You can waste a lot of time looking. . . . Or you can pay me to find it for you. Brodie Farrell is a busy woman, what with running her one-woman firm Looking for Something? and raising her daughter. So on her night off, all she wants is to spend a relaxing evening teaching her friend Daniel Hood to drive. But the evening takes a disturbing turn when Daniel hits a young woman who seems to appear out of nowhere. The girl, Alison Barker, is mostly uninjured, but before she runs off she accuses Daniel of trying to kill her. The other man in Brodie's life, Detective Superintendent Jack Deacon, isn't much help; he's too busy investigating a dangerous new drug called Scram. But when Alison Barker turns up at the hospital, not as a result of the car accident but because of the lethal amount of Scram in her system, Jack is forced to get involved. Alison claims that the death of her father, a local purebred horse dealer, was murder---and that unless someone helps her, she'll be next. Brodie once again finds herself torn between the two men in her life---Daniel believes Alison's story, Jack doesn't. It's up to Brodie to infiltrate Alison's world of show jumping and discover the truth herself, before it's too late.

A guide to series fiction lists popular series, identifies novels by character, and offers guidance on the order in which to read unnumbered series.

You can waste a lot of time looking. . . . Or you can pay me to find it for you. Brodie Farrell is a busy woman, what with running her one-woman firm Looking for Something? and raising her daughter. So on her night off, all she wants is to spend a relaxing evening teaching her friend Daniel Hood to drive. But the evening takes a disturbing turn when Daniel hits a young woman who seems to appear out of nowhere. The girl, Alison Barker, is mostly uninjured, but before she runs off she accuses Daniel of trying to kill her. The other man in Brodie's life, Detective Superintendent Jack Deacon, isn't much help; he's too busy investigating a dangerous new drug called Scram. But when Alison Barker turns up at the hospital, not as a result of the car accident but because of the lethal amount of Scram in her system, Jack is forced to get involved. Alison claims that the death of her father, a local purebred horse dealer, was murder---and that unless someone helps her, she'll be next. Brodie once again finds herself torn between the two men in her life---Daniel believes Alison's story, Jack doesn't. It's up to Brodie to infiltrate Alison's world of show jumping and discover the truth herself, before it's too late.

Makine's most ambitious and uncompromising work, "Requiem for a Lost Empire" is a three-generation epic unfolding across 80 years of Russian history, from Czarist times to the fall of Communism. Sweeping readers into a Graham Greene-style thriller that opens up like a sinister Russian doll, this novel rivals the depth and ingenuity of Nabokov and the sweep of Tolstoy.

Satirical and raunchy look at football in which a former NFL linebacker looks back on his life after realizing he has a head injury caused by playing football.

Blackmailed by a rogue CIA operative to carry out three assassinations or see his best friend murdered, reluctant killer-for-hire John Rain struggles with numerous moral dilemmas as well as his growing certainty that the operative is hiding a more sinister agenda. 125,000 first printing.

During the summer of 1969-the summer Americans first walked on the moon-musician and poet Patti Smith recalled strolling down the Coney Island Boardwalk to a refreshment stand, where "pictures of Jesus, President Kennedy, and the astronauts were taped to the wall behind the register." Such was the zeitgeist in the year of the moon. Yet this holy trinity of 1960s America would quickly fall apart. Although Jesus and John F. Kennedy remained iconic, by the time the Apollo Program came to a premature end just three years later few Americans mourned its passing. Why did support for the space program decrease so sharply by the early 1970s? Rooted in profound scientific and technological leaps, rational technocratic management, and an ambitious view of the universe as a realm susceptible to human mastery, the Apollo moon landings were the grandest manifestation of postwar American progress and seemed to prove that the United States could accomplish anything to which it committed its energies and resources. To the great dismay of its many proponents, however, NASA found the ground shifting beneath its feet as a fierce wave of anti-rationalism arose throughout American society, fostering a cultural environment in which growing numbers of Americans began to contest rather than embrace the rationalist values and vision of progress that Apollo embodied. Shifting the conversation of Apollo from its Cold War origins to larger trends in American culture and society, and probing an eclectic mix of voices from the era, including intellectuals, religious leaders, rock musicians, politicians, and a variety of everyday Americans, Matthew Tribbe paints an electrifying portrait of a nation in the midst of questioning the very values that had guided it through the postwar years as it began to develop new conceptions of progress that had little to do with blasting ever more men to the moon. No Requiem for the Space Age offers a narrative of the 1960s and 1970s unlike any told before, with the story of Apollo as the story of America itself in a time of dramatic cultural change.

Requiem for a Lost City shows us the reality of Civil War Atlanta from the eve of secession to the memorials for the fallen, through the memories of a participant. Sallie Clayton would have been the same age as the fictional Scarlett O'Hara during the Civil War. Sallie Clayton's memoirs, however, are not a work of fiction but bittersweet reminiscences of growing up in a doomed city in the midst of losing a war. Although her memoirs provide invaluable detail on Civil War Atlanta, they also tell of her personal experiences on a plantation in Montgomery, Alabama, and in postwar Augusta and Athens. Sallie Clayton belonged to one of Georgia's wealthiest and most prominent families. Her memoirs are colored by the losses suffered by her family. Robert Davis's introduction to this work illustrates the background of the Claytons, Sallie's writings, and Civil War Atlanta, providing a balanced account of life at "the crossroads of the Confederacy." The introduction also provides a corrective to the popular, Gone With the Wind view of Civil War Atlanta.

The disappearance of the Edmund Fitzgerald remains one of the great unsolved mysteries in maritime history. Michael Schumacher relays in vivid detail the story of the Edmund Fitzgerald, its many productive years on the waters of the Great Lakes, its tragic demise, the search effort and investigation, as well as the speculation and the controversy that followed in the wake of the disaster. Michael Schumacher is the author of six books. He has written 25 documentaries on Great Lakes shipwrecks, including three about the Edmund Fitzgerald. "In his ballad, Mr. Lightfoot sang about the Fitz's final tense moments, when "the waves turn minutes to hours: Now the hours have lengthened into years and years into decades-but the allure of this doomed ship and its missing men remains as strong as ever."-Wall Street Journal