Through an exclusive arrangement with the publisher, Thorndike Press offers the finest selections from the popular Harlequin Romance line in a library hardcover format. Harlequin fans are delighted to find favorite authors like Betty Neels, Emma Darcy, and Penny Jordan published in easy-to-read, lightweight, durable hardcovers -- perfect for outreach and homebound library services. Rhys Wolfe's demanding job left no time for romance, and that was just how he liked it He was close friends with Mariah, his beautiful neighbor, but that was all they were. Friends. Their one night of passion had been a mistake . . . Mariah knew that. She knew Rhys had been hurt and would never risk his heart again. The fact that she'd been in love with him for three years couldn't be helped Only now she was expecting and Rhys had mere months to learn to trust again.

Katie's life or Rhyn's? Katie and Rhyn are in a race to free Katie from the underworld, before Death claims her soul and that of her child. When Katie’s guide in the underworld disappears, she must seek out Death's fortress in order to try to escape through the portal leading back to the mortal world. Rhyn struggles to control his demon powers. Demons follow him as he seeks out Death to make a deal for Katie's life.

This volume works through deconstructing traditional models of the imago Dei in search of a more inclusive understanding of the doctrine, one that allows for literature to bring important questions to bear. Brief analyses of Karl Barth and Paul Tillich and then growing dissatisfaction with the two in various liberation theologies brings to light the problems of a perfected image of God. An exploration of four novels by Jean Rhys between 1928 and 1939 then follows the footsteps of Katie Cannon and others who include literature in their theological work. The Rhys novels follow tragic stories of women who are wounded both by others and by their own inability to see themselves as worthy. Through the questions these women ask about themselves and God, the reconstruction of the imago Dei is set up. This reconstruction centers trauma, wounds, and a non-contrastive transcendence that Kathryn Tanner defines. Ultimately it is not in how we are perfect, but rather through our risks, our wounds, and even our grief that we connect to God.

Death or Hell?Three weeks after leaving Rhyn, Katie learns the Immortals have no intention of letting her go despite her deal with their leader. Rhyn discovers he can only protect her if he accepts his place among the Immortals. However, doing so may cost him the only thing that matters. Meanwhile, demons are closing in, and Death orders Katie killed. Death's assassin and the demons pursue them, and Katie will have to choose between Death or Hell to save Rhyn from both.

From the New York Times bestselling author of The Empathy Exams comes this transformative work showing that sometimes the recovery is more gripping than the addiction. With its deeply personal and seamless blend of memoir, cultural history, literary criticism, and reportage, The Recovering turns our understanding of the traditional addiction narrative on its head, demonstrating that the story of recovery can be every bit as electrifying as the train wreck itself. Leslie Jamison deftly excavates the stories we tell about addiction -- both her own and others' -- and examines what we want these stories to do and what happens when they fail us. All the while, she offers a fascinating look at the larger history of the recovery movement, and at the complicated bearing that race and class have on our understanding of who is criminal and who is ill. At the heart of the book is Jamison's ongoing conversation with literary and artistic geniuses whose lives and works were shaped by alcoholism and substance dependence, including John Berryman, Jean Rhys, Billie Holiday, Raymond Carver, Denis Johnson, and David Foster Wallace, as well as brilliant lesser-known figures such as George Cain, lost to obscurity but newly illuminated here. Through its unvarnished relation of Jamison's own ordeals, The Recovering also becomes a book about a different kind of dependency: the way our desires can make us all, as she puts it, "broken spigots of need." It's about the particular loneliness of the human experience-the craving for love that both devours us and shapes who we are. For her striking language and piercing observations, Jamison has been compared to such iconic writers as Joan Didion and Susan Sontag, yet her utterly singular voice also offers something new. With enormous empathy and wisdom, Jamison has given us nothing less than the story of addiction and recovery in America writ large, a definitive and revelatory account that will resonate for years to come.

Essays by Rudolf Bernoulli, Martin Buber, C. M. von Cammerloher, T. W. Danzel, Friedrich Heiler, C. G. Jung, C. Kerényi, John Layard, Fritz Meier, Max Pulver, Erwin Rousselle, and Heinrich Zimmer. With an introduction by Mircea Eliade. Originally published in 1960. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Essays by Ernesto Buonaiuti, Friedrich Dessauer, C. G. Jung, Werner Kaegi, C. Kerényi, Paul Masson-Oursel, Fritz Meier, Adolf Portmann, Max Pulver, Hugo Rahner, Erwin Schrödinger, and Walter Wili.

The aim of Recharting the Thirties is to revitalize the awareness of the reading public with regard to eighteen writers whose books have been largely ignored by publishers and scholars since their major works first appeared in the thirties. The selection is not based on a political agenda, but encompasses a wide and divergent range of philosophies; clearly, the contrasts between Empson and Upward, or between Powell and Slater, indicated the wide-ranging vision of the period. Women writers of the period have largely been marginalized, and the writings of Sackville-West and Burdekin, for example, not only present distinct feminine voices of the period, but also illuminate how much good literature has been forgotten.