Resonant Gaps examines the ways in which Charles Baudelaire exploited certain powers of figurative language while writing on music, particularly that of Richard Wagner. Unlike many recent music/literature studies, Margaret Miner focuses less on the possible convergences of text and music than on their productive distances and divergences. At the heart of this study is Baudelaire's 1861 essay Richard Wagner et Tannhauser à Paris, which is included in this volume in the French text of the 1861 Dentu edition. Called a "long-meditated work of circumstance" by its author, Richard Wagner is the only piece of music criticism that Baudelaire ever attempted, despite the prominence of music as a theme and a metaphor throughout his writings. In the essay, says Miner, Baudelaire strove to erase the distinction between reading about Wagner's music and listening to it. Continually sidestepping expectations and evading classification, Baudelaire makes connections among musical understanding, concrete or spatial distance, and the abstract or conceptual distance between different arts. Miner discusses such topics related to Baudelaire's project as his repertoire of textual and rhetorical maneuvers, including italicization, quotation, personification, digression, and metaphor; his assessment of the music's seductive ability to surround and suffuse the listener; and the misunderstandings about and prejudices against Wagner and his music that hampered its critical reception in France. Throughout her study, Miner also refers to similar literary undertakings by Liszt, Nietzsche, Mallarmé, and Proust, which involved the music of Wagner and Debussy. Miner argues that Baudelaire's aim in attempting to lessen or suppress various distances that he discovers between his text and the music is not to freeze movement entirely but to inscribe his writing on Wagner's music so that the two might travel together over an aesthetic landscape that shelters rather than separates them.

Helen Abbott examines the verse and prose poetry of Baudelaire and Mallarmé, together with their critical writings, to address how their attitudes towards the performance practice of poetry influenced the future of both poetry and music. Abbott considers the meaning of 'voice' in terms of rhetoric, the human body, exchange, and music, showing that Baudelaire and Mallarmé exploit the complexity and instability of voice to propose a new aesthetic situating poetry between conversation and music.

Provides a comprehensive introduction to the dynamic response of lattice materials, covering the fundamental theory and applications in engineering practice Offers comprehensive treatment of dynamics of lattice materials and periodic materials in general, including phononic crystals and elastic metamaterials Provides an in depth introduction to elastostatics and elastodynamics of lattice materials Covers advanced topics such as damping, nonlinearity, instability, impact and nanoscale systems Introduces contemporary concepts including pentamodes, local resonance and inertial amplification Includes chapters on fast computation and design optimization tools Topics are introduced using simple systems and generalized to more complex structures with a focus on dispersion characteristics

»Resonant Alterities« bridges the gap between sound studies and literary criticism. A queer ghost story by Vernon Lee, an occultist novel of psychic adventure by Algernon Blackwood, a dystopian science fiction tale by J.G. Ballard and a post-traumatic short novel by Don DeLillo are its primary objects of analysis. Each is explored within the context of its contemporary cultural debates on sound. Meanwhile, all four theory-enriched readings focus on intersecting and desire-laden processes of meaning making, knowledge production and subject formation. Focal points are aurally/audio-visually structured phenomena expressive of both collective and individual anxieties.

This volume contains the papers presented at the NATO Advanced Research Workshop on Localization and Propagation o[ Classical Waves in Random and Periodic Media held in Aghia Pelaghia, Heraklion, Crete, May 26- 30, 1992. The workshop's goal was to bring together theorists and experimentalists from two related areas, localization and photonic band gaps, to highlight their common interests. The objectives of the workshop were (i) to assess the state of-the-art in experimental and theoretical studies of structures exhibiting classical wave band gaps and/or localization, (ii) to discuss how such structures can be fabricated to improve technologies in different areas of physics and engineering, and (iii) to identify problems and set goals for further research. Studies of the propagation of electromagnetic (EM) waves in periodic and/or disordered dielectric structures (photonic band gap structures) have been and continue to be a dynamic area of research. Anderson localization of EM waves in disordered dielectric structures is of fundamental interest where the strong ei-ei interaction efFects entering the eIectron-localization are absent.

This book surveys semiconductor superlattices, in particular their growth and electronic properties in an applied electric field perpendicular to the layers. The main developments in this field, which were achieved in the last five to seven years, are summarized. The electronic properties include transport through minibands at low electric field strengths, the Wannier-Stark localization and Bloch oscillations at intermediate electric field strengths, resonant tunneling of electrons and holes between different subbands, and the formation of electric field domains for large carrier densities at high electric field strengths.

Phononic crystals are artificial periodic structures that can alter efficiently the flow of sound, acoustic waves, or elastic waves. They were introduced about twenty years ago and have gained increasing interest since then, both because of their amazing physical properties and because of their potential applications. The topic of phononic crystals stands as the cross-road of physics (condensed matter physics, wave propagation in inhomogeneous and periodic media) and engineering (acoustics, ultrasonics, mechanical engineering, electrical engineering). Phononic crystals cover a wide range of scales, from meter-size periodic structures for sound in air to nanometer-size structures for information processing or thermal phonon control in integrated circuits. Phononic crystals have a definite relation with the topic of photonic crystals in optics. The marriage of phononic and photonic crystals also provides a promising structural basis for enhanced sound and light interaction. As the topic is getting popular, it is nowadays presented and discussed at various international conferences. After the first ten years during which the topic has remained mainly theoretical with a few proof-of-concept demonstrations in the literature, the evolution has been towards applications, instrumentation, and novel designs. The physical explanations for various effects are now well understood and efficient numerical methods and analysis tools have been developed. The book contains a comprehensive set of finite element model (FEM) scripts for solving basic phononic crystal problems. The scripts are short, easy to read, and efficient, allowing the reader to generate for him(her)self band structures for 2D and 3D phononic crystals, to compute Bloch waves, waveguide and cavity modes, and more.

Fans of "Asterix the Gallic" know well that the only fear of people in Brittany is that the sky falls upon their head. So it must have been a shock for them (the fans of Asterix) to learn that a horde of Physicists and Dynamicists (some of them being actually Roman - ils sont fous ces Romains!) invaded the bay of Saint-Brieuc and spend a full week conjuring all the nastiness that the sky has in reserve, revelling in the horrors hidden beyond the blue dome; they talked with delight about "asteroids", "comets" and "meteor streams"; they grinned at the idea of "artificial satellites", these pots and pans of space always ready to fall upon you; some of them said strange things about the Moon, the planets, and evoked the "rings" of Saturn or of some other of their gods. One evening, a Roman from Pisa went as far as cornering some inhabitants in the large hut they used for their witchcraft and filled them with terror by describing the fate of the poor dinosaurs victims of a particularly nasty asteroid (or was it a comet?). You will be surprized to learn that Bretons did not exact a spectacular revenge for these offenses. On the contrary.

This book provides the theoretical background required for modelling photonic crystals and their optical properties, while presenting the large variety of devices where photonic crystals have found application. As such, it aims at building bridges between optics, electromagnetism and solid state physics. This second edition includes the most recent developments of two-dimensional photonic crystal devices, as well as some of the last results reported on metamaterials.