A strange, thrilling novel about desperate love, paranoia, and heartbreak by one of America's most singular writers. “What’s new. What else. What next. What’s happened here.” Pitch Dark is a book about love. Kate Ennis is poised at a critical moment in an affair with a married man. The complications and contradictions pursue her from a house in rural Connecticut to a brownstone apartment in New York City, to a small island off the coast of Washington, to a pitch black night in backcountry Ireland. Composed in the style of Renata Adler’s celebrated novel Speedboat and displaying her keen journalist’s eye and mastery of language, both simple and sublime, Pitch Dark is a bold and astonishing work of art.

Like most children, Renata Haberer loved the train. The sound of the whistle. The gentle hum of wheels hugging the tracks. Chatting with passengers she did not know. Renata loved it all. But all that changed on an October day in 1940 when German soldiers forced Renata's family and her town's fellow Jews on a different kind of train for a destination unknown. It wasn't just Renata's love of trains that changed that day. Everything she cherished would never be the same. Based on actual events, Renata tells the story of a German girl born as Adolph Hitler comes to power. At first shielded by her parents of Nazi abuses and a world collapsing around them, Renata's facade of a normal childhood begins to crumble with Kristallnacht. Soon one horrific change after another shatters Renata's life, leading to a separation from her parents and ultimately a race to the Swiss border with a German soldier at her heels. No longer did Renata wish for a new doll or a new party dress-all she wished for was to be with her family. Geared to readers ages ten and up, Renata is authored by Helen Stein Behr, a long-time elementary school educator who approaches this true Holocaust story with a prose and sensitivity appropriate for readers of any age. Adults and children alike will find Renata to be a page-turning and riveting story of a young girl's despair, hope and courage - and a joyful ending that defied the odds.

Many times I have been asked: What is the book about? It is a story based in real facts transcribed from life itself where defenseless children at the mercy of a satanic and pederast father; children claiming for mercy when Sebastian Mairsen Levi sexually and physically abused them, as he abused the children of the county of Jaen, namely Andujar.vhe would rape them to later murder them and inter them in his farm. Renata is the oldest of five siblings born to Esmeralda del Mar, a famous singer, separated from her children due to an infamy carried out by Sebastian, her husband, who made usufruct of her fortune and was the one responsible for the disintegration of her home. When Moises Zaldivar Quinones heard Renata sang and saw she was the spitted image of her mother, he decided to have her trained for a destiny. Renata finally learned where the absent one had been kept for fifteen years. She returned to the Madrid of her childhood. She started to perform at the Moulin Rouge in Madrid, Esmeralda's former stage. Her voice and the resemblance to her mother were the helpers in carrying out her vengeance, bringing a chain of events resulting in the re appearance of her enemies. Moises Zaldivar is murdered and there is a murder attempt on her mother through a fire at her theater. Hence these were the reasons why she took justice in her own hands. She discovered friends among enemies, truth among lies, in what the world knew as: Renata's Revenge

Renata Richardson thought her dream summer job on a Mediterranean beach would be the just escape she needed. Instead, she becomes the target of a brutal attack by a group of wealthy businessmen, handpicked for their money and power. But Renata isn’t just another victim—they picked the wrong girl. After the local police turn a deaf ear to her report, Renata is fueled by rage and determined to mete out her own version of justice. And the hunt begins. She tracks down the private jet that delivered the men to the island, sneaking a look at the flight logs during a control tower tour to identify the plane. Armed with the pilot’s name, she begins to track down him and those who participated in the attack. This leads to a deadly, globetrotting spree of revenge, where Renata uses small, memorized details from the assault—a pinkie ring, a mole, an unusual voice—to make sure she’s never wrong about her target. Each man leads her to the next, and she cleverly finds a way to gain access to each one, using false identities and even disguises. As she works her way up the chain, she knows the real prize is still out there: the mastermind who orchestrated it all for an obscene amount of money, giving instructions while he watched the horrific crime unfold. But Renata isn’t the only one in pursuit. An FBI agent is soon hot on her heels, determined to bring her down before she can complete her mission. The tension builds as Renata races against time—can she track down every last one of them and catch the mastermind before the agent catches her? Will she get away with her vengeance, or will justice catch up with her first? Renata’s Revenge is a taut, high-octane thriller packed with clever twists, meticulous planning, and heart-pounding suspense. Perfect for fans of strong female leads and relentless justice. Note: The premise for this fictional story is based on the Jeffrey Epstein and Ghislaine Maxwell trafficking scandal.

Winner of the Hemingway Foundation/PEN Award, this is one of the defining books of the 1970s, an experimental novel about a young journalist trying to navigate life in America. When Speedboat burst on the scene in the late ’70s it was like nothing readers had encountered before. It seemed to disregard the rules of the novel, but it wore its unconventionality with ease. Reading it was a pleasure of a new, unexpected kind. Above all, there was its voice, ambivalent, curious, wry, the voice of Jen Fain, a journalist negotiating the fraught landscape of contemporary urban America. Party guests, taxi drivers, brownstone dwellers, professors, journalists, presidents, and debutantes fill these dispatches from the world as Jen finds it. A touchstone over the years for writers as different as David Foster Wallace and Elizabeth Hardwick, Speedboat returns to enthrall a new generation of readers.

This book examines Mexico's unique foreign relations with the US and Cuba during the Cold War.

'The disease he has is addiction,' Nina Renata Aron writes of her boyfriend. 'The disease I have is loving him.' Their affair is dramatic, urgent - an intoxicating antidote to the lonely days of early motherhood. But soon, K starts using again. Even as his addiction deepens, she stays, thinking she can save him. It's a familiar pattern, developed in an adolescence marred by family trauma - how can she break it? If she leaves, has she failed? In this unflinching memoir, Aron shows the devastating effect of addiction on loved ones. She also untangles the messy ties between her own history of enabling, society's expectations of womanhood and our ideas of love. She cracks open the feminised phenomenon of co-dependency, tracing its development from the formation of Al-Anon to recent research in the psychology of addiction, and asks uncomfortable questions about when help becomes harm, and when we choose to leave.

Step into a magical world of fanciful characters, animals, and landscapes that will delight adult coloring fans of fairy tales, landscapes, and whimsical drawings. Inspired by fairy tales and magical realism, artist Renata Krawczyk has created illustrations that will delight fans of coloring intricate scenes of fantasy and wonder. The beautiful drawings include such charming scenes as cottages adorned with fairy lights, delicate flowers, paper sailboats, tiny teacups, toadstools, hot-air balloons, unicorns, and more.

What is really going on here? For decades Renata Adler has been asking and answering this question with unmatched urgency. In her essays and long-form journalism, she has captured the cultural zeitgeist, distrusted the accepted wisdom, and written stories that would otherwise go untold. As a staff writer at The New Yorker from 1963 to 2001, Adler reported on civil rights from Selma, Alabama; on the war in Biafra, the Six-Day War, and the Vietnam War; on the Nixon impeachment inquiry and Congress; on cultural life in Cuba. She has also written about cultural matters in the United States, films (as chief film critic for The New York Times), books, politics, television, and pop music. Like many journalists, she has put herself in harm’s way in order to give us the news, not the “news” we have become accustomed to—celebrity journalism, conventional wisdom, received ideas—but the actual story, an account unfettered by ideology or consensus. She has been unafraid to speak up when too many other writers have joined the pack. In this sense, Adler is one of the few independent journalists writing in America today. This collection of Adler’s nonfiction draws on Toward a Radical Middle (a selection of her earliest New Yorker pieces), A Year in the Dark (her film reviews), and Canaries in the Mineshaft (a selection of essays on politics and media), and also includes uncollected work from the past two decades. The more recent pieces are concerned with, in her words, “misrepresentation, coercion, and abuse of public process, and, to a degree, the journalist’s role in it.” With a brilliant literary and legal mind, Adler parses power by analyzing language: the language of courts, of journalists, of political figures, of the man on the street. In doing so, she unravels the tangled narratives that pass for the resolution of scandal and finds the threads that others miss, the ones that explain what really is going on here—from the Watergate scandal, to the “preposterous” Kenneth Starr report submitted to the House during the Clinton impeachment inquiry, to the plagiarism and fabrication scandal of the former New York Times reporter Jayson Blair. And she writes extensively about the Supreme Court and the power of its rulings, including its fateful decision in Bush v. Gore.