporary struggles around in-clusion and access to education. Specifically, contributors examine policies and practices as they contribute to or undermine educational access for individuals with disabilities. Kanter and Ferri expand our understanding about the potential of legal studies to inform work around disability studies in education and vice versa. Contributors explore the intersections between disability studies, law, and education, forging a theoretical framework for thinking about educational access. Several essays take a critical look at some of the histories of exclusion in education and the ways that these exclusions have been upheld by a variety of educational policies and practices. Other essays reflect on how students with disabilities and their families experience the Individuals with Disabilities in Education Act. By bridging various disciplines, Righting Educational Wrongs offers new insights to allow us to better understand the multiple perspectives and voices within the field of disability studies.

What happens when a snarky hitman and a by-the-book PI cross paths? Leland Being a hitman has its perks, but I never thought getting an accidental mooning by an attractive PI while he's caught on a fence would be one of them. While it's not exactly love at first sight, he's captured my interest and won't let go.Suddenly, I find myself caught in a game of cat and mouse, determined to attract the attention of Jackson, the PI who should be my enemy. He pretends like he's not flattered by my flowers and the mentions of my totally-not-fictitious blow-up doll Randy (or was it Dandy?), but I know better. Why else would he be teaming up with me to bring down Hardek, one of the city's most ruthless criminals? JacksonEven though the cops are telling me that the hitman is a notorious contract killer, I can't help but admit that I'm drawn to him. He's funny, charismatic, and attractive. There's no way this ridiculous man can be the person the cops are after.But when Leland ends up at my doorstep injured, I'm faced with a tough choice. It's my duty to hand him over to law enforcement, but my heart has other plans. I want to keep him. To protect him. To be with him. Though one question remains: why in the world does the man have so many d*mn guns?Contains: shenanigans on a swing that you would NOT find at a playground, a car chase that sadly doesn't have flips or explosions, a horsey ride sans horse, cuddles, an exuberant mutt, a suspicious chief of police, and lots and lots of laughs.

During the Second World War, over 20,000 Japanese Canadians had their civil rights, homes, possessions, and freedom taken away. This visual-packed book tells the story.

The community of Africville was founded in the late 1800s when African Nova Scotians built homes on the Bedford Basin on the northern edge of Halifax. Africville grew to include a church, a school, and small businesses. At its peak, about 400 people lived there. The community was lively and vibrant, with a strong sense of culture and tradition. But the community had its problems. Racist attitudes prevented people from getting well-paying jobs in the city and the City of Halifax refused residents basic services such as running water, sewage disposal, and garbage collection. In the 1960s, in the name of urban renewal, the City of Halifax decided to demolish Africville, relocate its residents and use the land for industrial development. Residents strongly opposed this move, but their homes were bulldozed, and many had to move into public housing projects in other parts of the city. After years of pressure from former members of the community and their descendants, the City of Halifax finally apologized for the destruction of Africville and offered some compensation. A replica of the church was built on the site. But former residents and their descendents were refused compensation beyond what little was paid in the 1960s. Through historical photographs, documents, and first-person narratives, this book tells the story of Africville. It documents how the city destroyed Africville and much later apologized for it — and how the spirit of the community lives on.

Italians came to Canada to seek a better life. From the 1870s to the 1920s they arrived in large numbers and found work mainly in mining, railway building, forestry, construction, and farming. As time passed, many used their skills to set up successful small businesses, often in Little Italy districts in cities like Montreal, Toronto, Hamilton, and Winnipeg. Many struggled with the language and culture in Canada, but their children became part of the Canadian mix. When Canada declared war on Italy on June 10, 1940, the government used the War Measures Act to label all Italian citizens over the age of eighteen as enemy aliens. Those who had received Canadian citizenship after 1922 were also deemed enemy aliens. Immediately, the RCMP began making arrests. Men, young and old, and a few women were taken from their homes, offices, or social clubs without warning. In all, about 700 were imprisoned in internment camps, mainly in Ontario and New Brunswick. The impact of this internment was felt immediately by families who lost husbands and fathers, but the effects would live on for decades. Eventually, pressure from the Italian Canadian community led Prime Minister Brian Mulroney to issue an apology for the internment and to admit that it was wrong. Using historical photographs, paintings, documents, and first-person narratives, this book offers a full account of this little-known episode in Canadian history.