As the Cuban Revolution reaches its sixtieth anniversary, contributors to this special issue explore the impact of the revolution through the lens of sexuality and gender, providing a social and cultural history that illuminates the Cuban-influenced global New Left. Moving beyond assumptions about the revolutionary left's hypermasculinity and homophobia, the issue takes a nuanced approach to the Cuban Revolution's impact on gender and sexuality. Contributors study Cuban internationalist campaigns, the relationship between cultural diplomacy and mass media, and visual images of revolution and solidarity. They follow the emergence and negotiation of new gender ideals through the transgendering of Che's "New Man," the Cuban travels of Angela Davis, calls for sexual revolution in the Dutch Atlantic, and gender representations during the 1964 "Campaign of Terror" in Chile. In doing so, the authors provide fresh insight into Cuba's transnational legacy on politics and culture during the Cold War and beyond. Contributors. Lorraine Bayard de Volo, Marcelo Casals, Michelle Chase, Aviva Chomsky, Isabella Cosse, Ximena Espeche, Robert Franco, Paula Halperin, Lani Hanna, Elizabeth Quay Hutchison, Melina Pappademos, Jennifer L. Lambe, Diosnara Ortega Gonz lez, Gregory Randall, Margaret Randall, Chelsea Schields, Sarah Seidman, Emily Snyder, Heidi Tinsman, Ailynn Torres Santana

On 26 May, 2010 Apple Inc. passed Microsoft in valuation as the world's largest technology company. Its consumer electronic products - ranging from computers to mobile phones to portable media devices, not to mention its iTunes, iBook and App Store - have influenced nearly every facet of our lives, and it shows no sign of slowing down. But how did Apple - a company set up in the back room of a house by two friends, and one that always marketed itself as the underdog - become the marketplace leader (and the world's second largest company overall), and is it a good thing to have one company hold so much power? In The Apple Revolution Luke Dormehl shares the inside story of how Apple Inc. came to be; from the formation of the company's philosophies and user-friendly ethos, to the "iPod moment" and global domination, leaving you with a deep understanding of how it was created, why it has flourished, and where it might be going next.

To illuminate the complex cultural foundations of state formation in modern Mexico, Compromised Positions explains how and why female prostitution became politicized in the context of revolutionary social reform between 1910 and 1940. Focusing on the public debates over legalized sexual commerce and the spread of sexually transmitted disease in the first half of the twentieth century, Katherine Bliss argues that political change was compromised time and again by reformers' own antiquated ideas about gender and class, by prostitutes' outrage over official attempts to undermine their livelihood, and by clients' unwillingness to forgo visiting brothels despite revolutionary campaigns to promote monogamy, sexual education, and awareness of the health risks associated with sexual promiscuity. In the Mexican public's imagination, the prostitute symbolized the corruption of the old regime even as her redemption represented the new order's potential to dramatically alter gender relations through social policy. Using medical records, criminal case files, and letters from prostitutes and their patrons to public officials, Compromised Positions reveals how the contradictory revolutionary imperatives of individual freedom and public health clashed in the effort to eradicate prostitution and craft a model of morality suitable for leading Mexico into the modern era.

This book analyses the processes of revolution and state reconstruction that took place in the Republican zone during the Spanish civil war. It focuses on the radical anarchists who sought to advance the revolutionary agenda. Their activity came into conflict with the leaders of the libertarian organisations committed to the reconstruction of the Republican state following its near collapse in July 1936. This process implied participation not only in the organs of governance but also in the ideological reconstitution of the Republic as a patriarchal and national entity. Using original sources, the book shows that the opposition to this process was both broader and more ideologically consistent than has hitherto been assumed, and that, in spite of its heterogeneity, it united around a common revolutionary programme. This resistance to state reconstruction was informed by the essential insight of anarchism: that the function and purpose of the modern state cannot be transformed from within. By situating the struggles of the radical anarchists within the contested process of state reconstruction, the book affirms the continued relevance of this insight to the study of the Spanish revolution.

One of the most paradoxical aspects of Cuban history is the coexistence of national myths of racial harmony with lived experiences of racial inequality. Here a historian addresses this issue by examining the ways soldiers and politicians coded their discussions of race in ideas of masculinity during Cuba’s transition from colony to republic. Cuban insurgents, the author shows, rarely mentioned race outright. Instead, they often expressed their attitudes toward racial hierarchy through distinctly gendered language—revolutionary masculinity. By examining the relationship between historical experiences of race and discourses of masculinity, Lucero advances understandings about how racial exclusion functioned in a supposedly raceless society. Revolutionary masculinity, she shows, outwardly reinforced the centrality of color blindness to Cuban ideals of manhood at the same time as it perpetuated exclusion of Cubans of African descent from positions of authority.

Recipient of the Hubert Herring Memorial Award from the Pacific Coast Council on Latin American Studies for the best unpublished manuscript of 1973, Prose Fiction of the Cuban Revolution is an in-depth study of works by Cubans, Cuban exiles, and other Latin American writers. Combining historical and critical approaches, Seymour Menton classifies and analyzes over two hundred novels and volumes of short stories, revealing the extent to which Cuban literature reflects the reality of the Revolution. Menton establishes four periods—1959–1960, 1961–1965,1966–1970, and 1971–1973—that reflect the changing policies of the revolutionary government toward the arts. Using these periods as a chronological guideline, he defines four distinct literary generations, records the facts about their works, establishes coordinates, and formulates a system of literary and historical classification. He then makes an aesthetic analysis of the best of Cuban fiction, emphasizing the novels of major writers, including Alejo Carpentier's El siglo de las luces, and José Lezama Lima's Paradiso. He also discusses the works of a large number of lesser-known writers, which must be considered in arriving at an accurate historical tableau. Menton's exploration of the short story combines a thematic and stylistic analysis of nineteen anthologies with a close study of six authors: Guillermo Cabrera Infante, Calvert Casey, Humberto Arenal, Antonio Benítez, Jesús Díaz Rodríguez, and Norberto Fuentes. Several chapters are devoted to the increasing number of novels and short stories written by Cuban exiles as well as to the eighteen novels and one short story written about the Revolution by non-Cubans, such as Julio Cortázar, Carlos Martínez Moreno, Luisa Josefina Hernández, and Pedro Juan Soto. In studying literary works to reveal the intrinsic consciousness of a historical period, Menton presents not only his own views but also those of Cuban literary critics. In addition, he clarifies the various changes in the official attitude toward literature and the arts in Cuba, using the revolutionary processes of several other countries as comparative examples.

From rebellion to revolution -- Social movements and revolution -- Revolutionary states -- Revolutionary polities.

Revolution in the Air is the definitive study of how radicals from the sixties movements embraced twentieth-century Marxism, and what movements of dissent today can learn from the legacies of Lenin, Mao and Che.

"E. H. Carr's History of Soviet Russia holds a unique position in the vast literature on Bolshevism and Soviet Russia. No other work on this subject comparable in scope and scale exists in English or in any other language, including the Russian." --Times Literary Supplement

Imagine a company where people love coming to work and are highly productive on a daily basis. Imagine a company whose top executives, in a quest to create the most "fun" workplace ever, obliterate labor-management divisions and push decision-making responsibility down to the plant floor. Could such a company compete in today's bottom-line corporate world? Could it even turn a profit? Well, imagine no more. In Joy at Work, Dennis W. Bakke tells the true story of this extraordinary company--and how, as its co-founder and longtime CEO, he challenged the business establishment with revolutionary ideas that could remake America's organizations. It is the story of AES, whose business model and operating ethos -"let's have fun"-were conceived during a 90-minute car ride from Annapolis, Maryland, to Washington, D.C. In the next two decades, it became a worldwide energy giant with 40,000 employees in 31 countries and revenues of $8.6 billion. It's a remarkable tale told by a remarkable man: Bakke, a farm boy who was shaped by his religious faith, his years at Harvard Business School, and his experience working for the Federal Energy Administration. He rejects workplace drudgery as a noxious remnant of the Industrial Revolution. He believes work should be fun, and at AES he set out to prove it could be. Bakke sought not the empty "fun" of the Friday beer blast but the joy of a workplace where every person, from custodian to CEO, has the power to use his or her God-given talents free of needless corporate bureaucracy. In Joy at Work, Bakke tells how he helped create a company where every decision made at the top was lamented as a lost chance to delegate responsibility--and where all employees were encouraged to take the "game-winning shot," even when it wasn't a slam-dunk. Perhaps Bakke's most radical stand was his struggle to break the stranglehold of "creating shareholder value" on the corporate mind-set and replace it with more timeless values: integrity, fairness, social responsibility, and a sense of fun.