Remembering the Samsui Women tells the story of women from the Samsui area of Guangdong, China, who migrated to Singapore during a period of economic and natural calamity, leaving their families behind. In their new country, many found work in the construction industry, while others worked in households or factories where they were called hong tou jin, translated literally as "red-head-scarf," after the headgear that protected them from the sun. Contributing to current debates in the fields of social memory and migration studies, this is the first book to examine how the Samsui women remember their own migratory experiences and how they, in turn, are remembered as pioneering figures in both Singapore and China.

Shifting Currents: Glimpses of a Changing Nation is the first book to present a significant collection of Kouo Shang-Wei's most arresting images from his lifetime of photography. Kouo Shang-Wei (1924-1988) was a passionate and talented photographer who was particularly attuned to the passing of time. Over several decades spanning the 1950s to the late 1980s, Kouo's keen eye captured thousands of images of a rapidly changing Singapore, with his viewfinder most often focusing on the evolution of the Singapore River and its immediate environs. Today, his photographs of the Singapore River, Chinatown, the OCBC Centre, Sungei Road Market, Samsui Women, and more, provide us with a precious record of the fruits and price of modernisation. The photographs included in this book were carefully curated from the Kouo Shang-Wei Collection in the National Library, Singapore, by art historian, Zhuang Wubin.

Steampunk takes on Southeast Asia in this anthology The stories in this collection merge technological wonder with the everyday. Children upgrade their fighting spiders with armor, and toymakers create punchcard-driven marionettes. Large fish lumber across the skies, while boat people find a new home on the edge of a different dimension. Technology and tradition meld as the people adapt to the changing forces of their world. The Sea Is Ours is an exciting new anthology that features stories infused with the spirits of Southeast Asia's diverse peoples, legends, and geography.

This book is based on 18 life stories, as told by women over the age of 70 with roots in 27 different countries. Each story is analyzed as a unique account of individual experiences with strength, pain, and love. At the same time, their stories are a source of knowledge about major events in society over the past decades, where flight, migration, and encounters between different cultures have been a condition of life for many. Used as a framework for this book is visual artist Marit Benthe Norheim's project, Lifeboats, which consists of three sailing sculptures that symbolize different stages in women's lives: Longing-the young about to set out in life; Life-the pregnant in mid-life; and Memories-the ageing. It is the third boat and its 19 figureheads that this book is linked to. The narratives of the figureheads hold the common message that, in spite of differences, readers should remember the past and use their experiences to promote openness and tolerance. A Shipload of Women's Memories is based on a collaboration between Professor Ann-Dorte Christensen, Aalborg University, and visual artist, Marit Benthe Norheim. Journalist Marianne Knudsen contributed to the research and the interviews. This book was published with support from the Spar Nord Foundation. *** "Profusely and beautifully illustrated, 'A Shipload of Women's Memories' is impressively informative, thoughtful, and thoroughly 'reader friendly' in organization and presentation making it an unreservedly recommended addition to personal reading lists, as well as community and academic library Gender Studies collections and Migration Studies supplemental reading lists." --Midwest Book Review, Reviewer's Bookwatch: April 2017, Bethany's Bookshelf Subject: Gender Studies, Migration Studies]

A concise and compelling survey of Chinese migration in global history centered on Chinese migrants and their families.

This volume explores the life stories of ordinary Burmese by drawing on the narratives of individual subjects and using an array of interdisciplinary approaches. The constituted stories highlight the protagonists' survival strategies in everyday life that demonstrate their constant courage and frustration in dealing with numerous social injustices and adversities.

Situation is inspired by a number of concerns surrounding contemporary artistic production, presentation and reception.