A college-level introduction that invites students into biblical studies through creative, humorous re-telling of the basic biblical narratives. The Bible is foreign territory for students encountering it in introductory classes. Even those who have spent many years in church have rarely read much of it. To most of us it looks like a big collection of rules, lists, and theological arguments. But in reality, most of the Bible is made up of stories. Sometimes they re inspiring, sometimes they re funny, sometimes they re weird, but they re never dull. The best way to get into the Bible, says Robert Darden, is to get to know its stories. In this new approach to introducing the Bible to students, Darden covers the major biblical stories and characters, retelling them in such a way as to bring out their original humor and pathos, and inviting the student to encounter them more fully by moving into the text itself.

Fills a Need: For biblically based, thoroughly researched plays for a general audience. Is Fun: Laugh as members of the body of Christ sing and dance their way into your church. See others--and maybe yourself!--in the kindness of Heart, the gossip of Ear, the pride of Head, and the independence of Eye. Honors Women: Lets Mary tell Joseph of the angel Gabriel's visit. Recognizes Elizabeth's importance; she tells Luke 1 from her perspective. Is Funny: Human beings get in fixes and messes. Watch how God--with gentleness, humor, and tough love--delivers his people time and again. Encourages Participation: Suitable for actors ages nine to ninety-nine! Fosters Dialogue: Each play ends with Questions for Discussion. Shows Theology in the Making: Do theology the Godly way--with boots on the ground! Consider this evangelism model: The disciples have just seen the risen Lord Jesus ascend into heaven and can't wait to tell all Jerusalem! Invites Imagination: The characters in Proverbs gather in the marketplace and tell Simple Youth, a first-year university student, about their lifestyles. Which will he follow? Promotes This Concept: We all play our lives on stage to an audience of One: God.

The first of two volumes chronicling the history and role of music in the African American experience, Nothing but Love in God’s Water explores how songs and singers helped African Americans challenge and overcome slavery, subjugation, and suppression. From the spirituals of southern fields and the ringing chords of black gospel to the protest songs that changed the landscape of labor and the cadences sung before dogs and water cannons in Birmingham, sacred song has stood center stage in the African American drama. Myriad interviews, one-of-a-kind sources, and rare or lost recordings are used to examine this enormously persuasive facet of the movement. Nothing but Love in God’s Water explains the historical significance of song and helps us understand how music enabled the civil rights movement to challenge the most powerful nation on the planet.

What does the most infamous criminal proceeding in history--the trial of Jesus of Nazareth--have to tell us about capital punishment in the United States? Jesus Christ was a prisoner on death row. If that statement surprises you, consider this fact: of all the roles that Jesus played--preacher, teacher, healer, mentor, friend--none features as prominently in the gospels as this one, a criminal indicted and convicted of a capital offense. Now consider another fact: the arrest, trial, and execution of Jesus bear remarkable similarities to the American criminal justice system, especially in capital cases. From the use of paid informants to the conflicting testimony of witnesses to the denial of clemency, the elements in the story of Jesus' trial mirror the most common components in capital cases today. Finally, consider a question: How might we see capital punishment in this country differently if we realized that the system used to condemn the Son of God to death so closely resembles the system we use in capital cases today? Should the experience of Jesus' trial, conviction, and execution give us pause as we take similar steps to place individuals on death row today? These are the questions posed by this surprising, challenging, and enlightening book

Humor in the Gospels is the most comprehensive resource on Gospel humor to date. Terri Bednarz reviews and critiques a 150 years of biblical scholarship on the subject from little known journal articles and out-of-print books to the most well respected classical works of today. She covers a range of scholarly discussions on the various forms and functions of Gospel humor from frivolity to witty allusions to satirical barbs. She examines the barriers of associating humor with the Gospel depictions of Jesus, the difficulties of identifying humor in ancient biblical texts, and the advances of literary, contextual, and rhetorical approaches to recognizing Gospel humor. This important work includes an extensive bibliography for further study of Gospel humor in particular, and Biblical humor in general.

“Agony and hilarity,” said Norman MacLean, “are both necessary for salvation.” We Christians seem to know a lot about the agony part, but what about hilarity? Why do we have to remind ourselves so often that the Bible is full of funny and ridiculous stories and situations? Why do so few of the pictures we’ve drawn of Jesus show him laughing? Because we’ve forgotten the redemptive power of humor, that’s why. In Jesus Laughed, Robert Darden–senior editor of The Wittenburg Door, the world’s oldest, largest, and pretty much only religious satire magazine–draws on his years of experience deflating religious pomposity and making the faithful laugh to show why humor is so central to the faith, and how to make it a big part of your daily walk with God. Click here to listen to Terri Gross's interview with Robert Darden on NPR's Fresh Air about the Black Gospel Music Restoration Project. Darden runs the project at Baylor University where he is a journalism professor. The purpose of the project is to identify, acquire, preserve, record, and catalogue the most at-risk music from the black gospel music tradition, primarily between 1945 and 1970. Robert Darden is Associate Professor of Journalism at Baylor University in Waco, Texas. He served for 12 years as Gospel Music Editor for Billboard magazine, and since 1988 has been Senior Editor of The Wittenburg Door, the world’s oldest, largest, and “pretty much only” religious satire magazine. He is the author of more than 25 books, including the definitive People Get Ready! A New History of Black Gospel Music, which has been featured on National Public Radio, and Reluctant Prophets and Clueless Disciples, also published by Abingdon Press.

A challenge has been issued on matters of faith and Becky Garrison meets it head on in this witty yet poignant answer to the Anti-God gurus Richard Dawkins, Sam Harris, and Daniel Dennett. Becky Garrison, religious satirist and senior contributing editor for The Wittenberg Door, is taking a stand. Where most Christians assume the character of the Cowardly Lion chanting, "I do believe, I do believe, I do believe," Garrison refuses to simply thrust tracts at these self-proclaimed infidels. Instead, Garrison steels her pen and takes on the ungodly program of the New Atheists, skewering each argument with her sharp satiric wit. Garrison turns aside the atheists' assault without ignoring its real criticisms, namely, the church's inadequate response to war, evolution, medical ethics, social justice, and other important issues in the post-9/11 world.

"This second volume continues the journey, chronicling the role this music played in energizing and sustaining those most heavily involved in the civil rights movement"--Publisher.