[Siren Publishing: The Lynn Hagen ManLove Collection: Erotic Romance, Contemporary, Alternative, Paranormal, Werewolves, Vampires, Romantic Suspense, MM, HEA] Redemption Security is Rhys Maxwell’s company, his creation, his baby. He employs members of his pack and they get the job done. With any company who eliminates threats, they’ve created enemies. Only, it wasn’t his enemies who came after Adam. Adam Winters is the salvation to Rhys’s soul. He is Rhys’s mate. His everything. When Adam witnesses a hit going down at a gala event, Rhys has to save him from the monsters who are after him. Vampires. Rogues. The vilest creatures to walk the earth. They are hunting Adam, hell-bent on killing him to shut him up. It is Rhys’s job to keep him safe, to protect and cherish the man who has come to mean the world to him. Even, if at times, he has to save Adam from himself. There isn’t anything he won’t do for Adam, and Rhys will kill anyone foolish enough to come after what is his. Lynn Hagen is a Siren-exclusive author.

For Bianca Schumann, a Former Tender and esteemed mediator in vampire society, straddling the human and vampire worlds has become infinitely more complicated as the two worlds prepare for battle. When she finds herself the target of Species Purifiers, she enlists the help of Jagger Kaius to exact revenge on the humans responsible for the destruction of her home. Jagger, bearing the cursed markings of his recent imprisonment, understands Bianca's desire for vengeance. But the longer he works alongside her, the more intrigued and confused he becomes by the cracks he sees in her practiced perfection. Burned by love in the past, he clings tightly to the Tender-Vampire dance, one of clear rules and expectations. Will Jagger be able to break through Bianca's Tender training and the walls around his heart, or will he step away as she chooses her side in the impending species war?

Through an exclusive arrangement with the publisher, Thorndike Press offers the finest selections from the popular Harlequin Romance line in a library hardcover format. Harlequin fans are delighted to find favorite authors like Betty Neels, Emma Darcy, and Penny Jordan published in easy-to-read, lightweight, durable hardcovers -- perfect for outreach and homebound library services. Rhys Wolfe's demanding job left no time for romance, and that was just how he liked it He was close friends with Mariah, his beautiful neighbor, but that was all they were. Friends. Their one night of passion had been a mistake . . . Mariah knew that. She knew Rhys had been hurt and would never risk his heart again. The fact that she'd been in love with him for three years couldn't be helped Only now she was expecting and Rhys had mere months to learn to trust again.

Her brother's best friend might be a rake, but she's about to be his ruin... Claire is the dutiful, proper Cleveland sister, and the only one who's not embroiled in a scandal. Until now. With her sister's marriage to an earl, the weight of responsibility to save her family has been lifted from her shoulders, and for the first time in her life Claire is free. A rebelliousness she's long denied has her acting out in ways she would never have imagined. Like chasing her brother through the dark streets of London... and kissing her brother's best friend and notorious rake, Lord Nicholas. Nicholas thought he knew everything there was to know about his friend's proper and boring younger sister. Beautiful though she might be, Claire holds no allure for the worldly rogue. At least, not until he holds her in his arms. Could this passionate, daring, feisty woman be the same Claire Cleveland with the simpering smiles? Even more alarming, has the woman of his heart been right in front of his eyes this whole time? He may be late to realize that there is more to Claire than meets the eye, but now that he's seen her true nature, he'll do anything to keep her by his side. Even if that means marrying her. Please Note: This book was formerly titled A Rake's Ruin.

There has only ever been one man in Frankie's life: her father, Doug Cooper. That is, until she takes the job of amateur jockey at Aspen Valley Racing Stables. Here, she crosses paths with star rider, Rhys Bradford. Her crush on him would be made so much simpler if they didn't both have their eye on the same prize: the coveted ride on Grand National favourite, Peace Offering. In the turbulent run-up to National Hunt's biggest event, questions are raised. What exactly does Doug have against the Bradfords? Is Rhys playing games with her heart? Will Ta' Qali show his true potential in time to warrant his place at Aspen Valley? Why do there have to be so many blasted calories in strawberry cheesecake? And lastly, who exactly is Francesca Cooper? Frankie's curiosity unearths some long-buried secrets that their keepers would rather remain buried. And on a journey of self-discovery that takes in Britain's fiercest steeplechase courses, love will prove her costliest stumbling point.

Sins and Sinners: Asian Perspectives brings together essays by leading scholars of Asian religions to explore the diversity of beliefs about sin and its remedies.

Are people born pure? Is evil learned, or is it birthed into one's soul, like a fallen angel who was previously part of graciousness? Rhys is decayed, black, and bad. He cut distortion out of his life years before, but he let her live; his only way to gain redemption once more. As his sinful needs blanket him with dread, he seeks penance from the soul he saw as a second chance. Is absolution too late for Rhys?

Jean Rhys' position upon the literary map of the 20th century remains unstable, even after Wide Sargasso Sea (1966). She shunned public exposure and yet, desperately sought acknowledgement by her own peers; she stood away from the modernist circles of Montparnasse, in Paris, and yet, explored a radically avant-garde writing which retrospectively makes her rank among them, while her always problematic authority places her in the marginalized position of the postcolonial author. 'Writing precariously', in the case of Jean Rhys, reaches far beyond a mere posture of submission or a necessity to cope with a lack of money or a 'room of one’s own'. Rather, it becomes an ethical and political stance that engages with forms of minimal resistance to forms of subjection just as the very precariousness of her writing thwarts any efforts to 'place' her or her work, to frame her characters or label her style. With Jean Rhys, precariousness is the site where voices silenced and bodies dismissed by a gendered or imperialistic power may be retrieved, until their vulnerability becomes a dislodging force that makes the power structures precarious in turn. This book reassesses the precariousness of Jean Rhys as a distinct positionality eliciting an isolated voice which insists and persists. It was originally published as a special issue of the journal, Women: A Cultural Review.

Jean Rhys has long been central to debates in feminist, modernist, Caribbean, British and postcolonial writing. Elaine Savory's study, first published in 1999, incorporates and modifies previous critical approaches and is a critical reading of Rhys's entire oeuvre, including the stories and autobiography, and is informed by Rhys's own manuscripts. Designed both for the serious scholar on Rhys and those unfamiliar with her writing, Savory's book insists on the importance of a Caribbean-centred approach to Rhys, and shows how this context profoundly affects her literary style. Informed by contemporary arguments on race, gender, class and nationality, Savory explores Rhys's stylistic innovations - her use of colours, her exploitation of the trope of performance, her experiments with creative non-fiction and her incorporation of the metaphysical into her texts. This study offers a comprehensive account of the life and work of this most complex and enigmatic of writers.

Writing as a competitive athlete, an academic, and a woman, Leslie Heywood merges personal history and scholarship to expose the "anorexic logic" that underlies Western high culture. She maneuvers deftly across the terrain of modern literature, illustrating how this logic—the privileging of mind over body, of hard over soft, of masculine over feminine—is at the heart of the modernist style. Her argument ranges from Plato to women's bodybuilding, from Franz Kafka to Nike ads. In penetrating examinations of Kafka, Pound, Eliot, William Carlos Williams, and Conrad, Heywood demonstrates how the anorexic aesthetic is embodied in high modernism. In a compelling chapter on Jean Rhys, Heywood portrays an author who struggles to develop a clean, spare, "anorexic" style in the midst of a shatteringly messy emotional life. As Heywood points out, students are trained in the aesthetic of high modernism, and academics are pressured into its straitjacket. The resulting complications are reflected in structures as diverse as gender identity formation, sexual harassment, and eating disorders. Direct, engaging, and intensely informed by the author's personal involvement with her subject, Dedication to Hunger offers a powerful challenge to cultural assumptions about language, gender, subjectivity, and identity. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.