A fresh look at a multifaceted minority culture

Studies of the Irish presence in America have tended to look to the main corridors of emigration, and hence outside the American South. Yet the Irish constituted a significant minority in the region. Indeed, the Irish fascination expresses itself in southern context in powerful, but disparate, registers: music, literature, and often, a sense of shared heritage. Rethinking the Irish in the American South aims to create a readable, thorough introduction to the subject, establishing new ground for areas of inquiry. These essays offer a revisionist critique of the Irish in the South, calling into question widely held understandings of how Irish culture was transmitted. The discussion ranges from Appalachian ballads, to Gone with the Wind, to the Irish rock band U2, to Atlantic-spanning literary friendships. Rather than seeing the Irish presence as “natural” or something completed in the past, these essays posit a shifting, evolving, and unstable influence. Taken collectively, they offer a new framework for interpreting the Irish in the region. The implications extend to the interpretation of migration patterns, to the understanding of Irish diaspora, and the assimilation of immigrants and their ideas.

Many of America's greatest artists, scientists, investors, educators, and entrepreneurs have come from abroad. Rather than suffering from the "brain drain" of talented and educated individuals emigrating, the United States has benefited greatly over the years from the "brain gain" of immigration. These gifted immigrants have engineered advances in energy, information technology, international commerce, sports, arts, and culture. To stay competitive, the United States must institute more of an open-door policy to attract unique talents from other nations. Yet Americans resist such a policy despite their own immigrant histories and the substantial social, economic, intellectual, and cultural benefits of welcoming newcomers. Why? In Brain Gain, Darrell West asserts that perception or "vision" is one reason reform in immigration policy is so politically difficult. Public discourse tends to emphasize the perceived negatives. Fear too often trumps optimism and reason. And democracy is messy, with policy principles that are often difficult to reconcile. The seeming irrationality of U.S. immigration policy arises from a variety of thorny and interrelated factors: particularistic politics and fragmented institutions, public concern regarding education and employment, anger over taxes and social services, and ambivalence about national identity, culture, and language. Add to that stew a myopic (or worse) press, persistent fears of terrorism, and the difficulties of implementing border enforcement and legal justice. West prescribes a series of reforms that will put America on a better course and enhance its long-term social and economic prosperity. Reconceptualizing immigration as a way to enhance innovation and competitiveness, the author notes, will help us find the next Sergey Brin, the next Andrew Grove, or even the next Albert Einstein.

In this comprehensive study, Bryan Giemza retrieves a missing chapter of Irish Catholic heritage by canvassing the literature of American Irish writers from the U.S. South. Beginning with the first Irish American novel, published in Winchester, Virginia, in 1817, Giemza investigates nineteenth-century writers contending with the turbulence of their time -- writers influenced by both American and Irish revolutions, dramatists and propagandists of the Civil War, and memoirists of the Lost Cause. Some familiar names arise in an Irish context, including Joel Chandler Harris and Kate (O'Flaherty) Chopin. Giemza then turns to the works of twentieth-century writers, such as Margaret Mitchell, John Kennedy Toole, and Pat Conroy. For each author, Giemza traces the impact of Catholicism on their ethnic identity and their work. Giemza draws on many never-before-seen documents, including the correspondence of Cormac McCarthy, interviews with members of the Irish community in Flannery O'Connor's native Savannah, Georgia, and Giemza's own correspondence with writers such as Valerie Sayers and Anne Rice. This lively history prompts a new understanding of how the Catholic Irish in the South helped invent a regional myth, an enduring literature, and a national image.

What is the "something in these hills" that ties mountain families to family land in the southern Appalachians? This ethnographic examination challenges contemporary theory and explores two interrelated themes: the duality of the southern Appalachians as both a menacing and majestic landscape and the emotional relationship to family land characteristic of long-term residents of these mountains. To most outsiders, the area conjures images of a beautiful yet dangerous place, typified by the movie Deliverance. To long-term residents, these mountains have a fundamental emotional hold so powerful that many mourn the sale or loss of family land as if it were a deceased relative. How can the same geographical space be both? Using a carefully crafted cultural lens, John M. Coggeshall explains how family land anthropomorphizes, metaphorically becoming another member of kin groups. He establishes that this emotional sense of place existed prior to recent land losses, contrary to some contemporary scholars. Utilizing the voices and perspectives of long-term residents, the book provides readers with a more fundamental understanding of the "something in these hills" that holds people in place.

A new vision of the Irish diaspora within the Atlantic context from the eighteenth century to the present. The Irish in the Atlantic World presents a transnational and comparative view of the Irish historical and cultural experiences as phenomena transcending traditional chronological, topical, and ethnic paradigms. Edited by David T. Gleeson, this collection of essays offers a robust new vision of the global nature of the Irish diaspora within the Atlantic context from the eighteenth century to the present and makes original inroads for new research in Irish studies. These essays from an international cast of scholars vary in their subject matter from investigations into links between Irish popular music and the United States—including the popularity of American blues music in Belfast during the 1960s and the influences of Celtic balladry on contemporary singer Van Morrison—to a discussion of the migration of Protestant Orangemen to America and the transplanting of their distinctive non-Catholic organizations. Other chapters explore the influence of American politics on the formation of the Irish Free State in 1922, manifestations of nineteenth-century temperance and abolition movements in Irish communities, links between slavery and Irish nationalism in the formation of Irish identity in the American South, the impact of yellow fever on Irish and black labor competition on Charleston's waterfront, the fate of the Irish community at Saint Croix in the Danish West Indies, and other topics. These multidisciplinary essays offer fruitful explanations of how ideas and experiences from around the Atlantic influenced the politics, economics, and culture of Ireland, the Irish people, and the societies where Irish people settled. Taken collectively, these pieces map the web of connectivity between Irish communities at home and abroad as sites of ongoing negotiation in the development of a transatlantic Irish identity.

The 1950s and 1960s were a transformative phase in modern Irish history. In these years, a conservative society dominated by the Catholic Church, and a state which was inward-looking and distrustful of novelty, gradually opened up to fresh ideas. This book considers this change. It explores how the intellectual movement Tuairim (‘opinion’ in Irish), was at the vanguard of the challenge to orthodoxy and conservatism. Tuairim contributed to debates on issues as diverse as Northern Ireland, the economy, politics, education, childcare and censorship. The society established branches throughout Ireland, including Belfast, and in London. It produced frequent critical publications and boasted a membership that included the future Taoiseach, Dr Garret FitzGerald. Tuairim occupied a unique position within contemporary debates on Ireland’s present and future. This book is concerned with its role in the modernisation of Ireland. In so doing it also addresses topics of continued relevance for the Ireland of today, including the Northern Ireland Peace Process and the institutional care of children.

Presents a collection of lessons and activities for teaching American history for students in middle school and high school.

This book provides scholarly perspectives on a range of timely concerns in Irish diaspora studies. It offers a focal point for fresh interchanges and theoretical insights on questions of identity, Irishness, historiography and the academy’s role in all of these. In doing so, it chimes with the significant public debates on Irish and Irish emigrant identities that have emerged from Ireland’s The Gathering initiative (2013) and that continue to reverberate throughout the Decade of Centenaries (2012-2023) in Ireland, North and South. In ten chapters of new research on key areas of concern in this field, the book sustains a conversation centred on three core questions: what is diaspora in the Irish context and who does it include/exclude? What is the view of Ireland and Northern Ireland from the diaspora? How can new perspectives in the academy engage with a more rigorous and probing theorisation of these concerns? This thought-provoking work will appeal to students and scholars of history, geography, literature, sociology, tourism studies and Irish studies.