A product of the Second Great Awakening of the nineteenth century, the Stone-Campbell Restoration Movement gave rise to such denominations as the Church of Christ (a cappella), the Christian Church (Disciples of Christ), and the independent Christian Churches/ Churches of Christ. While scholars have examined many of the historical, ecclesial, socio-cultural, and biographical dimensions of this indigenously American religious tradition, few have singled it out for philosophical exploration and critique. In Restoration and Philosophy, editor J. Caleb Clanton and a team of philosophers engage with the Stone-Campbell Restoration tradition to address issues related to epistemology, philosophy of science, philosophy of religion, moral philosophy, aesthetics, environmentalism, and race. Along the way, the authors help to contextualize the Stone- Campbell Restoration tradition within American religious history--and within Christian philosophy more generally--and they show its continuing relevance today. Scholars and students of philosophy and religious studies, as as well as ministers and those interested in this uniquely American Christian tradition, will benefit from this carefully edited, thoroughly researched, and highly readable collection of essays by eminent philosophers and religious scholars. J. CALEB CLANTON is University Research Professor and professor of philosophy at Lipscomb University in Nashville. His previous books include Philosophy of Religion in the Classical American Tradition and The Philosophy of Religion of Alexander Campbell.

This book is a history of philosophy that is not a history of philosophy. Brown shows how major figures in modern philosophy have restricted or reduced reason to some one function. A surprising quartet of philosophers can help us to recover a fuller appreciation of reason, but reason finds its fullest realization in the ancient and mediaeval tradition of Plato, Aristotle, Augustine, and Aquinas. From this tradition, Brown makes the compelling case that reason's uses in speculative philosophy, in morality, and in aesthetics are irreducibly distinct yet the products of one human capacity. Like Gilson, Brown uses figures in the history of philosophy, not for the writing of history, but for the doing of philosophy."--Steven E. Baldner, St. Francis Xavier University.

How is music implicated in the politics of belonging? Provocatively fusing recent European philosophy with music theory, Music and Belonging explores the instrumental music of Haydn, Mozart, and Beethoven, reveals connections between listening and constructions of community, and testifies to Classical music's enduring political significance in an age of neoliberal exclusion.

This volume is the first comprehensive collection of texts on the conservation of art and architecture to be published in the English language. Designed for students of art history as well as conservation, the book consists of forty-six texts, some never before translated into English and many originally published only in obscure or foreign journals. The thirty major art historians and scholars represented raise questions such as when to restore, what to preserve, and how to maintain aesthetic character. Excerpts have been selected from the following books and essays: John Ruskin, The Seven Lamps of Architecture; Bernard Berenson, Aesthetics and History in the Visual Arts; Clive Bell, The Aesthetic Hypothesis; Cesare Brandi, Theory of Restoration; Kenneth Clark, Looking at Pictures; Erwin Panofsky, The History of Art as a Humanistic Discipline; E. H. Gombrich, Art and Illusion; Marie Cl. Berducou, The Conservation of Archaeology; and Paul Philippot, Restoration from the Perspective of the Social Sciences. The fully illustrated book also contains an annotated bibliography and an index.

Ecological restoration is the process of repairing human damage to ecosystems. It involves reintroducing missing plants and animals, rebuilding soils, eliminating hazardous substances, ripping up roads, and returning natural processes such as fire and flooding to places that thrive on their regular occurrence. Thousands of restoration projects take place in North America every year. In Nature by Design, Eric Higgs argues that profound philosophical and cultural shifts accompany these projects. He explores the ethical and philosophical bases of restoration and the question of what constitutes good ecological restoration. Higgs explains how and why the restoration movement came about, where it fits into the array of approaches to human relationships with the land, and how it might be used to secure a sustainable future. Some environmental philosophers and activists worry that restoration will dilute preservation and conservation efforts and lead to an even deeper technological attitude toward nature. They ask whether even well-conceived restoration projects are in fact just expressions of human will. Higgs prefaces his responses to such concerns by distinguishing among several types of ecological restoration. He also describes a growing gulf between professionals and amateurs. Higgs finds much merit in criticism about technological restoration projects, which can cause more damage than they undo. These projects often ignore the fact that changing one thing in a complex system can change the whole system. For restoration projects to be successful, Higgs argues, people at the community level must be engaged. These focal restorations bring communities together, helping volunteers develop a dedication to place and encouraging democracy.

Over the last two centuries, Beethoven's music has been synonymous with the idea of freedom, in particular a freedom embodied in the heroic figure of Prometheus. This image arises from a relatively small circle of heroic works from the composer's middle period, most notably the Eroica Symphony. However, the freedom associated with the Promethean hero has also come under considerably critique by philosophers, theologians and political theorists; its promise of autonomy easily inverts into various forms of authoritarianism, and the sovereign will it champions is not merely a liberating force but a discriminatory one. Beethoven's freedom, then, appears to be increasingly problematic; yet his music is still employed today to mark political events from the fall of the Berlin Wall to the attacks of 9/11. Even more problematic, perhaps, is the fact that this freedom has shaped the reception of Beethoven music to such an extent that we forget that there is another kind of music in his oeuvre that is not heroic, a music that opens the possibility of a freedom yet to be articulated or defined. By exploring the musical philosophy of Theodor W. Adorno through a wide range of the composer's music, Beethoven and Freedom arrives at a markedly different vision of freedom. Author Daniel KL Chua suggests that a more human and fragile concept of freedom can be found in the music that has less to do with the autonomy of the will and its stoical corollary than with questions of human relation, donation, and a yielding to radical alterity. Chua's work makes a major and controversial statement by challenging the current image of Beethoven, and by suggesting an alterior freedom that can speak ethically to the twenty-first century.

Faking Nature explores the arguments surrounding the concept of ecological restoration. This is a crucial process in the modern world and is central to companies' environmental policy; whether areas restored after ecological destruction are less valuable than before the damage took place. Elliot discusses the pros and cons of the argument and examines the role of humans in the natural world. This volume is a timely and provocative analysis of the simultaneous destruction and restoration of the natural world and the ethics related to those processes, in an era of accelerated environmental damage and repair.

Using a recent controversy over ecological restoration efforts in Chicago as a touchstone for discussion, Restoring Nature explores the difficult questions that arise during the planning and implementation of restoration projects in urban and wildland settings.