DIVDIVA group of thugs storms the Beaumont Hotel, and only Pierre Chambrun can stop the chaos/divDIVThere has been trouble in Central Park. Free concerts given on the great lawn have been ending in upheaval as gangs of toughs maraud through the crowd with bats, chains, and knives—taking what they want and crushing those who stand in their way. During a performance by red-hot diva Donna Ward, the park is peaceful. But afterward, the horde descends on the Beaumont Hotel, smashing the bar and storming the elevators in search of beautiful things to steal or destroy. /divDIV /divDIVIn the chaos, someone takes three shots at Victoria Haven, the onetime beauty queen who has, for decades, occupied the penthouse. After the throng is expelled from the premises, manager Pierre Chambrun tries to discover who would want to kill this harmless old glamour girl. But his investigation is about to be upended—for the riot is only the beginning of his trouble./div /div

Mirabelle's past is shrouded in secrecy, from her parents' tragic deaths to her guardians' half-truths about why she can't return to her birthplace, Beau Rivage. Desperate to see the town, Mira runs away—and discovers a world she never could have imagined. In Beau Rivage, nothing is what it seems—the strangely pale girl with a morbid interest in apples, the obnoxious playboy who's a beast to everyone he meets, and the chivalrous guy who has a thing for damsels in distress. Here, fairy tales come to life, curses are awakened, and ancient stories are played out again and again. But fairy tales aren't pretty things, and they don't always end in happily ever after. Mira has a role to play, a fairy tale destiny to embrace or resist. As she struggles to take control of her fate, Mira is drawn into the lives of two brothers with fairy tale curses of their own...brothers who share a dark secret. And she'll find that love, just like fairy tales, can have sharp edges and hidden thorns.

A poor art student living in New York stumbles on a bag of diamonds . . . but they come at a price in this unforgettable novel from "America's #1 storyteller" (Forbes). Matthew Bannon, a poor art student living in New York City, finds a duffel bag filled with diamonds during a chaotic attack at Grand Central Station. Plans for a worry-free life with his stunning girlfriend Katherine fill his thoughts - until he realizes that he is being hunted, and that whoever is after him won't stop until they have reclaimed the diamonds and exacted their revenge. Trailing him is the Ghost, the world's greatest assassin, who has just pulled off his most high-profile hit: killing Walter Zelvas, a top member of the international Diamond Syndicate. There's only one small problem: the diamonds he was supposed to retrieve from Zelvas are missing. Now, the Ghost is on Bannon's trail but so is a rival assassin who would like nothing more than to make the Ghost disappear forever. From the world's #1 writer comes a high-speed thrill ride of adrenaline-fueled suspense you'll never forget.

The twentieth anniversary edition of the “utterly and shamelessly sensational” history of punk music—featuring new photos and an afterword by the authors (Newsday). A contemporary classic, Please Kill Me is the definitive oral history of the most nihilistic of all pop movements. Iggy Pop, Lou Reed, Richard Hell, the Ramones, and scores of other punk figures lend their voices to this decisive account of that explosive era. Editors Legs McNeil and Gillian McCain—two of punk music’s greatest chroniclers—follow the movement from its roots in the 1960s underground of New York City, to its arrival in the UK with bands like The Sex Pistols and The Clash, to its unlikely emergence as a global cultural force whose impact is still felt today.

A NEW YORK TIMES NOTABLE BOOK · A NEW YORK TIMES BOOK REVIEW EDITOR'S CHOICE · 2022 LAMBDA LITERARY PRIZE FOR GAY FICTION FINALIST The debut novel from television WRITER/PRODUCER OF THE CHI, NARCOS, and BEL-AIR tells a fierce and riveting queer coming-of-age story following the personal and political awakening of a young, gay, Black man in 1980s New York City. "Consistently engrossing." —New York Times Book Review “Full of joy and righteous anger, sex and straight talk, brilliant storytelling and humor... A spectacularly researched Dickensian tale with vibrant characters and dozens of famous cameos, it is precisely the book we’ve needed for a long time.” —Andrew Sean Greer, Pulitzer Prize-winning author of Less Earl "Trey" Singleton III arrives in New York City with only a few dollars in his pocket. Born into a wealthy Black Indianapolis family, at 17, he is ready to leave his overbearing parents and their expectations behind. In the city, Trey meets up with a cast of characters that changes his life forever. He volunteers at a renegade home hospice for AIDS patients, and after being put to the test by gay rights activists, becomes a member of the AIDS Coalition to Unleash Power (ACT UP). Along the way Trey attempts to navigate past traumas and searches for ways to maintain familial relationships—all while seeking the meaning of life amid so much death. Vibrant, humorous, and fraught with entanglements, Rasheed Newson’s My Government Means to Kill Me is an exhilarating, fast-paced coming-of-age story that lends itself to a larger discussion about what it means for a young gay Black man in the mid-1980s to come to terms with his role in the midst of a political and social reckoning.

NOW WITH A NEW CHAPTER AND AN UPDATED RESOURCES SECTION Suicide has touched the lives of nearly half of all Americans, yet it is rarely talked about openly. In her highly acclaimed book, Susan Blauner—a survivor of multiple suicide attempts—offers guidance and hope for those contemplating ending their lives and for their loved ones. “Each word written with thoughtful intent; each story told with the deepest of honesty and humility, and in doing so Blauner puts forward a life-saving book."—Daniel J. Reidenberg, PsyD, Executive Director, Suicide Awareness Voices of Education (www.save.org) “I continued to romanticize my death by suicide: who would find me; what I’d look like. I spent hundreds of hours planning my funeral, imagining the remorse of my family and friends. I wrote good-bye letters, composed wills, and disrupted the lives of everyone close to me. Then reality hit.”—Susan Rose Blauner The statistics on suicide are staggering. The World Health Organization estimates that nearly 800,000 people die by suicide every year, which is one person every 40 seconds, and for each completed suicide there may be twenty or more attempts. In How I Stayed Alive When My Brain Was Trying to Kill Me, Susan Blauner is the perfect emissary for a message of hope and a program of action for these millions of people. A survivor of multiple suicide attempts, she explains the complex feelings and fantasies that surround suicidal thoughts. In a direct, nonjudgmental, and loving voice, she offers affirmations and suggestions for those experiencing life-ending thoughts, and for their friends and family. With an introduction by Bernie Siegel, M.D., this important, timely book has now been updated with a revised resources section, and a new chapter on the author’s experiences since the book’s initial publication.

A CrimeReads "Best Noir Novel of 2021" "A sucker punch noir that is also a powerful and haunting allegory of work, debt, and power." —Richard Price "An unreliable narrator makes this thriller all the more gripping." — WBUR A down and dirty gem of a tale—a twisty and twisted crime novel that evokes the worlds of George V. Higgins, Patricia Highsmith, and David Mamet, destined to be a Neo-noir classic. Rick and Frank are recovering addicts and accomplished house thieves. They do not steal randomly - - they steal according to order, hired by a mysterious handler. The jobs run routinely until they’re tasked with taking a seemingly worthless trophy: an object that generates interest and obsession out of proportion to its apparent value. Just as the robbery is completed, the two are involved in a freak car accident that sets off a chain of events and Frank disappears with the trophy. As Rick tries to find Frank, he is forced to confront his past, upending both his livelihood and his sense of reality. The narrative builds steadily into a powerful and shocking climax. Reveling in its con-artistry and double-crosses, Just Thieves is a nail-biting, noirish exploration of the working lives of two unforgettable crooks and the hidden forces that rule and ruin their lives.

One of the Most Anticipated Small Press Books of 2018 (Big Other) "Timmy Reed writes like a whacked–out angel." —Amber Sparks, author of The Unfinished World and May We Shed These Human Bodies Miles Lover is an imaginative but insecure adolescent skateboarder with an unfortunate nickname, about to face his first semester of high school in the fall. In Kill Me Now, Miles exists in a liminal space—between junior high and high school, and between three houses: his mother's, his father's, and the now vacant house his family used to call home in a leafy, green neighborhood of north Baltimore. Miles struggles against his parents, his younger identical twin sisters, his probation officer, his old friends, his summer reading list, and his personal essay assignment (having to keep a journal). More than anything, though, he wrestles with himself and the fears that come with growing up. It's not until Miles begins a mutually beneficial friendship with a new elderly neighbor—whom his sisters spy on and suspect of murder—that he begins to find some understanding of lives different than his own, of the plain acceptance of true friends, and, maybe, just a little of himself in time to start a whole new year. When you're green, you grow, he learns. But when you're ripe, you rot. With tenderness and tenacity, Timmy Reed's prose—written in a confessional tone via Miles's journal—captures the anguish and grit of adolescence, and the potential of growing up.

The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.

"I don't care who you hire, or what the company has to pay him … so long as he's the best there is." This anguished cry from the wife of murder victim Dean Milo would draw private investigator Bill Dear into one of the most frustrating and ultimately triumphant cases of his career. Dean Milo was a phenomenally successful businessman who had built a tiny family business into a $50 million-a-year corporation. Along the way he had established a lengthy list of enemies that began with his immediate family and stretched throughout the social and business community. His fast-track ride to the top came to a violent halt on August 11, 1980, when Milo was found dead in his luxurious Ohio home, shot twice in the head. A blank telegram form lay nearby. Four months after his death, the investigation remained a confusing collection of non sequiturs. Clues pointed toward Milo's involvement with the Mafia, the drug world, and the gay community. His own family refused to cooperate with the author¬ities. And time was ticking by … In desperation, Maggie Milo turned to Texas private eye Bill Dear. This is the gripping story of the remarkable collaboration between Dear and the police detectives of Akron, Ohio, that led to eleven convictions, an Ohio record. It is also a tale of the human weakness, desperation, and overwhelming greed that led to a sudden death.