128 rare, vintage photographs: 200 buildings — 79 of foreign governments, 38 of U.S. states — the original ferris wheel, first midway, Edison's kinetoscope, much more. 128 black-and-white photographs. Captions. Map. Index.

Chicago's 1933 world's fair set a new direction for international expositions. Earlier fairs had exhibited technological advances, but Chicago's fair organizers used the very idea of progress to buoy national optimism during the Depression's darkest years. Orchestrated by business leaders and engineers, almost all former military men, the fair reflected a business-military-engineering model that envisioned a promising future through science and technology's application to everyday life. But not everyone at Chicago's 1933 exposition had abandoned notions of progress that entailed social justice and equality, recognition of ethnicity and gender, and personal freedom and expression. The fair's motto, "Science Finds, Industry Applies, Man Conforms," was challenged by iconoclasts such as Sally Rand, whose provocative fan dance became a persistent symbol of the fair, as well as a handful of other exceptional individuals, including African Americans, ethnic populations and foreign nationals, groups of working women, and even well-heeled socialites. Cheryl R. Ganz offers the stories of fair planners and participants who showcased education, industry, and entertainment to sell optimism during the depths of the Great Depression. This engaging history also features eighty-six photographs--nearly half of which are full color--of key locations, exhibits, and people, as well as authentic ticket stubs, postcards, pamphlets, posters, and other it

Dora and her three sisters are fascinated by the World's Columbian Exposition held in Chicago in 1893.

With a selection of fine historic images from his best-selling book, Historic Photos of the Chicago World's Fair, Russell Lewis provides a valuable and revealing historical retrospective on the Chicago World's Fair. Chicago's World's Columbian Exposition, popularly called the Chicago World's Fair, or the White City, was the largest and most spectacular world's fair ever built. The exposition opened on May 1, 1893, and more than 21,000,000 people visited the fair during the six months it was open to the public. The White City was a seminal event in America's history that changed the way the world viewed Chicago. This volume tells the story of the fair from its construction in Jackson Park to its destruction by fire after the fair had closed. Photographs of the exhibition halls, state buildings, foreign buildings, indoor and outdoor exhibits, the attractions of the Midway, and the various ways to move about the fairgrounds give a sense of how visitors experienced this extraordinary time

The 1904 St. Louis World’s Fair was a major event in early-twentieth-century America. Attracting millions of tourists, it exemplified the Victorian predilection for public spectacle. The Fair has long served as a touchstone for historians interested in American culture prior to World War I and has endured in the memories of generations of St. Louis residents and visitors. In Whose Fair? James Gilbert asks: what can we learn about the lived experience of fairgoers when we compare historical accounts, individual and collective memories, and artifacts from the event? Exploring these differing, at times competing, versions of history and memory prompts Gilbert to dig through a rich trove of archival material. He examines the papers of David Francis, the Fair’s president and subsequent chief archivist; guidebooks and other official publications; the 1944 film Meet Me in St. Louis; diaries, oral histories, and other personal accounts; and a collection of striking photographs. From this dazzling array of sources, Gilbert paints a lively picture of how fairgoers spent their time, while also probing the ways history and memory can complement each other.

What came to be known as the World s Columbian Exposition was planned to commemorate the 400th anniversary of Christopher Columbus s 1492 landfall in the New World. Chicago beat out New York City, St. Louis, Missouri, and Washington, DC, in its bid as host a coup for the Windy City. The site finally selected for the fair was Jackson Park, originally designed by Frederick Law Olmsted and Calvert Vaux, a marshy area covered with dense, wild vegetation. Daniel H. Burnham and John W. Root were selected as chief architects, creating the famous White City. The fair featured several different thematic areas: the Great Buildings, Foreign Buildings, State Buildings, and the Midway Plaisance, a nearly mile-long area that featured exotic exhibits. The exposition also showcased the world s first Ferris Wheel and introduced fairgoers to new sensations like Cracker Jack, Pabst Beer, and ragtime music. The World s Columbian Exposition, covering 633 acres, opened on May 1, 1893. Admission prices were 50cents for adults, 25cents for children under 12 years of age, and free for children under six. Unfortunately, by 1896, most of the fair s buildings had been removed or destroyed, but this collection takes readers on a tour of the grounds as they looked in 1893."

She would appear in more than thirty films and be named after a Road Atlas by Cecil B. DeMille. A football play would be named after her. She would appear on To Tell the Truth. She would be arrested six times in one day for indecency. She would be immortalized in the final scene of The Right Stuff, cartoons, popular culture, and live on as the iconic symbol of the Chicago World’s Fair of 1933. She would pave the way for every sex symbol to follow, from Marilyn Monroe to Lady Gaga. She would die penniless and in debt. In the end, Sammy Davis Jr. would write her a $10,000 check when she had nothing left. Her name was Sally Rand. You can draw a line from her to Lana Turner, Marilyn Monroe, Raquel Welch, Ann Margret, Madonna, and Lady Gaga. She broke the mold in 1933 by proclaiming the female body as something beautiful and taking it out of the strip club with her ethereal fan dance. She was a poor girl from the Ozarks who ran away with a carnival, then joined the circus, and finally made it to Hollywood where Cecil B. DeMille set her on the road to fame with silent movies. When the talkies came, her career collapsed and she ended up in Chicago, broke, sleeping in alleys. Two ostrich feathers in a second-hand store rescued her from obscurity.