Gordon Daviot's 'Richard of Bordeaux' was a sensation when it was first produced in 1932. It ran for over a year in London and catapulted its star and producer, John Gielgud, into super-stardom. Audiences loved it for its accessible language, dramatic scenes and the sensitivity with which it dealt with Richard II's relationship with his Queen, Anne of Bohemia.

A new biography re-examining the complex and fascinating king, whose very humanity saw him deposed from his divine role.

March 1934. Revered mystery writer Josephine Tey is traveling from Scotland to London for the final week of her play Richard of Bordeaux, the surprise hit of the season, with pacifist themes that resonate in a world still haunted by war. But joy turns to horror when her arrival coincides with the murder of a young woman she had befriended on the train ride—and Tey is plunged into a mystery as puzzling as any in her own works. Detective Inspector Archie Penrose is convinced that the killing is connected to the play, and that Tey herself is in danger of becoming a victim of her own success. In the aftermath of a second murder, the writer and the policeman must join together to stop a ruthless killer who will apparently stop at nothing.

Inspector Alan Grant of Scotland Yard, recuperating from a broken leg, becomes fascinated with a contemporary portrait of Richard III that bears no resemblance to the Wicked Uncle of history. Could such a sensitive, noble face actually belong to one of the world's most heinous villains, a venomous hunchback who may have killed his brother's children to make his crown secure? Or could Richard have been the victim, turned into a monster by the usurpers of England's throne? Grant determines to find out once and for all, with the help of the British Museum and an American scholar, what kind of man Richard Plantagenet really was and who killed the Princes in the Tower.

Alan Grant, Scotland Yard Inspector is feeling bored while confined to bed in hospital with a broken leg. Marta Hallard, an actress friend of his, suggests that he should amuse himself by researching a historical mystery. She brings him some pictures of historical characters, aware of Grant's interest in human faces. He becomes intrigued by a portrait of King Richard III. He prides himself on being able to read a person's character from his appearance, and King Richard seems to him a gentle, kind and wise man. Why is everyone so sure that he was a cruel murderer? With the help of other friends and acquaintances, Grant investigates Richard's life and the case of the Princes in the Tower, testing out his theories on the doctors and nurses who attend to him. Grant spends weeks pondering historical information and documents with the help of Brent Carradine, a likable young American researcher working in the British Museum. Using his detective's logic, he tries to come to the conclusion whether the claim of Richard being a murderer is a fabrication of Tudor propaganda, or was he really a monstrous hunchback. The Daughter of Time was voted greatest mystery novel of all time by the Crime Writers' Association in 1990.

THE STORY: Thomas Mendip, a discharged soldier, weary of the world and eager to leave it, comes to a small town, announces he has committed murder and demands to be hanged. A philosophical humorist, Thomas is annoyed when the officials oppose his r

Richard II by William Shakespeare . Richard II is one of Shakespeare's finest works: lucid, eloquent, and boldly structured. It can be seen as a tragedy, or a historical play, or a political drama, or as one part of a vast dramatic cycle which helped to generate England's national identity. Today, to some of us, Richard II may appear conservative; but, in Shakespeare's day, it could appear subversive: 'I am Richard II', declared an indignant Queen Elizabeth. Numerous recent revivals in the theatre and on screen have demonstrated the enduring power and poignancy of this drama of the downfall of an egoistic but pitiable monarch.