Set in Valencia, a poverty stricken city on the coast of Spain, this novel portrays the struggle of the common man against his environment. Based on the author's first hand experience in this area, the story centres around three generations of a poor Valencian family (circa 1900) who are as divided in their views on how to get along in this hostile world as any three individuals can be. The old grandfather, pampered by the villagers and extremely pig-headed, sees fishing, along with a little illegal hunting on the side, as the only means of maintaining one's dignity. His son, on the other hand, who is blessed with high intelligence, as well as with a powerful physique, looks upon fishing and especially upon illegal hunting as degrading, and sees emancipation only in land cultivation. But land is more easily yearned for than acquired. The grandson, strong, handsome, and brash, looks upon fishing with loathing and upon cultivation as unrewarding labour. This, however leaves him with nothing, causing him to become involved where he can bring pain not only to others, but also to himself.

Soap In The River When a burnt-out television director takes his family farming - it is to a countryside steeped in history, saturated with racism and blessed by more hilarious encounters than comets in the wild African sky. They are the only English speakers in a community of ultra-conservative Afrikaners. Their attempts at social adventure, sophisticated floriculture and animal husbandry are sometimes ill-advised, always intriguing and often doomed to hysterical failure. Set against the backdrop of an ancient land, a short drive from the Cradle of Mankind itself, this is a revealing portrait of life in a small farming community. People wrestling with todays problems and prejudices. There is a political corruption and farm murder. There are also the laughable events of incredible and embarrassing naivet. All the wrong decisions for all the right reasons. Despite it all and against the odds they succeed, only to be wiped out in the vortex of the World Trade Centre terrorist attacks which reach across the world to engulf them and their enterprise. An amazing and human story of passion and emotion and downright intrigue. A story so unusual it could only happen in real life. As unusual soap in a river!

Picture the Past is an inspiring collection of art ideas to recreate history for children aged five to 11. The periods covered are Egyptian, Greek, Roman, Tudor and Stuart, Victorian and 20th century.

Reproduction of the original: The Drama of the Forests by Arthur Heming

The Music of The Reeds speaks about the inner feelings, aspirations, and agonies of Jalaludin Rumi and the glory of love in his personal life that made him to become the greatest mystic poet of all times. Mowlana Jalaludin Balkhi, known also as Rumi was born in Balkh, Afghanistan in 1206 AD. His father Bahaudin-walad, the most prestigious scholar of Khurasan decided to leave Balkh and move to Konya, Turkey just before the Mongolian invasion of Islamic countries in 1221 AD. The story begins with Jalaludin's childhood when he was joyfully playing with his friends in the reed beds in the city of Balkh, and continues until he meets Shams Tabrizi, and a young girl by name of Kimia, the two people that Jalaludin was deeply touched and inspired by to think differently.

1.Introduction 2.The Arab Region 3.The origins of architecture 4. Traditional materials for construction 5. Traditional structures 6.Shelter in the Arab Region 7.The planning elements 8.Water and waste management 9.Traditional design strategies 10.Exceptions to the rule 11.Case studies 12.Western vs Eastern ways 13.Appendix.

Early in its history, anthropology was a visual as well as verbal discipline. But as time passed, visually oriented professionals became a minority among their colleagues, and most anthropologists used written words rather than audiovisual modes as their professional means of communication. Today, however, contemporary electronic and interactive media once more place visual anthropologists and anthropologically oriented artists within the mainstream. Digital media, small-sized and easy-to-use equipment, and the Internet, with its interactive and public forum websites, democratize roles once relegated to highly trained professionals alone. However, having access to a good set of tools does not guarantee accurate and reliable work. Visual anthropology involves much more than media alone. This book presents visual anthropology as a work-in-progress, open to the myriad innovations that the new audiovisual communications technologies bring to the field. It is intended to aid in contextualizing, explaining, and humanizing the storehouse of visual knowledge that university students and general readers now encounter, and to help inform them about how these new media tools can be used for intellectually and socially beneficial purposes. Concentrating on documentary photography and ethnographic film, as well as lesser-known areas of study and presentation including dance, painting, architecture, archaeology, and primate research, the book's fifteen contributors feature populations living on all of the world's continents as well as within the United States. The final chapter gives readers practical advice about how to use the most current digital and interactive technologies to present research findings.