Russianpainter Olga Suvorova is internationally known for her brilliantreinterpretations of English Pre-Rafaelite art, described by criticViktoriya Syslova as "amazingly modern in their exquisitetheatricality." Both exuberant and philosophical in mood, her richlydetailed worlds depict people who are somehow familiar to us, even intheir extravagant costumes.In this first-person account, accompanied by over 150 images of hercolorful paintings, Suvorova describes her background, earlyinfluences, and career spanning from the 1970s to today. Mysteriouscats, faithful dogs, ravishing birds, and beautiful flowers playsupporting roles in her paintings. Arevel of life, light, and energy, Suvorova's regal, Renaissance-styleart is universally loved because it offers a fresh take on a genre thatstill has wide popular appeal.

First Published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.

Four new titles in the series of comprehensive critical overviews of major literary movements in Western literary history The Renaissance was a turning point in the development of civilization. The great flowering of art, architecture, politics, and especially the study of literature began in Italy the late 14th century and spread throughout Europe and the Western world.

The Pagan Dream of the Renaissance recounts the almost untold story of how the rediscovery of the pagan, mythological imagination during the Renaissance brought a profound transformation to European culture. This highly illustrated book, available for the first time in paperback, shows that the pagan imagination existed side-by-side -- often uneasily -- with the official symbols, doctrines, and art of the Church. Godwin carefully documents how pagan themes and gods enhanced both public and private life. Palaces and villas were decorated with mythological images/ stories, music, and dramatic pageants were written about pagan themes/ and landscapes were designed to transform the soul. This was a time of great social and cultural change, when the pagan idea represented nostalgia for a classical world untroubled by the idea of sin and in no need of redemption.A stunning book with hundreds of photos that bring alive this period with all its rich conflict between Christianity and classicism.

The previous Variorum collection of studies by the late F. Edward Cranz focused specifically on Nicholas of Cusa. The present selection has an equally clear focus, but a far broader scope: it brings together materials on his major thesis, of a fundamental reorientation of the categories of thought in the Latin West, c. 1100 AD, a thesis that dominated his work from the 1960s onwards. The volume differs from the usual Variorum collection in that much of the material is hitherto unpublished, distributed only in 'samizdat' form to Cranz's friends and colleagues. Nancy Struever has collated and edited the versions of these papers, and supplied the necessary annotation for his references. It includes, too, some of the research related to his editions of the Late Antique Aristotelian commentator, Alexander Aphrodisiensis, and his early research on the reception of Classical and early Christian political thought, demonstrating the pertinence of this to the reorientation thesis. Cranz's argument, centering on Anselm's reading of Augustine, and Abelard's of Boethius, but dealing with Renaissance and Reformation figures such as Petrarch and Valla, Cusanus and Luther, Nifo and Zabarella, claims a reorientation in speculative genres of the most basic premises of the relations of mind, language, and reality. Cranz's meticulous close readings of the texts make the case that the reorientation was so deep and thorough as to problematise our modern readings of Hellenic thinkers such as Aristotle, and so radical as to be 'almost invisible' to the Medieval and post-Medieval thinkers. The definitions and distinctions of thematics in this collection are of intrinsic interest, then, to Classical and Late Antique, Medieval, Renaissance, and Early Modern intellectual historians. Indeed, Cranz's work vindicates serious intellectual historical inquiry as indispensable to our understanding of the basic motives and accomplishments of the culture of Pre-Modernity.

This volume is an attempt to discuss the ways in which themes of authority and gender can be traced in the writing of chronicles and chronicle-like writings from the early Middle Ages to the Renaissance. With major contributions by fourteen authors, each of them specialists in the field, this study spans full across the compass of medieval and early modern Europe, from England and Scandinavia, to Byzantium and the Crusader Kingdoms; embraces a variety of media and methods; and touches evidence from diverse branches of learning such as language and literature, history and art, to name just a few. This is an important collection which will be of the highest utility for students and scholars of language, literature, and history for many years to come.

This provocative volume, one of the most important interpretive works on the philosophical thought of the Renaissance, has long been regarded as a classic in its field. Ernst Cassirer here examines the changes brewing in the early stages of the Renaissance, tracing the interdependence of philosophy, language, art, and science; the newfound recognition of individual consciousness; and the great thinkers of the period—from da Vinci and Galileo to Pico della Mirandola and Giordano Bruno. The Individual and the Cosmos in Renaissance Philosophy discusses the importance of fifteenth-century philosopher Nicholas Cusanus, the concepts of freedom and necessity, and the subject-object problem in Renaissance thought. “This fluent translation of a scholarly and penetrating original leaves little impression of an attempt to show that a ‘spirit of the age’ or ‘spiritual essence of the time’ unifies and expresses itself in all aspects of society or culture.”—Philosophy

Concepts of heaven and hell are among the oldest, most widespread religious beliefs in history. In Western literature, they are frequently embedded in stories of underworld explorations and celestial journeys--stories examining the nature of the universe, life on earth and the existence of the gods. The author analyzes tales of wonder in both ancient and medieval European literature. Other-worldly narratives appeared in literary contexts in the ancient world, including mythology, poetry and philosophical writings. In medieval times, they remained a popular form of literary expression. These stories are primarily religious in nature, describing fantastic worlds filled with miracles and supernatural beings.

Essays from a range of disciplines examine different, but linked aspects of the social organization of Europe from the 13th to 16th centuries.

Tracing the combined story of physical and spiritual space from the Middle Ages to the present, Wertheim reveals the appeal of cyberspace and its ultimate failure to satisfy one's spiritual needs.