Political and environmental disasters come crashing down in this earthquake sci-fi thriller co-written by the authors of 2001: A Space Odyssey and Memories. When he was seven years old, Lewis Crane survived the Los Angeles earthquake of 1994—but his parents did not. Haunted by the tragedy, Crane has dedicated his life to protecting humanity from similar disasters. Now he is a Nobel Prize–winning earthquake scientist who perfected equipment sensitive enough to predict an earthquake strike down to the minute. And he wants to go further. Crane has formed an organization to explore the idea of stopping earthquakes entirely by fusing the Earth’s tectonic plates together. But what effect will this have on the earth? And as political unrest causes tremors of another kind, can Crane’s audacious plan stop another major earthquake due to hit the United States? Co-written by Hugo and Nebula Award–winning author Arthur C. Clarke and Philip K. Dick Award–winning author Mike McQuay, the “two formidable SF talents converge splendidly in this disaster thriller, which offers sleek action-adventure writing, world-class tumult and a coherent near-future based on sound yet innovative social and scientific speculation” (Publishers Weekly).

This is the first full-length introduction to the life and works of significant American composer Marga Richter (born 1926), who has written more than one hundred works for orchestra, chamber ensemble, dance, opera, voice, chorus, piano, organ, and harpsichord. Still actively composing in her eighties, Richter is particularly known for her large-scale works performed by ensembles such as the London Philharmonic Orchestra and the Civic Orchestra of Chicago and for other pieces performed by prominent artists including pianist Menahem Pressler, conductor Izler Solomon, and violinist Daniel Heifetz. Interspersing consideration of Richter's musical works with discussion of her life, her musical style, and the origins and performances of her works, Sharon Mirchandani documents a successful composer's professional and private life throughout the twentieth century. Covering Richter's formative years, her influences, and the phases of her career from the 1950s to the present, Mirchandani closely examines Richter's many interesting, attractive musical works that draw inspiration from distinctly American, Irish/English, and Asian sources. Drawing extensively on interviews with the composer, Mirchandani also provides detailed descriptions of Richter's scores and uses reviews and other secondary sources to provide contexts for her work, including their relationship to modern dance, to other musical styles, and to 1970s feminism.

To create programs for the Windows 95 or Windows NT operating systems, programmers need to know the art of 32-bit programming. Richter presents the first truly advanced book on programming for Windows that concentrates on advanced topics and advanced material on core topics, and provides a stepping stone to the next release of Microsoft Windows. Disk includes sample code and applications.

German master Kurt Richter (1900-1969) made significant contributions to the chess world as a player, and as an editor and author. Unassuming in real life, Richter was a fearsome opponent who expressed himself mainly through his over-the-board results, as well as through his chess journalism and literary output. He was responsible for several innovative openings, some of which gained renewed status in later years. This overview of his life and games sheds light on a player who should be better known, with much never-before-seen material. Examples of his entertaining writings on chess are included, some featuring his fictitious student opponent, Dr. Zabel. A wide selection of games illustrates the surprising combinations and brilliant style of play that earned him the title "The Executioner of Berlin."

A translation into book form of Die neue wohnung (New living), a film about the modern dwelling at WOBA, the first Swiss housing exhibition in Basel, directed by avant-garde filmmaker Hans Richter.

In the first half of the twentieth century, psychology was a discipline in search of scientific legitimacy. Debates raged over how much of human and animal behavior is instinctive and how much is learned, and how behavior could be quantified accurately. At the Johns Hopkins University's new Phipps Psychiatric Clinic, Curt P. Richter stood aside from these heated theoretical arguments, choosing instead to apply his data-collection methods, innovative measurement techniques, playful sense of exploration, and consummate surgical skill to laboratory examinations of the biological basis of behavior. From identifying the biological clocks that govern behavior and physiology to observing the self-regulation of nutrient levels by the body, the cyclical nature of some mental illnesses, and the causes of hopelessness, Richter's wide-ranging discoveries not only influenced the burgeoning field of psychobiology and paved the way for later researchers but also often had implications for the treatment of patients in the clinic. At the time of his death in 1988, Richter left behind a massive collection of laboratory data. For this book, Jay Schulkin mined six decades of Richter's archived research data, personal documents, and interviews to flesh out an engaging portrait of a "laboratory artisan" in the context of his work.

Vols. for 1828-1934 contain the Proceedings at large of the American Board of Commissioners for Foreign Missions.