Winner of the James Fenimore Cooper Prize for Best American Historical Fiction Francis "Gil" Gilheaney is a sculptor of boundless ambition, but bad fortune and pride have driven him and his long-suffering daughter Maureen into artistic exile in Texas just after World War I. When an aging rancher commissions Gil to create a memorial statue of his son who was killed in action, Gil believes it will be his greatest achievement. But as work proceeds on the statue, Gil and Maureen come to realize that their new client is a far more complicated man than they ever expected, and that he is guarding a secret that haunts his relationship with his son even in death.

A New York Times bestselling novel, modern historical classic, and winner of the TCU Texas Book Award, The Spur Award and the Wrangler Award for Outstanding Western Novel It’s 1836, and the Mexican province of Texas is in revolt. As General Santa Anna’s forces move closer to the small fort that will soon be legend, three people’s fates will become intrinsically tied to the coming battle: Edmund McGowan, a proud and gifted naturalist; the widowed innkeeper Mary Mott; and her sixteen-year-old son, Terrell, whose first shattering experience with love has led him into the line of fire. Filled with dramatic scenes, and abounding in fictional and historical personalities—among them James Bowie, David Crockett, William Travis, and Stephen Austin—The Gates of the Alamo is a faithful and compelling look at a riveting chapter in American history.

The story of Texas is the story of struggle and triumph in a land of extremes. It is a story of drought and flood, invasion and war, boom and bust, and of the myriad peoples who, over centuries of conflict, gave rise to a place that has helped shape the identity of the United States and the destiny of the world. “I couldn’t believe Texas was real,” the painter Georgia O’Keeffe remembered of her first encounter with the Lone Star State. It was, for her, “the same big wonderful thing that oceans and the highest mountains are.” Big Wonderful Thing invites us to walk in the footsteps of ancient as well as modern people along the path of Texas’s evolution. Blending action and atmosphere with impeccable research, New York Times best-selling author Stephen Harrigan brings to life with novelistic immediacy the generations of driven men and women who shaped Texas, including Spanish explorers, American filibusters, Comanche warriors, wildcatters, Tejano activists, and spellbinding artists—all of them taking their part in the creation of a place that became not just a nation, not just a state, but an indelible idea. Written in fast-paced prose, rich with personal observation and a passionate sense of place, Big Wonderful Thing calls to mind the literary spirit of Robert Hughes writing about Australia or Shelby Foote about the Civil War. Like those volumes it is a big book about a big subject, a book that dares to tell the whole glorious, gruesome, epically sprawling story of Texas.

It is Illinois in the 1830s, and Abraham Lincoln is an ambitious—if charmingly awkward—young circuit lawyer and state legislator. Among his friends and political colleagues are Joshua Speed, William Herndon, Stephen Douglas, and many others who have come to the exploding frontier town of Springfield to find their futures. One of these men is poet Cage Weatherby. Cage both admires and clashes with Lincoln, questioning his cautious stance on slavery. But he stays by Lincoln's side, even as Lincoln slips back and forth between high spirits and soul-hollowing sadness and depression, and even as he recovers from a disastrous courtship to marry the beautiful, capricious, politically savvy Mary Todd. Mary will bring stability to Lincoln's life, but she will also trigger a conflict that sends the two men on very different paths into the future.

The fragile, 1952 postwar tranquility of a young boy’s world explodes one summer day when a leopard escapes from the Oklahoma City zoo, throwing all the local residents into dangerous excitement, in this evocative story of a child’s confrontation with his deepest fears For Grady McClarty, an ever-watchful but bewildered five-year-old boy, World War II is only a troubling, ungraspable event that occurred before he was born. But he feels its effects all around him. He and his older brother Danny are fatherless, and their mother, Bethie, is still grieving for her fighter-pilot husband. Most of all, Grady senses it in his two uncles: young combat veterans determined to step into a fatherhood role for their nephews, even as they struggle with the psychological scars they carry from the war. When news breaks that a leopard has escaped from the Oklahoma City Zoo, the playthings and imagined fears of Grady’s childhood begin to give way to real-world terrors, most imminently the dangerous jungle cat itself. The Leopard Is Loose is a stunning encapsulation of America in the 1950s, and a moving portrait of a boy’s struggle to find his place in the world.

Originally published in 1984, Stephen Harrigan's passionate, emotionally intense second novel takes readers deep into the mysterious passageways of a Central Texas aquifer—and of the human heart. This edition includes a new afterword by the author.

Writing timeless essays that capture vanished worlds and elusive perceptions, Stephen Harrigan is emerging as a national voice with an ever-expanding circle of enthusiastic readers. For those who have already experienced the pleasures of his writing—and especially for those who haven't—Comanche Midnight collects fifteen pieces that originally appeared in the pages of Texas Monthly, Travel Holiday, and Audubon magazines. The worlds Harrigan describes in these essays may be vanishing, but his writing invests them with an enduring reality. He ranges over topics from the past glories and modern-day travails of America's most legendary Indian tribe to the poisoning of Austin's beloved Treaty Oak, from the return-to-the-past realism of the movie set of Lonesome Dove to the intimate, off-season languor of Monte Carlo. If the personal essay can be described as journalism about that which is timeless, then Stephen Harrigan is a reporter of people, events, and places that will be as newsworthy years from now as they are today. Read Comanche Midnight and see if you don't agree.

In four decades of writing for magazines ranging from Texas Monthly to the Atlantic, American History, and Travel Holiday, Stephen Harrigan has established himself as one of America’s most thoughtful writers. In this career-spanning anthology, which gathers together essays from two previous books—A Natural State and Comanche Midnight—as well as previously uncollected work, readers finally have a comprehensive collection of Harrigan’s best nonfiction. History—natural history, human history, and personal history—and place are the cornerstones of The Eye of the Mammoth. But the specific history or place varies considerably from essay to essay. Harrigan’s career has taken him from the Alaska Highway to the Chihuahuan Desert, from the casinos of Monaco to his ancestors’ village in the Czech Republic. Texas is the subject of a number of essays, and a force in shaping others, as in “The Anger of Achilles,” in which a nineteenth-century painting moves the author despite his possessing a “Texan’s suspicion of serious culture.” Harrigan’s deceptively straightforward voice, however, belies an intense curiosity about things that, by his own admission, may be “unknowable.” Certainly, we are limited in what we can know about the inner life of George Washington, the last days of Davy Crockett, or the motives of a caged tiger, but Harrigan’s gift—a gift that has also made him an award-winning novelist—is to bring readers closer to such things, to make them less remote, just as a cave painting in the title essay eerily transmits the living stare of a long-extinct mammoth.

From the author of the acclaimed and best-selling The Gates of the Alamo, a novel of extraordinary power about what it’s like, and what it means, to journey into space as one of today’s astronauts. At the novel’s center: Lucy Kincheloe, an astronaut married to an astronaut, the loving mother of two young children, with a fierce ambition to excel in the space program. Her husband, Brian, a rigorous man whose dreams of glory have been blighted by two star-crossed missions. Walt Womack, the steady, unflappable leader of the training team that prepares Lucy for her first shuttle flight. Lucy has devoted years of intense and focused effort to win her place on a mission, but as her lifelong dream of flying in space comes true, her familiar world appears to be falling apart around her. Her marriage is deteriorating. Her son’s asthma is growing more serious. Her relationship with Walt Womack is becoming dangerously intimate. And when at last she is in space, 240 miles above the earth, and an accident renders the world she left behind appallingly distant—perhaps unreachable—her spirit is tested in gripping and unexpected ways. In The Gates of the Alamo, Stephen Harrigan’s narrative authority brought a vanished nineteenth-century Texas to vibrant life. In Challenger Park, he does the same with the world of space flight, bringing us up close to the lives—the risks, the friendships, the rituals, the training—of the astronauts and the people who work with them. Harrigan has written an exciting—indeed a thrilling—novel about the contrary pulls of home and adventure, reality and dreams, and the unimaginable experience, the joys and terrors and revelations, of space flight itself.

In the fall of 2018, the University of Texas Press will publish the inaugural volume of the Texas Bookshelf, a major new history of Texas by Stephen Harrigan, the New York Times best-selling author. The Texas Bookshelf promises to be the most ambitious and comprehensive publishing endeavor about the culture and history of one state ever undertaken. Comprised of in-depth general-interest histories of a range of Texas subjects—politics, music, film, business, architecture, and sports, among many others—the Bookshelf volumes will be written by the state's brightest authors, scholars, and intellectuals, all affiliated with the University of Texas at Austin. Published in a signed edition, They Came from the Sky offers an exciting preview of Harrigan's sweeping, full-length history. This tantalizing "short" begins with the earliest native inhabitants over ten thousand years ago and continues through the ill-fated Spanish explorations of the sixteenth and early seventeenth centuries. In its pages, we encounter the prehistoric flint producers and traders who were Texas's first entrepreneurs; Spanish castaways and would-be conquerors; the Karankawas, Querechos (Apaches), and Caddos, whose lifeways were forever changed by contact with Europeans; and the "Lady in Blue," an abbess who mysteriously claimed to have visited the "Quivira and the Jumanas" in Texas while remaining within her Spanish cloister. Bringing Stephen Harrigan's formidable narrative talent to the founding story of Texas, They Came from the Sky constitutes the vanguard of a major publishing event.