Palmer Bullock has made a good life for himself. All of his many accomplishments have been based on his very high and rigid principles and his rules of ethical conduct. Some would think such a life grueling and unrewarding, but for Palmer, it is the easy way; rewarding in its certainty and pleasing to his sense of right and wrong. He has a good law practice, a generous gentleman's farm, a pretty wife, a son, and a daughter. Then, one remote act sets in motion a chain of events which, like cascading dominos falling one upon the next, upsets his entire world: his confidence in his rules of life, his confidence in his self-control and self-determination, and his belief in himself as a good man. The story of Palmer's fall includes passion overriding reason, questionable business dealings, a haunting injustice from the distant past, and the friendship of a lifetime. Jack Dawson, the author, was born in October of 1940, in Bainbridge, Georgia-a still-small town, in the southeastern part of the state, split evenly by the sleepy and serene Flint River-and grew up in Valdosta, Georgia, where he graduated high school in 1958. Being young and without sufficient direction or initiative to pursue an education, he joined the U. S. Navy and enjoyed nearly four years of great adventure at sea. This was in the day when all healthy males did their time in service to their country; sooner or later; by joining voluntarily, through the path to gentleman-hood offered by the ROTC in college, or by draft. After finishing his militarily obligation and being released from active duty, and having gained an immeasurably greater sense of maturity and personal responsibility, he decided to pursue a college education. He studied for a year at a local college, making the dean's list in order to offset his abysmal high school academic record, before he was then accepted at Georgia Tech, in Atlanta, where he majored in aerospace engineering. During his junior year, he, just by chance, took a ride with a friend in a two seat air plane; and his life would never the same. He quit school after finishing his junior year and, after applying was hired by a major airline to work in the engineering department, all the while learning to fly and building hours and, at night, earning a degree in Mathematics. Eventually, he was transferred to Flight Operations where he flew the big jets until retirement in 1999. He then moved to remote region of the West Virginia mountains, where he began to write in earnest. An urge to write had always been in the back of his head, kept there by the many obligations, necessary and otherwise, of day to day living. Soon, through the auspices of a new found friend, a sporting magazine writer, he was writing a weekly column for a local newspaper, and, aside from that, began writing a novel and converting some of his columns into short stories The writing of the short stories, he found, provided an interlude in his writing of the novel which allowed the characters therein to decide what they were going to do.

From bringing sunshine into cloudy day pictures to creating underwater effects, photographers can add realistic drama to their images with Photoshop. The techniques are all here, brilliantly illustrated and explained in this bestselling guide--now updated for the next version of Adobe Photoshop with new instructions and screen grabs. Find out about light sources; different types of light, such as candlelight and neon; manipulating light; and color temperature. Replicate classic studio lighting setups, and give portraits a touch of Hollywood glamour. Abundant information on shadows, projections, reflections, special effects, shortcuts for Mac and Windows, filters, and third-party plug-ins, make this is a must-have. "You'll be both inspired and informed with a new arsenal of techniques."--eDigitalPhoto "Higgins has written the comprehensive guide to creative lighting in the age of digital photography."--Digital Camera

Contains topics that range from glass joints, fixings and adhesives to architectural designs to the strength, stability and safety of glass. This book also covers issues such as laminates and composite designs, glass lighting, the curving and bending of glass and the many facades of glass.

This book is renowned for being the book to own to understand lighting! This is better than all the other how to books on the market which just provide set examples for photographers to follow. Light Science and Magic provides photographers with a comprehensive theory of the nature and principles of light to allow individual photographers to use lighting to express their own creativity. It will show you in-depth how to light the most difficult subjects such as surfaces, metal, glass, liquids, extremes (black-on-black and white-on-white), and people. With more information specific for degital photographers, a brand new chapter on equipment, much more information on location lighting, and more on photographing people, you'll see why this is one of the only recommended books by www.strobist.com.

Material Imagination in Architecture draws on history and the visual arts, and contemporary architecture to explore this popular theme in architectural practice and education. In the context of a discipline increasingly driven by digital production, this text explores architecture and making and the diverse influences on the material reality of architectural form: it argues that the crafts, fabrication and assemblage of its making remain vital elements of contemporary architectural language. This broad-ranging text bridges the gap between a technical or otherwise fragmentary knowledge of materials of the specialist, and the tacit or instinctive understanding of materials that the artist, sculptor or architect may have. It identifies key material themes pertinent to contemporary architectural debate and develops a discourse about future practice that is framed by environmental imperatives and grounded in a historical understanding of the meaning and use of materials. Material iconology in architecture is a well-established tradition and this book draws on that background to investigate the possibilities, and limits, of using materials in contemporary design to communicate the themes and contexts of an architectural project, a material’s relationship to context, and to the history of practices that belong to the traditions of making buildings. Each theme is explored in case studies from twelve countries around the world, including the UK, USA, Spain, Italy, Germany, Australia and China.