This work explores the discussion of the idealization of women in medieval and Renaissance texts. This book has three main goals: to show textual connections between literary masterpieces (and thus, delineate a literary history from within the texts) in order to show how authors consciously or unconsciously interact with one another regardless of time and boundaries; to present biographical and autobiographical heroines, their work and legacy; and finally to grasp man's imaginary world of women.

Examines interrelated topics in Medieval and Renaissance Latin literature: the status of women as writers, the status of women as rhetorical figures, and the status of women in society from the fifth to the early seventeenth century.

This collection explores a range of literary and historical texts from ancient Greece and Rome, medieval Iceland and medieval and early modern England to provide an understanding of wider historical continuities and discontinuities in representations of gender and revenge.

Compiled to complement a television course: Lets learn Japanese.

Gender and Exemplarity in Medieval and Early Modern Spain gathers a series of studies on the interplay between gender, sanctity and exemplarity in regard to literary production in the Iberian peninsula. The first section examines how women were con¬strued as saintly examples through narratives, mostly composed by male writers; the second focuses on the use made of exemplary life-accounts by women writers in order to fashion their own social identity and their role as authors. The volume includes studies on relevant models (Mary Magdalen, Virgin Mary, living saints), means of transmission, sponsorship and agency (reading circles, print, patronage), and female writers (Leonor López de Córdoba, Isabel de Villena, Teresa of Ávila) involved in creating textual exemplars for women. Contributors are: Pablo Acosta-García, Andrew M. Beresford, Jimena Gamba Corradine, Ryan D. Giles, María Morrás, Lesley K. Twomey, Roa Vidal Doval, and Christopher van Ginhoven Rey.

Examines interrelated topics in Medieval and Renaissance Latin literature: the status of women as writers, the status of women as rhetorical figures, and the status of women in society from the fifth to the early seventeenth century.

"Focuses on classical reception in the works of female authors active in Venice during the Early Modern Age. Explores the work of Moderata Fonte and Lucrezia Marinella and demonstrates how they used knowledge of texts by Virgil, Ovid, and Aristotle to promote gender-based egalitarianism"--

This is the first book which gives a general overview of women as subject-matter in Italian Renaissance painting. It presents a view of the interaction between artist and patron, and also of the function of these paintings in Italian society of the fifteenth and sixteenth centuries. Using letters, poems, and treatises, it examines through the eyes of the contemporary viewer the way women were represented in paintings.

In this cross disciplinary study of a seminal work of literature and its broader cultural impact, Franklin shows that the stories in Boccaccio's Famous Women were used to promote social ideologies in both Renaissance Tuscany and the dynastic courts of northern Italy. She brings needed clarification to the text by demonstrating that the moral criteria Boccaccio used to judge the lives of legendary women-heroines and miscreants alike-were employed consistently to tackle the challenge that politically powerful women represented for the prevailing social order.