(Book). Rikky Rooksby's revised and updated bestseller explores more than 200 classic riffs, from Cream and Led Zeppelin, through Nirvana and Soundgarden, to Metallica, U2, and the White Stripes. The first half of the book analyzes classic rock riffs and reveals the stories behind their creation. Easy-to-read text describes and explains each riff, supported by illustrations and audio examples. The book's second section shows how to construct great riffs and why they work. Readers learn how to shape a melody, integrate a guitar riff with the rest of a song, enhance a riff with effects, and work with intervals and scales to build riffs.

Equality remains elusive in this stunning steampunk sequel to Worldshaker. In the aftermath of the events of Worldshaker, the Filthies control the massive juggernaut, now called Liberator. Many members of the former upper class, called Swanks, have remained behind to help teach them how to operate the juggernaut and to build a new society together. But all is not idyllic aboard Liberator. A saboteur seems determined to drive up anti-Swank sentiment among the more volatile Filthy factions. And the Swanks are finding that their best efforts to work with the Filthies are being tossed aside. Even Col, who thought his relationship with Riff was rock solid, is starting to see their friendship crumbling before him. As tensions run high and coal supplies run low, Liberator is on the verge of a crisis. Can Col and Riff unify their divided people before disaster strikes?

The great thing about standard tuning on the guitar is its unmatched flexibility when it comes to chords, especially open chords, so what I'd like to do here is revisit the first few frets but this time we're going to learn some slightly more advanced open chords, which are probably more befitting of where you're at now. This book is not to be taken too seriously as it’s more about exploring possibilities, hearing some unique voicings and giving your fretting hand a good workout! Why learn more open chords? There are a number of benefits to learning these more advanced open chords. First of all, chords exercise your fretting hand in a different way than scales do, and some of these are quite tricky to pull off. Open chords generally have a full, lush sound and may even inspire a new song or riff; besides, guitarists generally don't know enough chords so learning a few more definitely won't hurt. Due to incorporating open strings, these chords are unique, not only to the guitar but to the world of music, and this is useful if you’re looking for a more individual voicing.

‘Garner is scrupulous, painstaking, and detailed, with sharp eyes and ears. She is everywhere at once, watching and listening, a recording angel at life’s secular apocalypses...her unillusioned eye makes her clarity compulsive.’ James Wood, New Yorker Helen Garner visits the morgue, and goes cruising on a Russian ship. She sees women giving birth, and gets the sack for teaching her students about sex. She attends a school dance and a gun show. She writes about dreaming, about turning fifty, and the storm caused by The First Stone. Her story on the murder of the two-year-old Daniel Valerio wins her a Walkley Award. Garner looks at the world with a shrewd and sympathetic eye. Her non-fiction is always passionate and compelling. True Stories is an extraordinary book, spanning fifty years of work, by one of Australia’s great writers. Helen Garner writes novels, stories, screenplays and works of non-fiction. In 2006 she received the inaugural Melbourne Prize for Literature, and in 2016 she won the prestigious Windham Campbell Prize for non-fiction and the Western Australian Premier's Book Award. Her most recent book, Everywhere I Look won the 2017 Indie Book Award for Non-Fiction. ‘Her prose is wiry, stark, precise, but to find her equal for the tone of generous humanity one has to call up writers like Isaac Babel and Anton Chekhov.’ Wall Street Journal ‘[Garner’s] writing expresses a hard-won grace. It brings you closer to the world, and shows you how to love it.’ Monthly ‘Helen Garner is one of Australia’s greatest living writers and her collection of essays, diary entries and stories written over almost 50 years is just the thing for the lover of fine writing. A compilation of three non-fiction collections, True Stories: The Collected Short Non-Fiction covers everything from family, love and marriage, sex and motherhood to travel, writing and criminal trials. Her piercing intellect, fearlessness and compassion shine through in every word.’ Sydney Morning Herald, Can’t-Put-Down Titles for Summer ‘True Stories by Helen Garner—I mean, really. Helen. Helen Garner. Do you hear that sound? It is the sound of glitter cannons exploding in my heart.’ Marieke Hardy, Melbourne Writers Festival Staff Summer Reading List ‘Memoirist, fiction writer, faction writer, journalist? Australian critics and booksellers have stopped trying to pigeonhole Melburnian writer Helen Garner and now just give her prizes...These stories and essays are the work of a natural storyteller, of an unsparing yet sympathetic eye...It’s all wonderful stuff: unstinting honesty, clarity and charm. Dive in.’ North & South ‘This is the power of Garner’s writing. She drills into experience and comes up with such clean, precise distillations of life, once you read them they enter into you. Successive generations of writers have felt the keen influence of her work and for this reason Garner has become part of us all.’ Australian ‘As I leaf through the volumes, having just re-read both of them, I am still brought up short by another revelatory insight of the everyday...I could go on and on, but I am out of words. Many happy returns Helen Garner!’ Adelaide Advertiser ‘This collection of columns, essays and feature writing from the early 1970s to the present is a real treat, offering immersive journalism, humour, whimsy and analysis.’ Overland ‘Garner’s non-fiction is often driven by the question why. Ruthless and full-blooded, her journalism nevertheless displays the greatest nimbleness in its accommodation of ambivalence and uncertainty. Her short stories, on the other hand, have a tendency to rise seamlessly towards epiphany.’ Times Literary Supplement

More than any rock artist since The Beatles, Radiohead's music inhabits the sweet spot between two extremes: on the one hand, music that is wholly conventional and conforms to all expectations of established rock styles, and, on the other hand, music so radically experimental that it thwarts any learned notions. While averting mainstream trends but still achieving a significant level of success in both US and UK charts, Radiohead's music includes many surprises and subverted expectations, yet remains accessible within a framework of music traditions. In Everything in its Right Place: Analyzing Radiohead, Brad Osborn reveals the functioning of this reconciliation of extremes in various aspects of Radiohead's music, analyzing the unexpected shifts in song structure, the deformation of standard 4/4 backbeats, the digital manipulation of familiar rock 'n' roll instrumentation, and the expected resolutions of traditional cadence structures. Expanding on recent work in musical perception, focusing particularly on form, rhythm and meter, timbre, and harmony, Everything in its Right Place treats Radiohead's recordings as rich sonic ecosystems in which a listener participates in an individual search for meaning, bringing along expectations learned from popular music, classical music, or even Radiohead's own compositional idiolect. Radiohead's violations of these subjective expectation-realization chains prompt the listener to search more deeply for meaning within corresponding lyrics, biographical details of the band, or intertextual relationships with music, literature, or film. Synthesizing insights from a range of new methodologies in the theory of pop and rock, and specifically designed for integration into music theory courses for upper level undergraduates, Everything in its Right Place is sure to find wide readership among scholars and students, as well as avid listeners who seek a deeper understanding of Radiohead's distinctive juxtapositional style.

English author Mary Cholmondeley won acclaim for her writing in numerous genres, from the tale of a detective who solves the mystery of an ingenious jewel heist in her first novel, The Danvers Jewels, to her later examination of friendship and adultery, Red Pottage. The stories collected in this volume run the gamut from romances to crime fiction to a humorous satirical take on the issue of women's suffrage.

After three decades of undying adoration, KISS fans will get their first fully authorized and total access look at the band who loves to "rock 'n' roll all nite and party every day!" Twenty years ago, KISS officially revealed the faces behind the stage makeup, and fans all over the world got their first look at the band. Now, in KISS: BEHIND THE MASK, the band's legion of fans and music enthusiasts alike will get to know the men behind the stage personas. After 30 years as a band, KISS are more than just a rock 'n' roll institution-they are legends. For decades, they have consistently remained among the most successful acts in the history of popular music. KISS' legendary stagemanship and extreme theatrics are well known by two generations of rock fans, and they are already pulling in the next one. Now, through their own words and exclusive material contributed by some of the biggest rock stars in the industry, KISS: BEHIND THE MASK will tell the band's full story.

The world loves to sing. From barbershop groups to madrigal choirs to vocal rock bands, there are tens of thousands of vocal groups in America. The success of mainstream television programs such as Glee and The Sing-Off not only demonstrates the rising popularity of vocal music; it reflects how current trends inspire others to join in. In addition, through various online and on-the-ground vocal music societies, the “a cappella market” is well defined and well connected. Like singing itself, a cappella is a global phenomenon. At the heart of every vocal group is the music it performs. This often means writing its own arrangements of popular or traditional songs. This book is the long-awaited definitive work on the subject, wide ranging both in its scope and in its target audience – which spans beginners, music students, and community groups to professional and semi-professional performers, vocal/instrumental songwriters, composers, and producers – providing genre-specific insight on a cappella writing. The tone of the book is instructive and informative, yet conversational: it is intended to stand alongside any academic publication while remaining interesting and fun. A Cappella Arranging is a good textbook – and a “good read” – for every vocal arranger, whether amateur or professional; every vocal music classroom, and any professional recording studio.

The classic novelization of one of Broadway’s most enduring and beloved musicals, updated with a beautiful new cover. Maria is young and innocent and has never known love—until Tony. And Tony, searching for life beyond the savagery of the streets, has discovered love for the first time with her, too. But Maria’s brother is the leader of the Sharks and Tony had once led the rival Jets. Now, both gangs are claiming the same turf and with tensions rising to the point of explosion, it seems there is no way to stop a rumble. Tony promised Maria that he would stay out of it. But will he be able to keep his word or will their newfound love be destroyed by violence or even death? Evocative and unforgettable, this novelization brings out all of the depth, drama, and beauty of one of the most enduring stories in the history of American theater.